The Halcyon Wines Story; Living Amy and Olly’s Wine Adventure

Amy and Olly Hopkinson-Styles are the winemakers, creators, experimenters, and characters behind Halcyon wines (pronounced “Hal-see-yon”). Their wine, Halcyon Days, is an organic label in Hawke’s Bay, producing boutique wines that will challenge your mind and excite your palate – all with no additions.

Amy was born in the Bay of Islands but moved all over New Zealand while growing up. After studying Politics at Otago University showed her that she didn’t like conflict, she went back to her roots of working in kitchens and, with a love of “sensory culture and sharing of food”, decided to be either a chef or Winemaker. She did her postgraduate winemaking studies at Lincoln University in 2002. As a lover of Champagne, Amy wanted to move there to learn from the masters. Her plans were challenged during a vintage at Vidal with Rod McDonald, who told her, “Champagne is boring – red wine is where it’s at.” It happened to hail in Champagne that year, which also saw a heatwave throughout Europe – not exactly Amy’s dream vintage. She was catching up for a drink with a friend who knew of someone in Spain seeking Winemakers immediately and asked if she was keen, so she took a role. That position turned into a full time offer after vintage was done.

Olly grew up in Oxfordshire, and when asked about his childhood, he said, “have you ever seen the Inbetweeners TV series? Growing up was basically that: similar characters, dialogue, setting and situations – well, to a degree.” He studied English Literature and French at the University of London and did a year’s graduate study on modern literature (lettres modernes) at the Sorbonne in Paris, where he also interned in an art-house film production company. Some of his work placement experiences were “cool”, to say the least – like briefly interning at Spectator magazine while Boris Johnson was editor. He also had a week’s stint at wine magazine Decanter, writing news, and realised he was drawn to the discipline. Olly joked that he walked straight out of university and put his degree to work stocking shelves at the local supermarket.

After a year of this, his Dad sat down at the end of his bed and said, “look, it’s the military or teaching…” Olly jokes that he still thinks the military missed out on him, but by chance was offered a job with Decanter part-time only a few days after the parental ultimatum. Part of his job, which exposed him to thousands of wines from around the world, included assisting in setting up the Decanter World Wine Awards.

Meanwhile in Spain, Amy worked for Jorge Ordonez, and had the privilege of setting up Bodegas Cenit and Bodegas Triton, in Tierra del Vino de Zamora. Among her countless and enviable experiences with wine, like working with ancient, bush-vine Tempranillo, Amy also started studying for the Master of Wine qualification. She recalls the many people she got to meet, and the even more wines she was able to taste. Among the top of her memories is learning from wine buyers and sommeliers who had experienced palates, as well as getting to sit on numerous judging panels, which put her in the same room of judges for wines from countries all over the world.

Amy and Olly met in 2008 at the Decanter World Wine Awards in London. Amy was on the Spanish wine judging panel, and Olly was there on staff. Olly moved to Spain in 2009 to be with Amy, and to do his first vintage at her winery, a memory the two of them still laugh about. Olly was apparently a bit revolutionary and attempted to cause a general strike. The next year he worked with Al Gardner (now at Grava in Martinborough) in a winery in the northwest, making Godello, and remembers the “bachelor life” and consuming lots of “greasy pies and Coca Cola,” before going to Chablis the year after for vintage where he got to play with a heap of Grand and Premier Cru vineyards. He describes it as the quintessential “big chateaux, with big dinners, classic France” and in accepting the position, expected he would get to drink a lot of amazing wines; he soon realized his vintage team consisted of two recovering alcoholics. He ended up getting wine from the Cellar Door and drinking it on his own after dinner in the dorms; it wasn’t exactly the experience he was anticipating but was great anyhow. He describes the first wine he made, and I’ll let his words speak for it: “my first homemade wine was from 100 year-old vines. I wanted to start fermenting spontaneously but it never really started – it must’ve been too cold in the small bodega I was using. I had to inoculate it in the end but it never lost that slight nutty oxidation note. It won gold in home winemaking competition for the region. If that won gold, I’d hate to think what it was up against…” Other home winemaking trials included harvesting underripe Malvasia bunches and hanging them to dry on a clothes rack and in an abandoned fridge. The resulting wine was an unmitigated disaster.

Even though Amy was working in Spain, she came home for the Cloudy Bay vintage in 2004, and the Brokenwood vintage in Australia in 2005, where she credits much of what she learned about technical winemaking – and the onset of her arachnophobia. “I don’t like spiders. I won’t work in the Hunter Valley again!” She tells the story of how the winery engineer would “hide fake spiders and snakes where I had to put my hands!” She remembers “water blasting spiders out of picking bins everywhere”, but among those memories is “trying some amazing wine”. She also met some Italian friends from Tenuta de Valgiano, who ended up bringing her into the biodynamic world in Italy, where she got to work in biodynamics and see it in action. That’s where she gained her belief in biodynamics and spent five years returning to that producer. She brought some of the philosophies back to her job in Spain, where she could explore them further.

By the time 2012 came around, Amy and Olly’s life in Spain felt different. After the financial crisis, unemployment rates were rising, and it seemed like time to move back to New Zealand. They also wanted to have kids, so came back to get married and start their family. Amy, got a Winemaking position at Craggy Range. Olly worked vintage in the cellar at Vidal, and eventually became an Assistant Winemaker there.

Amy and Olly considered all the New Zealand wine regions when moving home, and although they have friends in Martinborough and love the region, they chose Hawke’s Bay because they were drawn to the slightly bigger, diverse food and wine culture, along with the mountains, oceans and beaches. The Steiner school and community here also align with their philosophies.

In 2018, Amy and Olly did their first vintage of Halcyon. Amy recalls being “in a deep fog” with two young boys who were not sleeping well. She was working with Rod McDonald at Te Awanga Estate, who was kind enough to give them access to Organic grapes to get Halcyon started. Amy says, “we would not have been able to do it without him”.

Halcyon only uses organic fruit that’s Biogro certified. They don’t use any additions either. Their goal down the road is to own their own vineyard that they can manage exactly as they like. For now, they use Hawke’s Bay Wine Co. but do the winemaking themselves. Note that they “pick earlier than some people but think it’s the perfect window and optimum ripeness for our style.” They “want a bright natural acidity on the lighter bodied, lower alcohol spectrum”.

The name “Halcyon” is linked to Spain, where they worked in a region that was at 500 meters altitude, but the mountains were far away. They describe a “massive blue sky, sunny and hot, long summer, short autumn, freezing cold, foggy winters” and the “perfect weather for growing grapes”.

Halcyon Days evokes a “a nostalgic remembering of the golden times” and “refers to a time past when everything was beautiful and golden and perfect – what you want vintage to be, what Hawke’s Bay is like. Sunshine and light”.

“Kotare” is Halcyon’s skin-fermented Sauvignon Blanc, with a touch of Gewürztraminer and Pinot Noir Rosé. The name references the New Zealand native Kingfisher. It comes from a vineyard Amy has a familiar love of: the Osawa vineyard in the Mangatahi subregion of the Bay, settled along the Ngaruroro river. This wine is Olly’s secret favourite if he had to pick one. Despite the general blasé feelings many Kiwi Winemakers have towards the all too famous grape, Olly was inspired by a special interview with Dider Dagueneau, a renown Sauvignon Blanc winemaker from Pouilly Fume. Olly describes his wines as “amazing, lean, austere, mineral… almost unpleasant but stunningly beautiful.” Olly explains that he has “always had a thing for Sauvignon Blanc” and that it’s “such a great grape” and he “loves working with the skins.”

When describing their Rosé, Ruth, they used adjectives like “texture,” “structure,” “chalky,” and asked “is it Orange Wine or is it Rosé – who knows?” With the blend of Pinot Gris, Syrah and Pinot Noir, they’re definitely not afraid to experiment and make wines they describe as “not definable” and “whatever you want it to be.” Ruth is a collaboration with chef Conor Mertens, who began setting up Ruth – a pop-up dining experience – when he moved to Hawke’s Bay from Auckland. Halcyon Day’s red Syrah, Luz, is named in Spanish for “light” and is predominantly whole-bunch fermented.

In 2020 they made ten tons of fruit into three wines, one of which they pulled from to make a Pet-Nat in keg for Brave Brewing (long-since sold out). Their keg experimentation has led to some great results. Amy laughed at their initial feelings that “we thought we might be making bombs – but nothing exploded!” Brave liked the idea, so gave them some kegs to give it a go in. They’re proud of the fact that, with kegs, “every glass pour is the same, and they’re environmentally awesome,” and you can’t beat the nostalgia of “going back to how you would have done it 200 years ago…” although they joke that it “doesn’t look nostalgic when you order it in a bar.” They also want to make an oxidative, Sherry-style wine inspired by the wines of the Jura. They love the fun they get to have playing with Pet-Nats, kegs, unique varietals, and getting to work for themselves. What they say they love most though, is “the fact that all of [the wines] are totally ours and exactly what we want to do.”

Amy’s typical day now involves taking the kids to school, working at Workroom Coffee part-time, being a barrel agent, sitting on the Hawke’s Bay Winegrowers board, and even doing a bit of contract winemaking! Her schedule allows her to work on Halcyon when she needs, and to be there for the kids too. The fact that she’s a barrel rep is ironic to her, because for Halcyon they don’t use new barrels themselves. However, the job has provided invaluable networking and tasting opportunities, as well as pre-Covid trip to Burgundy.

They both admit that they love working together but it can be a challenge at times, as many married couples could imagine, not to mention that having two Winemakers in the family “is not good for the budget.” They joke about the comment of a friend, Matt Kirby, who said, “I’m surprised you guys are working together – wouldn’t have suggested it.”

Amy and Olly recalled their “biggest fight” when they painted their spare room in Spain. “Let’s agree to never paint anything together again,” they had decided, but winemaking is different. Despite the odd argument, by working together, it forces them to “justify everything to the other person,” which for them is a good thing because they have to think and talk through each decision until they find the best one. Amy spends more time in the market, and runs the Halcyon Instagram, so sometimes consumers don’t realize Olly is fully involved. Other big challenges have been trying to find organic fruit in Hawke’s Bay, as well as juggling family life, day jobs, and everything they’ve got going on with Halcyon. Production amounts are small, and they sell out. Their challenge is finding a way they can increase production so they can satisfy demand for their wines.

The challenges are outweighed by the rewards however, such as Amy being a member of Hawke’s Bay Winegrowers Board. She takes the responsibility on “to be a voice for small producers”. She “joined the board because [she] wants to do better and be better,” and that drives her. They also relish opportunities to work with chefs, label designers, and enjoy any collaborations. Amy even noted at the expense of some laughter from Olly that “Wine Warehousing is amazing. That’s niche! They’re really accommodating and lovely.” Olly joked, “how about that for a quote? Shout out to my peeps Alice and the team at Wine Warehousing!”

Over the years, Amy and Olly have had opportunity to try some of the most well-known, esteemed wines in the world, so I was curious what some of their most memorable were. For Olly, it was a 1996 Dujac from Burgundy, although he also has a distinct memory of the first Fino Sherry he sampled. “I thought I would be immediately sick. The moment I put it in my mouth, I loathed it. Now I absolutely adore it. Your initial perceptions aren’t always right. It’s a journey.” Amy’s memory is a 1990 Salon Blanc de Blancs, an aged Champagne, along with a trip in Jerez she got to do with some small producers who “got carried away in the cellar and said let’s try this and that.” She still recalls the “smell of it and summer”. They also had the rare opportunity to try something with their flatmate, John, that will make all of us wine fans jealous. He blindly poured them something one night, and had them guess. They remember thinking, “this is really good Burgundy. This can’t be DRC, can it John?” It was.

In all seriousness, industry life has taught Amy and Olly the importance of community. They both share the belief of “my strength is not the strength of one, it’s the strength of many. That’s really important”. Olly’s learned to not over-indulge, which is one reason they like their wines to be table friendly and lower in alcohol. Through his experiences he’s learned that excess is not a way to live. “It’s joking and it’s true. We work with alcohol. It’s not healthy. We forget it’s about being an accompaniment. Not a means on its own. Being social. Enjoying a meal. Your place with other people.” Amy has learned the value in a sense of place, and the joy she finds in being connected to the home of her fruit.

Olly mentions how in his past jobs, they were either all physical with little mental stimulation, or all mental with no physical elements; the wine industry combines the two, and for him, that’s key. He loves how this industry is “fully encompassing.”

He also made an important observation that it “is not well paid, so you find people in the industry because they love it.” Isn’t that the truth?

To try Halcyon wines, and to stay in touch with Amy, Olly and their adventures, check out their website, and follow them on Instagram.

The Decibel Story; How A Glass of Wine Lead to A Move Across the World

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Daniel Brennan, or “Decibel Dan” as he’s better known, was born in Syracuse, New York, and raised near Philadelphia. He is one of 5 children in a Catholic family, and with his mother having ties to Europe and Italy, plus the family diner, Sicilian food and wine culture was his normal.

His Great Aunt and Uncle owned a beer and shot bar in what Dan describes as “a rough hood.” He says, “I remember going as a kid at 10.00am, and it was packed from the night shift workers. It was busy all day and all night.” Dan’s Uncle, who had been living in France, returned to the States when Dan was 16. At the time, his Great Aunt and Uncle were looking to sell the bar, so his parents and uncle purchased it together and transformed it into an Irish Pub featuring Mediterranean cuisine. Dan began working there, at McCrossens Tavern, and dabbled in almost every role, from dishwasher, to front of house, working in the kitchen and bar tending. McCrossens exposed him to quality made beers and wines, and Dan sunk into the cosmopolitan environment of the city. Dan’s first memorable experiences with wine follow a common thread: Martinborough Pinot Noir. He tried a Palliser Estate, a Dry River and a Martinborough Vineyards Pinot Noir, and he says he can still feel the experience of the wines stopping him in his tracks, making him think, “what was that?”

When I asked Dan what some of his other favourite wines are, he responded with, “Italian whites.” The reason is because “they’re so good at it.” He mentioned they’ve been making many styles of wines for thousands of years, across so many regions. “There are a billion varietals; it’s almost a cop out,” he said as he laughed. He recalls drinking an Italian wine across 4 days and noticing that it got better every day. “It made me reconsider everything I was doing. They thought about it as a different kind of drink. It was way too good to be an accident.”

After he graduated high school, Dan went on to study Political Science and Philosophy at The Catholic School of America in D.C. Although Dan’s study aligned with his interest in Philosophy, Politics and History, life eventually led him to another industry, and it wasn’t wine just yet. A childhood friend of Dan’s sent him the first CD he’d produced with his band and asked if Dan would help organize a bar gig for them. He agreed, and it proved both enjoyable and successful; he was asked to organize again the following year, and then eventually to manage the band. He managed Seeking Homer for 6 years, touring North America with them until he was 27 years old. Dan came away from that experience with some amazing memories; the band played with big names like Maroon 5, but also some of Dan’s “musical heroes,” Levon Helm, David Johansen, Richie Havens, David Byrne and Ryan Adams.

Eventually, touring life took its toll on everyone, and with the increasing popularity of sites like Napster, the landscape of selling albums changed. Dan transitioned back home, and began working part time at McCrossens while studying in Philly. He got into WSET courses, and doing beer and wine tastings, but wanted to leave hospitality, due to the unsustainable lifestyle. He decided to go to wine school, brush up on his chemistry and read anything wine related he could get his hands on. His research drew him to both cool climate and up-and-coming regions. Dan commented on the impression that having his Uncle live in France had left with him. “The idea that your Uncle lives in France says to you, ‘well I can do that.’ It opens your world.” With that little nudge of inspiration towards an international life, and Dan’s ongoing relationship with New Zealand Pinot Noir, he knew where he had to go to pursue his wine passions. It was 2008 when he arrived in New Zealand, and although he moved to the country because of Martinborough Pinot Noir, he settled in Hawke’s Bay to attend EIT for Wine Science. Ironically, he notes “I moved to Hawke’s Bay without having tasted a wine from there. I’ll never forget the bus ride into Napier thinking it sure was smaller.”

Dan’s purpose in New Zealand was clear, so it’s not surprising that he wasted no time in starting his label. He purchased grapes in 2009, and had the concept of Decibel in his mind, aiming to produce New Zealand’s famous Sauvignon Blanc, and one you may not expect, Malbec. His nickname, that ultimately inspired his label, “Decibel Dan” grew out of his signature when he was managing the band. He used to spend time with the sound crew before every show, and would sign off with his initials, dB. dB was already taken as a label, but fortunately, the simple yet significant word he now uses was available, and Decibel was created.

Even though he didn’t originally plan on being in Hawke’s Bay, he’s come to love it for simple reasons, like the fact that it’s the second largest region in the country, a great place to live near the ocean, and that it suits him more than Martinborough would have. More importantly, he recognizes how special the Hawke’s Bay is as a wine producing region. “It’s a great place to learn how to make wine because we do so many great wines well. Other places don’t give you the exposure.” Although he will always love Martinborough Pinot, Dan comments how “we make everything else here. Aromatic whites, big reds. I think it’s the best place in the world to make wine.”

He’s put his time in working in the Bay, with planning weddings and restaurant work at Te Awa in 2008, where he was fortunate to work alongside Jenny Dobson in the winery here and there. He did his first vintage at Te Awa that year. In 2009 he did vintage at Vidal, and says it was not high tech, but “hard work. You had to think on your feet.” From 2010 to 2013, he was the Assistant Winemaker at Unison, and then moved onto Assistant Winemaker at Paritua from 2013 to 2017. He was running Decibel along the way, always doing Malbec, and some vintages of Sauvignon Blanc and Pinot Noir. Dan’s not one to add anything to his wines, like acid or sugars, and that’s another reason why he loves making wine in the Hawke’s Bay. “We have natural acidity; typically, we don’t have to add acid and that’s a great start. We don’t have to add sugar either.”

Hawke’s Bay is now home to his family. Dan met his partner, Mara, at one of his famous “Kiwi’s Giving Dinners” in May 2012, that he holds in honour of American Thanksgiving. One of his friends sent him a text right before the dinner asking if she could bring her friend along. Dan agreed, and when he met Mara, he describes their connection as being “instant.” They have a five-year-old daughter, Cecila, named after the Patron Saint of Music, and pronounced in the Italian way, who they endearingly call “Chechy.” They have plans to get married in Italy when they’re able.

Dan’s got a few different labels within his company. Under the Decibel label, you will now find 5 single vineyard wines, including a Martinborough Pinot and a Malbec. His label Giunta, after his grandmother’s maiden name, features 3 young and fresh wines, one of which is a Nouveau style Malbec, and then, there’s Testify.

The birth of Testify came with an exceptional parcel of 2016 Malbec. He put it in a new puncheon, and neutral barriques, and recalls its purity of fruit. Dan said it was so special, he knew it had to be a new label. The name has roots in a song by one of his favourite bands, The Band, founded by Robbie Robertson and Levon Helm. The band also happened to finish in the same year Dan was born. They were largely influential to him for most of his life and have produced one of his favourite albums of all time. One of Robbie Robertson’s solo albums features a song called “Testimony”. He’s named his wine after the song because to him, it represents the testimony of the quality of that wine. “I put my hand on my heart. It’s my best effort. I put my name on it. I promise you, this is my best. I won’t make it if it’s not up to crack. And that’s fine.” For the Testify label, Dan only focuses on the best appellations that have a story to be told. It is a label that is close to his heart. The Testify line features a Gimblett Gravels Malbec/Merlot blend, a Martinborough Pinot Noir, and a Hawke’s Bay Chardonnay.

Malbec isn’t one of the main varietals that comes to mind when most people think of New Zealand wine, so why did Dan go with a Malbec right from the start, and why does he still include it in all 3 of his labels? “I’ve always loved it. It has a similar acid and flavour profile as Syrah, yet it’s easier to grow. With a learning curve and effort, it can grow well. I think I’ve proven a point. Great wine can be made from Malbec. Gordon Russel has proven that. It’s inherently more interesting than Merlot. It’s got plush juiciness, colour, tannin and acid. It’s a fun thing to make every year.”

Dan sources his roughly 80 tonnes of fruit from a few different vineyards in Hawke’s Bay and Martinborough. He works with several growers and has been consistent with some of them since 2011. He uses organic fruit and wants to support organic growers in the Bay. Part of the reason for that is because he’s learned to “take a breath. Let’s do it right. What we’re doing affects our life and everyone’s. Have some perspective.” He dreams of having a biodynamic home and hopes that more growers will move in that direction. “Organics is important. It makes sense. I can’t believe other people don’t go that route. People think it’s an easy path to not go organic. I get it; it can be scary, but it doesn’t make sense to me any other way. I’m not dogmatic about the way you do it. It just seems crazy not to. Why would you think you can do it better than the great designer has done it? It’s tapping into the right way. It goes back to music. I left myself open to writing that song. Conventional is not leaving themselves open to the possibilities. Nature can manage better than us. It’s scary, but we have to let nature take its course.” He refers to conventional vineyard practices, and says, “I wouldn’t want my kid around it.”

Giunta Chenin Blanc sourced from
Two Terraces Vineyard

Although only 60% of Decibel is exported now (due to an amazing local distributor) Dan started his label in an uncommon position, as a 100% export label. If you remember his connections, he just so happened to have one main client lined up in the States, his family restaurant. He’s thrilled that his wine is selling in New Zealand now, but he also loves the unique opportunity he has to share his wine back home. “The best is when I get a message from someone I grew up with or knew from the past. People I have no idea who they are, saying ‘I just tasted this wine and it’s delicious,’ and they’re putting it online. Someone in Brooklyn saying it’s awesome. I’m the guy that gets to bring Hawke’s Bay Malbec to America? That blows my mind. I get to, through the wine, tell people on the other side of the world that there’s this cool place called Hawke’s Bay in New Zealand.”

Dan being Dan in the vineyard!

Dan’s been challenged along the way, in finding fruit that’s up to what he’s looking for. Additionally, he speaks of the all too familiar financial and marketing challenges that many boutique producers face, and says he wishes EIT taught more on business. Although he’s been on the receiving end of great advice from fellow producers through the years, he was unaware going into his label just how financially challenging it could be. It took him 10 years to be able to make the jump into doing solely Decibel, and he wishes there was “bigger dialogue about how much cash is tied up in your wine.” Pinot Noir, his first love, also keeps him up at night. He’s still passionate about the difficult to grow variety, and often finds himself wondering what he’s going to do with it.

Wine life has given Dan a harvest of inspirational lessons. First, he told me, “just do it. Most of the time they’re not going to stop you.” How true of life; sometimes we just need to take that risk that most of us are too afraid to take. Secondly, he has learned to “live life by the season. Have a flow to the year. When it’s time to relax, relax.” Dan described his Catholic upbringing and agreed that he does have traditional roots in a sense. “Friends, social, family, we’re part of something much bigger. I have no idea what it is, but there’s something cosmic about it.” He talked about how he loves the busy season of harvest, but says, “there is receipt for that. There’s a natural flow to it. Flow, seasons, it’s all cyclical and natural. That was not part of my life in New York or Philly; it was go go go. There wasn’t a rhythm. It’s so important to slow down. Some people don’t have a flow, and it’s easy to get lost. It’s good to have boundaries.” He also loves the comradery in the industry and speaks highly of the Hawke’s Bay wine community. “It’s the people. Talking about all of the things we do. We’re in it together; talk through it. There’s not a point of making wine in isolation.”

Music has always been a meaningful part of Dan’s life, and he credits a few important business lessons to his time managing the band. “I released a couple studio albums with them. It primed me for the idea of getting a wine finished and put out.” Through those experiences, he understood that “it makes sense to take your time and get it right. It’s a captured moment in time. People go on about the parallels of music and wine. The real part is the art and craft. Some are great artists. Some great song writers. Some are both. It’s the same in the wine industry. Some are technical winemakers. Some are artistic. Some have both.” Dan explains that sometimes, wines may not be considered technically right by certain critics but believes that more importantly, they should be loved when they’re consumed. “That’s what I prefer; it should be like song writing.”

When I asked Dan if it’s all worth it, he responded with, “I don’t have a choice. I couldn’t imagine doing anything else.”

To learn more or purchase Decibel wines, visit https://www.decibelwines.com or follow on Instagram @decibelwines.

Level 3 and 4 Have Brought Me Here

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It’s too much to take in. It’s a lot to process. How are you all doing? My brain is running in a million directions right now. I’ve got so many thoughts I’m fighting to make sense of. Bear with me here. Reach out, please, and tell me how you are coping.

New Zealand has gone to Alert Level 3 today, with the advancement to Level 4 happening on Wednesday. The country will effectively shut down, with the exception of essential services, for 4 weeks. Or longer? No one knows. That’s the part that’s hard. The whole world is being challenged with this huge unknown. We are so human and so limited. Usually I sit on my blogs for a while before posting, but today, I’m processing with you as I write this.

My job. Do I even have one to go back to? How many people are going to be unemployed? Statistics are saying 10,000 people in retail jobs are going to be without work (rnz.co.nz). Already, over 30,000 businesses have applied for subsidies for their staff (nzherald.co.nz). Our country relies on tourism and it’s gone. It’s gone. Just like that. 8 days ago we had a Church Road Live concert with 400 people in our park. A cruise ship came in and a team member took a group on tour. 8 days ago. It feels like months ago.

Vintage 2020. Thankfully, the wine industry has been considered an essential service! There were a few hours today once we heard the announcement that we were going to Level 4 that we weren’t sure they would be permitted to continue working. Trying to imagine New Zealand without wine for 2020 is something I don’t even want to think about. Praise the Lord that they can continue bringing that fruit in and tending to those ferments. It’s a crucial industry for our country. We’re still awaiting specifics. Vintage 2020 will forever be a special, rare and valuable vintage to this world.

The future of our economy. How is this going to affect all of us? Will any of us be able to pay for our mortgages? Our rent? I went to the supermarket today and cued to get in. The shelves were bare. I did my best to adhere to the regulations they have put on food items, but still had items confiscated from me at the till. We are on rations. Rations. We are on rations. This is what you read about in WWII novels.

The 4 week isolation. I realize this is essential to stop the spread of the virus. And I realize that the physical benefits to stopping human contact outweigh the mental and emotional benefits to continuing it; however, there will still be mental effects that we will deal with in order to prioritize our physical needs of eliminating the spread of this virus, like those that come from lack of human contact.

Human contact is a basic human need. Seeing someone face to face. Hugging someone. Seeing their smile in person. Working side by side as a team. Celebrating together. These are all things that all of us crave and need in varying proportions. This virus is cutting off one of our most basic needs from us. Introverts all over the world might be soaking this in, meanwhile all of us extroverts are going into a state of panic. My biggest fear for this next month is being lonely. Bored and lonely. Missing human contact. I will have to do some soul searching and face something I’ve never faced before: this much time to myself. Isolation was the punishment my parents gave me as a child. It’s a punishment to me. How will I deal with this? I am now faced with the challenge of turning this huge bag of lemons into some amazing lemon wine.

We’re all being challenged to do something none of us have ever had to do before. But, what I’ve learned so far in my life is that we can always do more than we think we can. And we can do this, extroverts! We can face this challenge. We can overcome this, and we’re about to prove to ourselves what’s possible… while eating wholemeal pasta, no name beans, and the only 2 salad dressings I was allowed to buy today. Like. A. Boss.

If there’s other things I’ve learned, first of all, we as humans don’t like being told what to do. Many of us are struggling with this isolation and this virus, because we don’t like being told we can’t go out and can’t see our friends. We’re not good at listening. We think we know best. We’re not good at submitting to authority. We’re not accustomed to this. That’s why it has to get to this extreme. Secondly, we take so many creature comforts for granted. Going out for a meal. Stopping at a drive through. Going for a coffee. Going to our friend’s house for a visit. Having people over. Going to work. Going to the gym. Entering a building without thinking of how many people are in it. Going anywhere in public without hand sanitizer, gloves and masks. We take all these things for granted. We’ve just lost all of them.

I said to my boss today, “remember when just a few weeks ago I was complaining that I never get any time off work? Now all I want to do is go to work.” This puts everything we do and everything we know into perspective, doesn’t it? It’s amazing how quickly the world around us can just fall apart. 8 days ago it felt normal. Now, I have questioned everything. Was the last day we were open my last day ever serving customers at Church Road? It may have been. I don’t know. It is completely mind blowing to me that this is happening. And how fast it’s happened.

Faith moment: God knew this was coming. 2020, the year for which my word is “vision” couldn’t have left me more blindsided; this is a time in my life where I’ve had the least vision I’ve ever had, and when I have the least is when I can lean into God the most. This is a year where all of us as a global community have had no way to envision what is to come. It’s a day by day life right now. Rather than live by my vision, or what I think I want, I have to trust God’s vision entirely. He saw this coming. This was no surprise to Him. And I have no other choice but to believe He has a vision that includes me being taken care of in it. We’re living in another country, and although our visas aren’t up for a while, we’ve been thinking of what’s next. Now we’re just taking it one day at a time and one hour at a time.

Where are my extroverts out there? I am such an extrovert! Extroverts gain energy from social interaction, and we thrive on it. We need external stimulation through relationship. When we can’t get it, our energy is sucked from us. We become drained. Verbal processing is a common extroverted quality. We like to talk things through. I find I personally can’t completely deal with a stressful situation without talking it through with someone, which has now become writing it out. Psychology Today says, “People who identify as extroverts tend to search for novel experiences and social connections that allow them to interact with other individuals as much as possible. Someone who is highly extroverted will likely feel bored, or even anxious, when they’re made to spend too much time alone.” Bored, check. Anxious, check. Anxious about being bored, check!

Human touch is a basic need. There are all of those studies I’m sure you’ve heard of where the babies that get held grow into mature, healthy people, and the babies that don’t get held die. Okay, so don’t quote me on that, but look them up. Human touch has been linked to many positive benefits in society, like building greater trust in relationships, decreased violence, increased immune systems and lower disease and stress levels, strong team building, improved learning, and an overall well-being (kcha.org). “Physical touch is the foundational element of human development and culture…we should intentionally hold on to physical touch” (kcha.org).

Face to face communication is critical to our relationships; there’s nothing that can compare to being in the same space as someone else, and sharing in community. Yes, FaceTime and social media are keeping us more connected than ever before, but it’s second best to the real thing. There’s actually a condition known as “skin hunger,” or “touch deprivation“ with symptoms such as being less happy, more stressed, and generally more unwell, along with a reduced ability to experience and read emotions or form meaningful attachments in life (psychologytoday.com). All of this, just from a lack of contact. There are people who, pre-Covid-19, were experiencing this, and who are now going into isolations for various lengths of time, perhaps with nobody to give them any face to face contact. Perhaps they are elderly and can’t see their children or grandchildren anymore, or maybe they’re single and living alone, and going to work, or the gym, or their church, was their only form of social contact, and that’s all been stripped from them for an indefinite time.

Isn’t it ironic that through that same touch, that normally brings us so many positive benefits, we can spread something that will kill us all if we let it? It’s gotten to us in a personal way. It’s affecting many people physically, and everyone else mentally, emotionally, relationally, and financially, to name a few. We’re all being affected by this virus in one way or another.

So what are we going to do about it?

We can’t give up. We have to keep going. We have to stay positive. We have to find hope. We have to find things to laugh about. We have to do our best to simulate human contact. Let’s stay in touch. Let’s unite as the communities we are and let’s band together to overcome this. We can overcome this. We will. Slow and steady. One day at a time. We, as the globe, will get through this. We, as humans, will fight. We will cry if we need to. We will rest. We are being forced into a period of rest. Let’s take advantage of it. We don’t normally rest this much because we live in a constant state of busyness. We will meditate. We will spend time getting to know ourselves more. We will cut this thing off eventually. We will look back on that year that Covid-19 happened and it will be part of the struggle that shaped us. We are living part of history. This will be in the books.

So here’s to the fight. Cheers to you, doing what you need to do. Cheers to governments that are giving their best to make the best decisions they know how to in unprecedented situations. Here’s to uniting as a community.

I wish you the best, wherever you are in the world, and with whatever part of this you’re dealing with.

Wines by Jenny Dobson; The Story of a Legendary Wine Producer

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Jenny Dobson: winemaker, boutique wine producer, icon in the New Zealand wine industry. When I had the chance to sit down with her to hear and write her story, I was honoured, to say the least.

Jenny, a born and raised Kiwi, grew up in a time where licensed restaurants were rare in New Zealand. The wine industry was basically non-existent. Her father was English, and for her parents, wine was a regular part of any meal; they drank it, and shared it with the children as per their cultural norms. Although they chose wine mostly from South Africa and France, Jenny’s father had a special love for Chateauneuf du Pape. Jenny remembers adding McDonald wines to their table when they began gaining popularity in the 70’s.

Even as a child, Jenny had a fascination with aromas, and most of her memories are linked through scent. She can vividly remember the smell of the Rosemary bush and the Lily of the Valley at her childhood homes, along with a fascination with the diversity of smells and flavours in wines; she wanted to discover the underlying reasoning for this. She is scientific by nature, so she entered a Science programme in University, but couldn’t envision herself inside a lab full time and wanted to be part of nature. She discovered that working in wine could provide that.

Vineyard at Harvest time in 1989 – Chateau Sénéjac

With the Wine Science degree not yet established, she transferred to Food Science, where she took a course on sensory observation; she realizes now how “invaluable” that course was to her “understanding of taste and the importance” of it. With a professor passionate about wine, Jenny was able to focus her schoolwork in that direction. As an independent learner, she spent her personal time reading every book, article and study she could get her hands on about tasting or making wine. There is a book shelf in every room of her house, full of wine books, that she graciously offered to lend to me! It was at the end of her 3rd year in University, after all of her school-driven and personal research, that she knew wine was her passion, and she says “if you don’t have passion you could not work in the industry.”

Jenny in the old cellar at Chateau Sénéjac in 1986, 6 months pregnant

She’s always excelled at science and maths, and used to think she “had no artistic bones,” but her opinion has changed.

“Fine winemaking is art. So many of the decisions are felt. They’re a sense of what is going to be right. [Winemaking] so deftly combines science and art…You need scientific rigour but artistic license and openness of thinking to push boundaries. I love the fact that wine can not be made to a chemical formula.”

As soon as she graduated, she travelled to France, motivated to learn from some of the “best and oldest” winemakers in the world. She says she was “very naive” in her move there, but was “lucky enough to get a job at Domaine Dujac in Burgundy.”

Her job at Domaine Dujac involved her living with the family, and doing everything from “babysitting, cleaning, vineyard work, cellar work,” to eating and drinking with the family. She realizes how fortunate she was to be able to “drink so widely with Jacques and Roz,” and she explains the rarity of his wine collection.

“I had a glorious introduction to wine. In most wine producing areas in France in those days you only drank the area you were in. You wouldn’t find anything else in the Supermarket. Because Jacques’s Dad was Parisian, he had started a cellar for Jacques when he was young including wines from around Europe; Jacques added to it with wines from the new world, so I had the pleasure of drinking and getting to know fine Burgundy, but also wines from around the world.”

Jenny attributes much of her wine making philosophy back to the time she worked at Domaine Dujac. From Jacques she learned the value of “reflecting vineyard vintage variety,” and that “wine is made for people to enjoy.” She also learned that she values “integrity and authenticity” in her winemaking. “It’s working hard at every stage, especially in the vineyard, not tweaking at the end,” and if you drink Jenny’s wine, you can be sure she’s taken pride in it’s authenticity at every stage.

After working at Domaine Dujac, Jenny moved to Paris to work with the famed Steven Spurrier, who started a very controversial wine school. If you’re a wine enthusiast, you’ll know his name. Steven Spurrier organized the iconic and history-making Paris Tasting in 1976, in which the 1973 Chateau Montelena Chardonnay from Napa Valley won the blind tasting, to everyone’s shock, putting California on the wine map. He was instrumental in beginning to bring Californian wines into France in the 70’s. Jenny comments about Steven that he had a similar philosophy to Jacques, in that the “diversity of wine is the beauty of wine. Every bottle, every property is different.”

Jenny began working with him in 1981, and her role was enough to make any wine lover jealous! She explained that after the historical 1976 Paris Tasting, winemakers from all over the world wanted to be featured in Steven’s shop. She was part of the selection process; she tasted applicant’s wines, and helped chose those lucky few that would be fortunate enough to grace Steven’s shelves. She also worked in his wine school, and gave 2 hour courses on French wine, appropriate cheese pairings, and French regions and helped organize and participated in many tutored tastings run by L’Académie du Vin.

In Paris, Jenny expanded her world palate, had one of the best jobs any wine lover could ask for, and on top of that, met Charles, the English grandson of a wine merchant with offices in London and Bordeaux, and the love of her life. Before you think it was all sunshine and roses though, imagine her living in a flat on the 6th floor in the building’s roof, with no toilet, in which she could literally touch both walls at once with arms stretched. The toilet was on the 4th floor and was a squat toilet. There was no lift. She jokes about a huge upgrade from that place when she moved to her second flat with a toilet and a bedroom! Despite the quirky places she called home, Jenny says with fondness, “I loved living in Paris.”

She did miss winemaking though, so she moved to Bordeaux and got a vintage job in Graves at Chateau Rahoul, which was part owned by an Australian man and wine industry icon, Len Evens. This also happened to be in 1982, one of the most iconic vintages in Bordeaux’s history.

One evening, she went along to a magazine wine tasting, and as Charlie was in the merchant business, he was there. They met casually; she went back to Chateau Rahoul to finish her vintage job, but then moved back to Paris. She was at a wine bar one evening, when she met the owner of Chateau Sénéjac, who offered her a cellar hand job in Bordeaux. She moved again, back to Bordeaux, in Steven Spurrier’s delivery van of all things! The day she arrived in Bordeaux, she was out for lunch, and there was Charlie, at the same restaurant. Eventually they found themselves in the same social circles, and “the rest is history,” as Jenny says. They were married in 1984.

Jenny, Charles and their children in 2000 – New Zealand.

Charlie being a wine merchant has contributed to Jenny’s diverse palate. She explained how the businesses operated at that time. Bordeaux Negociants, wine merchants, would buy wine “en primeur” from the properties (Chateaux) around 6 to 8 months after harvest. The wine was then sold at a later date, sometimes before and sometimes after bottling to other merchants in and outside of Bordeaux and to private clients. This pre-purchase of wine by the Bordeaux merchants helped shoulder the cost of production for the Chateaux. The Chateaux would present barrel samples to the merchants for tasting and Charlie would bring them home at the end of the day for Jenny to evaluate as well. Jenny commented that “in retrospect, that was a huge advantage” for her, because she “got to taste the finest Bordeaux wines when young and also drink them when mature. It gave [her] a benchmark for the young wines she had in barrel at Chateau Sénéjac.”

She has also made 13 vintages of Bordeaux, and because she stayed all year long, she gained knowledge of the vineyards, what to do in the cellar, and onwards; she saw the entire process. She learned “the effects of ferments on the wine in bottle, 2 years later, 3 years later, and how the vineyard choices translated into the wine.” She realizes that is something else that has helped develop her skill in winemaking; she “had a vision of where the wine was going in years and years of time.”

We discussed not only making wine, but what it’s made for. Jenny believes that wine is made to be consumed and enjoyed, and that the industry today is pushing towards simply selling an alcoholic beverage, rather than appreciating an art form, as it was meant to be. “It’s made to sell product for people to drink and get drunk rather than educating them about wine so that it’s looked more so as an art form than a beverage.”

She shares how they had “wine every day” in France. There was “no such thing as a non-wine day. Sometimes we finished the bottle, sometimes we didn’t. It depends on your attitude. We always looked on wine with pleasure and enjoyment, not as a guilty sin… If it’s always there, there’s no compulsion.”

Jenny explains what the enjoyment of wine brings to her. “I drink wine for it’s diversity. For it’s intellectual stimulation. For it’s flavour and taste.” She explained it so beautifully, and I couldn’t help but completely agree.

Jenny and a friend, Norma, tasting Pinotage at Te Awa in 2000 – Hawke’s Bay

“It’s like music or painting, or any form of art. If you just have background music, anything can be there. If you’re actually listening and understanding then you have a greater appreciation.

Jenny believes “the more people know about wine and get excited about it, there will be less mass consumption.” These are the kinds of palates she is mindful of in her work.

Jenny and Charlie had their 3 children while in Bordeaux, but eventually decided to move to Jenny’s home country, New Zealand. When I asked why she chose Hawke’s Bay, she answered that it seemed the “logical place” because “you can ripen the Bordeaux grape varieties” that she was used to working with. She had also done a vintage in Western Australia, where she gained experience with Chardonnay and Syrah, also key varietals in Hawke’s Bay. She and Charlie visited every single wine region in the country before making their final decision, just to be sure!

When she first arrived in the Bay, Jenny began working as a wine consultant, but found it to be “isolating.” She noticed she was only getting to be involved when things went wrong with wine, and customers needed her to fix it. A job came open at Te Awa Farm, and Jenny spent a “glorious” 12 years as the winemaker there. She got to really know the vineyards and the wines; when it went through a change of ownership, she decided to move on. The consultancy she does now is hands on. (Jenny had been racking barrels all day before her interview with me.)

Jenny with a press in the new winery in 1987

New winery, 1987

With Jenny’s experience and clear appreciation of the artistic side of wine, I was curious why it took her until now to start her own label. First, Jenny believes wine starts in the vineyard, so she wasn’t ready to do something for herself if she had to be buying fruit. She has her own now, that she fell upon quite interestingly. She had a client in 2009 that had some land on Ngatarawa Road, and asked her what he should plant. She had been reading studies about the Italian grape, Fiano, and thought it would be great for the Bay, as it was interesting, and had good acitity. It was a “throw-away comment,” as she describes it, but she told him to plant Fiano. She came back a year later, and he had planted it, and said to her, “well, are you going to make it?”

She made the first Fiano in 2013 for her client, and again in 2014. The plan was for her to continue making it for him, but due to personal reasons in 2015, he asked if Jenny wanted to take it over. She agreed, and made a small batch of the first Jenny Dobson Fiano. In 2016, she realized, “it was more wine than I could drink myself!” She released it to the public in 2017. Another reason she hadn’t started her label sooner was simply because she “was getting enough enjoyment out of helping other people make their own wines,” but she has realized, “if I don’t do this now I will never do it.”

Jenny’s Fiano

In 2018, she was inspired to add a red wine to her label, but wanted a unique one. She began exploring Hawke’s Bay Merlot with the aim to give it the “appeal that people like about Pinot Noir,” like “fragrance [and] texture but lightness and freshness in the mouth.”

As she works as the winemaker for William Murdoch Wines, and adores the character of their organic vineyard, she bought some fruit from them. She wild fermented it in oak, with whole bunch Malbec and Cab Franc “for texture and fragrance.” She explains that she “didn’t know what was going to happen” and that she was “being guided by the wine.” She basket pressed it and aged it in barrel, taking it out 18 months later in mid-September. Her red wine will be called “Doris” after her grandmother; Doris was “formidable, way ahead of her time, had vision, [and] didn’t follow any conventions.” Jenny’s favorite memory of her is her purple hair, so watch for that on the label. For the wine to represent its unconventional style, Jenny is also putting it in a Burgundy bottle, not a Bordeaux bottle, like other Merlots. She doesn’t want people to “taste it as a Merlot,” but rather “a red wine.” Doris is being bottled in October, and will likely be released next Autumn, “based on how she looks.” Jenny has carried on with Doris in this past 2019 vintage, and has some ideas to expand her label in 2020. She describes her current production as “tiny” at 80 cases or less of Fiano.

Because Jenny is always reading and learning, the 2019 Fiano has some new elements in the winemaking. She had read a study about Fiano that claimed that the skins have a compound in them that can contribute additional flavours, and that soaking some skins in the juice could enhance the character of the wine. Jenny did a 4 L trial tank to test out that theory. She bottled off a small amount of the trial tank for future testing to determine what she wants to do for the 2020 vintage. She says, “even with tiny amounts, you have to always be open minded and thinking of what you can do. Can I make a better wine? A different wine?”

When I asked Jenny out of all the wines she’s made, which she’s most proud of, she answered, “all of them!” She said they’re “like my children.” Some of her favorites are from the “difficult vintages, where you come out with something so good. It’s not the standout best in a line-up, but it’s best because you know the elements and Mother Nature were against you, but you’ve worked with it to produce something so good; it makes you feel really satisfied.”

Jenny’s story is amazing, but it’s not without challenges, many of which have been related to her gender. She says that being a woman is “an extra challenge that men don’t have to factor in.” When she was working in France in the 80’s, there were “signs outside cellars saying women weren’t allowed to enter the cellar.” They had “funny ideas” like the fact that “women had funny acids in their body that turned wine to vinegar, or if a woman had her period and came into the cellar the wine would re-ferment every month.”

Jenny was the first female maitre de chai in the Medoc; being a history maker leaves an incredible legacy, but it’s never easy. “It was a male dominated business” and people wondered how women would be able to manage the home, a family, and a career in wine. “Women were shut out because the industry people knew it was all encompassing.” When she did eventually have her children, she took a few days off, and was then right back into the work. She breast fed in the vineyard, with her baby strapped to her chest. She was bottling (not milk – wine) 3 days after giving birth. She lived on site, and the kids grew up around the vineyard and the winery. She successfully accomplished being a wife, mother and a winemaker. She had to overcome being the only woman making wine in the Medoc, but she did it. How? “My wines spoke for themselves.” She proved herself to the French people. She truly is a legend.

Winemaking is also a very physically demanding job. Jenny admits that she’s tired at the end of the day, but also points out that “so is a man working in a cellar.” There are different challenges for women today than when she began her career, yet she is confident we are moving in the right direction and knows that “a woman starting today will not face the same challenges” that she had to. “It was all men but me,” Jenny says. It’s “a lot closer to equal now; we are growing up with women and men in it together now.”

She doesn’t want to be known as a “woman winemaker.” She just wants to be known as a “winemaker,” like anyone else. She makes it clear that she doesn’t think “women or men are better winemakers. There are people that are better winemakers” than other people. She is also clear to point out that she knows it’s not all men that discriminate. “There are people that discriminate, not just men.”

With her current label, there are the challenges of selling the wine. Jenny has thought to herself, “[consider] the amount of money I make on each bottle – am I crazy? Why am I doing this?” She is doing it because she is creating “wines of distinction and individuality.” This also makes them “a bit harder to sell,” especially in the small Hawke’s Bay.

When I asked Jenny if she thinks it’s worth all the challenges, she gave a resounding, “yes! I wouldn’t be starting my own label so late in life if I didn’t!”

2019 was her 40th vintage.

Patsy the Rose is coming soon too! Patsy is named after her Aunt, and unlike most Hawke’s Bay rosés, it will be Cabernet Franc dominant. Being let in on Jenny’s thought process as she described how she wants to make Patsy was very intriguing to me. Here I was, sitting with the Medoc’s first female winemaker, who selected wines for Steven Spurier’s shop, who has 40 years of experience, and she was debating back and forth on what she should do, or might do, still undecided, still exploring ideas. I commented on this, and she responded by saying that it’s important to always be willing to experiment and learn because no one can ever just know what’s coming for any vintage or any wine. Greg had made a Cab Franc Rose in 2019, so he and Jenny discussed some ideas for the next vintage. It was surreal to listen to that conversation.

Emma in the vines at Franklin Estate, 1995

Richard finishing breakfast while the bottling truck sets up, 1992

Jenny, 1991

Jenny has learned some beautiful lessons in her career as a winemaker that I feel can reach beyond the wine industry to inspire; I have left them in her words.

“It’s all learning. You continue learning. There was a stage when I was looking for perfection in wine. Perfection’s boring. If everything’s perfect, it’s boring. You’re striving for perfection but the goal posts keep moving.”

“The best tool a winemaker has is the palatte. You have to keep it diverse. Natural wines challenge your palette. Things that challenge are the extremes that move the middle.”

“Recipe wine making has its place, but is one of the worst things. There’s so much unknown about wine that when you formulate a recipe you can only make good wine. You can’t make great wine.”

“You can not make a wine that will please everyone or else you’re making Coca Cola. You have to be okay with some people not liking your wine, but for everyone that doesn’t like it, there will be someone that does.”

Are you that someone?

To find out, you can purchase Wines by Jenny Dobson via mail order, through Boutique Connection, @boutiqueconnection or her Instagram @jenny_dobson_wines. Several establishments stock her wines, like Liquor King, Urban Winery, restaurants around Hawkes Bay and Wellington, Regional Wines and Spirits in Wellington, Vino Fino in Christchurch, and soon, the Auckland market.

Cheers to Jenny for following her passions, making history, sharing her story and for making interesting and authentic wines of quality; cheers to you as you enjoy them!

The de la terre Story; Boutique Hawke’s Bay Winemakers

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“de la terre:” from the earth.

Those three words sum up what Tony and Kaye Prichard of de la terre are all about: provenance.

“Own what’s in the glass, grow your own grapes, do it yourself. That’s really important to us.” – Tony

When you pull up to Tony and Kaye’s winery, after a relaxing, beautiful drive through the winding country-side of Hawke’s Bay, New Zealand, you’ll instantly notice you’re somewhere special.

You will feel like you’re a visitor to an old, French country cottage. Gracie, the friendly dog, will greet you as you begin walking the path to the solid cedar double doors. You will hear the gravel crunch underneath your feet, and as you survey the hilly landscape, you’ll take in the scent of freshly cut grass, blooming flowers, and clean air. You’ll also notice the aroma of a warm loaf of Kaye’s home made bread, or a from-scratch pizza baking in the clay oven, and take note to pop over to the cafe as soon as you’re finished your tasting.

As you set foot inside the earth brick winery, you will meet Tony himself, who will take you through your selected choices from 13 of his 16 wines, kept fresh in his personally designed and home-made wine dispensing machine. He’ll explain how he has made each of the unique and distinctive wines he produces, and you’ll be amazed at the exceptional quality, depth and complexity of each of them. When you purchase your wine, you’ll notice that each bottle has been hand numbered by Kaye, just one example of the incredible detail that goes into every single element of what de la terre does.

After your degustation, you will partake in a beautiful meal or platter of Kaye’s delicious, home made food, perfectly paired with the de la terre wines of your choice. While you eat, the three-tiered pergola water feature above you (that Tony built himself) or a crackling log fire in the pizza oven will bring calm serenity to relax you before you head off . . . until next time. You already know you’ll be back.

So how did Tony and Kaye create this incredibly special place for their customers to experience?

It all began when they met each other in their early 20’s as Food Tech students at Massey University in Palmerston North. Kaye was enrolled in the product development side of the programme and Tony was enrolled in the engineering side. On their first days of school, neither Tony or Kaye thought they’d graduate from a Food Tech programme and eventually own their own winery, but low and behold, that’s what happened.

Kaye had been raised visiting the vineyards of her father’s winemaker friends, and remembers really liking a popular, sweet, sparkling wine as a young girl. Tony had also tried a sparkling in his early years at his brother’s wedding, in an old-style goblet, and remembers not liking it, yet being mesmerized by it; he was curious as to how it was made.

They give the real credit though, for the spark of their wine journey, to an influential lecturer, Malcolm Reeves, co-founder of Crossroad Winery, who used to put on wine tastings for his students on Friday’s. As you can imagine, wine tastings on Friday afternoons were very well received by the students, so Tony and Kaye began attending. Tony recalls one afternoon where Malcolm poured a Chardonnay, a Sauvignon Blanc and a Riesling, then put them in bags to disguise them before pouring them again, blind. Tony guessed them correctly, and thought to himself, “this winemaking stuff is easy. I can do this!”

He couldn’t picture himself as a food tech engineer, wearing a white uniform in a dairy factory somewhere for the rest of his life. He knew in his soul that he was a “maker of things,” and wanted to make wine.

Upon graduating, Tony found an advertisement in the paper for an Assistant Winemaker position at the Montana Winery in Gisborne. Many people in his class applied, but Tony was chosen for the job. When I asked him why, he said he isn’t sure, but it could have been to do with his passion. Knowing how passionate and skilled he is today, I would agree that Montana made the right choice. Tony explains that in those days, there weren’t winemaking degrees like there are now. Two of the decision makers for Montana also had Food Tech degrees, like Tony, and perhaps wanted someone without any winemaking ideas of his own, who could be trained and moulded. His Food Tech course had indeed prepared him quite well for the science of winemaking; everything else he learned on the job.

The two were married in 1983.

Tony worked as Assistant Winemaker for Montana for 3 years, doing huge volumes (for example, 15,000 tonne vintages). He was promoted to Chief Winemaker in 1986. As Tony began working at Montana, Kaye completed a Cordon Bleu Certificate Course in Auckland.

In 1989, Montana bought Church Road Winery and re-opened it, making Tony the Chief Winemaker at both the Gisborne Winery, and Church Road. Running both places in two locations was exhausting. Tony and Kaye moved to Hawke’s Bay in 1990 so Tony could focus solely on Church Road, where he spent 15 years in total.

He remembers many of the early years at Church Road with fondness. “It was family and fun in the early days,” Tony says, but unfortunately, through a couple of ownership changes, Tony eventually tired of the increasing corporate reporting and compliance in those companies; he also tired of not being able to see the wines he made into the bottle, as the bottling plant was in Auckland.

Tony and Kaye remember a specific afternoon drive they took, where through the conversation, Tony realized that he was ready to move on. He had always told his staff, “if you’re driving to work and you’re not happy, and you don’t want to be going here, you should be looking for something else.” Tony realized he needed to take his own advice; they both already knew what to do.

They had visited Burgundy in 1995, and remember it vividly.

We would be “driving through little streets, and see a small house and underground cellars and there’s a press and some barrels and a few tanks, and you go along and there’s another one, and here were people living and breathing wine, and that was their livelihood and that struck a chord. Even before that we’ve always been makers of things. Having been trained in winemaking it seemed like a logical progression to make our own.”

Tony and Kaye had previously found their property in 1992, when it was just a green paddock with nothing on it. Being the makers of things that they are, they had built their house and workshop from scratch. After Tony left Church Road in 2005, he started a successful wine consulting business, and set about designing and building the winery. Ever since Tony can remember, he’s been building and making anything from furniture to beer; he wanted to make the winery too. It took them 4 years to get the winery up, and although Tony had begun producing some wines in the meantime with some of his consulting clients’ grapes, de la terre’s first vintage in the new winery was in 2009.

The name “de la terre” doesn’t just represent the way Tony makes his wine. The principle of using what is from the earth (de la terre) is weaved throughout the whole place. The winery is built with “earth bricks” that came from a local earth brick maker, who uses highly compressed soil to make them. Tony and Kaye’s house is built in the sustainable “rammed earth” style, and is made completely of raw, natural materials. Tony built both himself, along with the wine dispensing machine he uses to serve his tasting wines.

The couple believes in doing as much as they can themselves, by hand, and not relying on other people; they wanted the control to determine how the winery was shaped, as well as how the wine turns out. Tony’s currently just finished the three-tiered water feature pergola that sits above their cafe patio, and the pizza oven that acts as centrepiece. This time though, now that the recent projects are done, he said he’ll “never build again.” Kaye just laughed and said, “I’ve heard that before!”

As for the vineyards, they took over the lease on their Hill Country Vineyard in 2013, which is 5.5 hectares in the Havelock North area, and they also lease a 0.5 hectare satellite vineyard down the road. All of their grapes come from those vineyards, and they employ a Vineyard Manager and some part time staff to ensure premium grape quality. The main vineyard is a unique terroir of very steep limestone terraces that create an individualized minerality in de la terre wines. Tony explains that “it’s less obvious in the reds, but people can pick it in the whites,” and he purposely tries to highlight the land and its minerality in the wine.

Tony and Kaye stand out in Hawke’s Bay for more than just their sustainable earth brick buildings and their terrior. Tony believes there are enough Bordeaux blends and Pinots around, and prides himself on producing unique varietals. “The last thing we need is another Merlot,” he says. He produces some really rare wines in New Zealand, like Tannat, Barbara, Tempranillo, Montepulciano, and a Chablis-style Chardonnay. Although you’ll find a few Viogniers in the Bay, Tony’s is quite different. He also makes late harvest and Noble wines from Viognier grapes.

While at Church Road, Tony had the opportunity to work closely with some French winemakers, and one of the key things he learned from them is to let the wine speak for itself. He believes that provenance, representing the land on which it was grown, is the most important thing for wine, rather than trying to manipulate it into what that varietal is “supposed” to taste like. It is for that reason that Tony chooses not to enter wine shows.

Despite not entering shows, de la terre wines are still highly reviewed by the best in the business, and often receive points well into the 90’s, and 5 stars, by writers like Bob Campbell and Michael Cooper.

Tony’s also launched a relatively new series called “The Cloud Series,” that is particularly unique, and actually started as a joke in 2016, with Chardonnay. It’s made almost in complete opposition to most Chards in the Bay, being unfined, and unfiltered, with “its own personality.” To make it, he did a hard press on Reserve quality grapes, wild fermented the must, used huge amounts of fully toasted Hungarian oak from his favourite producer… and couldn’t keep it on the shelves! It was wildly popular with its rich butterscotch, and savoury burnt butter character. It reminded me of popcorn, and I loved it! He has now added a Viognier to the Cloud Series, and the name is there to remind people that if it looks a little cloudy, that’s okay.

Tony uses many traditional winemaking techniques, and he is of the opinion that most winemakers these days use too many fining ingredients. As of 2014, he also doesn’t filter any of his reds. He prefers to do the more natural process of racking his wines every few months, as it increases the intensity and mouthfeel of them. He’s even done some unfiltered whites. Tony is entirely confident in what he puts into the bottle, and pours into each glass in the Cellar Door. Kaye quipped that the wines “don’t get into the bottle unless he’s completely happy with them.”

He’s most proud of his Reserve Viognier, for a reason most wouldn’t suspect. “It doesn’t taste anything like Viognier, and to me, that’s a beautiful thing.” His Montepulciano is a pride and joy because of its “brooding black fruit, black olive” character, and its tannin structure that “isn’t over-polished, but rough with coarseness.” Bob Campbell also seemed to like it, as it was his wine of the week in early September.

Tony’s favourite wine to make though, is his Blanc de Blancs! He makes it old-school like they do in Champagne, right down to the traditional riddling racks, and even disgorges à la volée, or “on the fly,” as the French monks once did. When I asked him how long it took to get the hang of that process, he said there’s definitely a trick to it, and proceeded to show me how precise he has to be with the bottle and the tools.

Although Tony makes a wide range of wines, de la terre is still quite small in production. He makes about 2500 to 3000 cases (of 12) per year, and jokes that at Church Road, he “used to spill that much before lunch time.” Being small, Tony and Kaye find it can be a challenge to get the de la terre name out. They don’t want to sell in supermarkets, but they do have a distributor who arranges en premise, fine wine and liquor store contracts for them throughout the country. They have been known to export a few wines to China, the UK, America, and even Canada! The sales side of the business, and promoting themselves, has been one of the biggest challenges they’ve had to overcome. They never know when the next sale will be. There are other stresses that they face, like losing staff, or having people move on that they love. With such a small team, training new people, or finding those that have aligning philosophies can prove to be a challenge too.

They’ve learned some important lessons over the years, one being that despite experience, you can never be sure of exactly what’s going to happen. Tony phrased it so genuinely.

“You start as a beginner, learn some stuff, think you’re red hot…your ego goes through the roof. The lesson is on the other side. You can never know it all. There are always so many variables that you don’t know about. You can very easily convince yourselves that you’re smarter than you are. You’re not. The more you make wine, the easier you think it will get. Well it doesn’t. We’re always fine tuning techniques. I look at what’s happened in the past and if it’s not where I want to be, [I use] my best guess in my experience and push the odds. If you have a problem and you’re not sure what to do, you throw a swack of things to it and try to fix it.”

I was awed by his attitude to become humble, realize what he doesn’t know, yet stay determined and persistent, and continue to deal with what comes at him; he chooses to learn from his past experience and do the best he knows how, while never giving up. I find this to be great advice for all of us, no matter what stage of life or industry we may be in.

Tony remembers the first Monday after he resigned at Church Road, when he had a moment that so many of us have amidst a big life change: did I make a mistake? Despite any challenges, Tony and Kaye feel in their hearts that it’s all been completely worth it. “I can’t think of doing anything else,” Tony says. “We’d be a lot wealthier, but would we be happier? I can’t ever imagine going back… everything you have, every ounce, goes into it. It’s very passionate.” They are truly living their passion.

I believe it is that passion that makes visiting Tony and Kaye so much more than just any winery visit. As Tony explains, “once people drive into de la terre, it goes beyond what’s just in the glass. It’s about a winery experience.” He loves hosting people in the Cellar Door, and pouring his wines himself. It’s a beautiful, “rustic and artisan” space to be in, that he’s created with his own hands. Tony describes the Cellar Door and his winery as his “happy place.”

Tony and Kaye invite you to head out to de la terre this season to experience the many things they can offer you from the earth. They are open from 10:00am to 5:00pm, Friday’s through Sunday’s, and most public holidays, from the first weekend in October to the first weekend in June. Visit their website at delaterre.co.nz for more info on the winery, wines or special events. You can purchase wine on their website as well, or contact them at sales@delaterre.co.nz.

So make the beautiful drive to experience de la terre for yourself. From the earth brick Cellar Door and restaurant, to Tony’s personalized tasting of his terroir driven wines, paired exceptionally at the cafe with Kaye’s fresh, home-made food . . . you really will experience de la terre.

The Amoise Story; “Unadulterated” Wine Producer in Hawke’s Bay

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I always love a story in which wine finds someone who was truly meant to be in the industry, but just wouldn’t have thought to look there at first.

Amy Farnsworth is the owner and Winemaker of Amoise (pronounced am-was), a boutique and “unadulterated” wine label in Hawke’s Bay, New Zealand. Amy’s story is one of passion, patience, persistence, and the pull of nature. With 17 harvests under her belt, across 6 countries, Amy truly has a vast array of personal experience to bring to her label.

Grape Harvest time at Domaine Alain Graillot – Crozes Hermitage, France 2012

Amy was raised by a Canadian father and a Kiwi mother in White Rock, a small city in the Vancouver area. She remembers childhood trips to New Zealand to visit her Mom’s side of the family, on which she grew familiar with the Kiwi country and culture. After high school, Amy decided to enter a career in Criminology, with the goal of becoming a lawyer. To help with tuition fees, like many students do, she got a hospitality job. It was while working at Uli’s Restaurant in White Rock that she had two significant experiences with wine that ultimately ended up changing the course of her life.

Uli’s employed several professional male servers that had extensive wine knowledge, and were selling “huge wines like Opus One” to the customers. A self-driven hard worker, Amy knew that if she wanted to compete with their sales, she needed to educate herself on the world of wine, and she began taking WSET courses.

She also recalls one fateful night that Uli pulled a wine out of his cellar that she will never forget. When I asked Amy about the first significant wine she remembers, she didn’t pause for a second before telling me exactly what it was, a 1971 Joh. Jos. Prüm Riesling Spätlese from the Wehlener Sonnenuhr (Sundial) Vineyard. “It stopped me dead in my tracks,” she says about the Riesling. She had previously loved Wolf Blass Yellow Label Cab, but the Riesling “opened up a whole new ball game” for her. “I was drinking South Australia and Napa but there’s a whole other world out there, and thank God for that. I had no idea. I’d never tried wine like that in my life.”

As Amy continued advancing in her WSET courses, she moved to Vancouver to work in fine dining. She completed her WSET Level 3, and then decided to begin her 2 year WSET Diploma; she soon realized Criminology couldn’t compete with wine, and pursued wine studies full time. She eventually lost interest in the hospitality side of the industry, and began working in fine wine stores, like Liberty Wine Merchants, and for importer Liquid Art Fine Wines in Vancouver, who had the largest biodynamic portfolio in Canada. She willingly traded in a higher income for valuable experience, and her work with Liquid Art fuelled her passion for not only wine, but specifically biodynamic and natural wine. Her WSET Diploma took a back seat when she was promoted into their office and chose to focus her energies on sales and marketing, and learning about biodynamics. She was tracking the lunar calendar, observing key differences between biodynamic and conventional winemaking and knew she was “all in” with biodynamics before she even set foot in a vineyard.

In 2009, the recession hit Canada; Amy knew that her job was at risk. Her company had been importing biodynamic wine for a special New Zealand producer in Central Otago; she had actually been the author of their story and had sent it to trade customers and private clients across Canada, and had previously met the Winemaker. She contacted them on a whim to ask for employment, and thanks to her connections, was able to secure a job at their vineyard. She made the move to New Zealand to do her first Kiwi harvest at Felton Road Winery.

Working at Felton Road was “the experience of a lifetime” for Amy. She stayed on for a full year, which she highly recommends to anyone wanting to seriously enter the industry. “Anyone can do a harvest for a couple months, but the year round experience is the most important.” It was during her year at Felton Road that she explored all sides of the winemaking business, “from vineyard to Cellar Door and winery.” That year, Amy discovered in her heart that “Winemaker” was part of her identity. She remembers thinking, “this is amazing. I need to keep doing this,” and she says about Felton Road, “I feel I started at the top. The bar was set so high after working there.” Her reasons for this are because of “the Ethos, the community, and how they look after the animals and the plants.” She was already passionate about biodynamics, but after integrating into the community of Felton Road, she was captivated.

Harvest – Castiglione Falletto, Piedmont, Italy

Following Felton Road, Amy lived in Burgundy for two years where she obtained her Diploma in Viticulture and Oenology. Upon completion, she began traveling to different countries “to work the harvests and live, eat and drink through different cultures.”

Hand sorting Pinot Noir Grapes – Burgundy, France

In 2017 she returned to New Zealand for a harvest job at Paritua Winery, in Hawke’s Bay. She enjoyed the comradery with her colleagues and the Winemaker, and decided to stay on. As it so happened, a position opened up for Assistant Winemaker, and it was awarded to her. Even though she was making wine for Paritua’s two labels, Amy’s desire was to make her own.

She was ready to start Amoise, but 2017 was a difficult vintage in Hawke’s Bay. Winemakers only get one chance each year to do what they do; Amy made the painful decision to wait another year, because she knew that if she used the grapes from 2017, the wine would need intervention, and that went against everything she envisioned for her label. She was supported with advise from a wise Hawke’s Bay Winemaker and mentor, Jenny Dobson, who “truly wants the best for everyone,” and had suggested that 2017 wasn’t the strongest year to make her label’s debut. It was an extremely tough call to choose to wait, but Amy knew it was serendipity.

Cabernet Sauvignon – Hunter Valley, Australia 2017

In 2018, Amy searched tirelessly for organic fruit, and with it being so difficult to find in Hawke’s Bay, she had begun to accept the postponement of her dream for Amoise, yet again! As fate would have it, she happened to sit next to another Amy at a wine tasting, who became a great friend. Her new friend happened to be cousins with an established local winemaker, and he had some organic fruit she could purchase! It was Pinot Gris, and a small amount of Gewürztraminer. Amy recognized the opportunity in front of her and seized it.

Amoise harvest with help from friends – Hawke’s Bay 2019

Amy driving the tractor during Amoise harvest – Hawke’s Bay 2019

She had unfortunately had an accident that year involving a knife falling into her foot, so she was casted up and in a moon boot during the harvest season; Amy did not let that stop her from producing the wine she knew she needed to make. It was going to be a natural wine; it had to be hand harvested, and she was relentless. She literally dragged her moon boot through the vineyard to harvest the grapes, got the fruit into the winery, then hobbled around the winery until she physically couldn’t walk anymore. Her friend, Amy, was there to help her, and she couldn’t have done it without her. “Right from the get go we’ve been supporting each other and that is what community’s all about.”

Literally, through what must have felt like dream-crushing delays, freak knife disasters resulting in actual blood, sweat, and tears (and a moon boot), and thankfully, a supportive wine dream team . . . the 2018 Amoise Gris was born!

Amy released it in October of 2018, and made 70 cases (of 12). She didn’t want her wine to be similar to so many of the other Pinot Gris available on the market. Hers is a Pinot Gris, and she chose to add “a sprinkling of Gewürztraminer to spice it up,” and to make an orange wine. This means that for the one month fermentation, she chose to leave the skins of the grapes in with the juice; she also allowed both varietals to ferment together. The skins add complexity, tannin and body, and the Amoise Pinot Gris is definitely not boring or typical!

Everything is also hand bottled, and labelled, by her and her partner, Greg. The label showcases some of the essence of Hawke’s Bay in that it’s a friend Harry’s painting of Te Mata Peak and Cape Kidnappers, two significant landmarks of the region, with her signature captured from her chalk labeling on the barrels to spell “Amoise.”

As for the name, “Amoise” is Amy’s Canadian nickname. Her family still calls her by it, and that’s how she was known in her “hospo days,” the times she remembers with fondness when the love of wine found her, and she embraced it; it is fitting that her own label be called after a name with such endearment.

Amy has the 2019 Amoise Pinot Gris in the works, as well as a red wine this year, 2019 Amoise Cabernet Franc. Both are “unadulterated wines,” as Amy refers to them, and follow her strict winemaking philosophy: organic grapes, only certified bio-grow fruit, with no additions, and no sulphur.

Beautiful, hand picked Amoise Pinot Gris – Hawke’s Bay 2019

Working as a team for the Amoise harvest – Hawke’s Bay 2019

She avoids using the phrase “natural wine” to describe her product, because she has significant experience and research invested into the topic, and says that “natural wine has no legal definition and for almost a decade the EU can’t come to a consensus on how it should be labelled legally!” Alternatively, she chooses to label her wine with the phrase, “no additions or adulteration of any kind,” and aims to spread the word of what organic, biodynamic and natural wines actually are, and their key differences.

Amy explains that organic wine is made from organic grapes (no herbicides/pesticides/insecticide sprays). Biodynamic wine is made with organic grapes, but also by observing the lunar calendar and applying Biodynamic techniques. Natural wine is also made from organic grapes, but it uses little to no intervention, and no additions (only natural yeast, no enzymes, no sugars, no acids, no fining agents, little to no sulphur, etc.) Amy however, doesn’t even add sulphur, which is why she prefers the term “unadulterated.” Her wine is literally as pure, genuine, and naked as a wine can get.

Her company mandate, and number one goal, is “responsible natural winemaking.” Her mandate came from her experiences making wine in France, where she adopted the belief to never release a wine that is faulty, or that she wouldn’t drink herself. “It’s not about putting grapes in a vat and praying for good results.” She watches her wine so closely. “My intention is always to make it without intervening. Altering the temperature is the only intervention I’ll do, if needed.” She also believes that taking care of the vineyard is of utmost importance. She explains how the quality of yeast and fruit in the winery is determined in the vineyard. She embraces the French model that marries winemaking and viticulture, in which “people do everything . . . making the wine is only a snapshot of what you do.” She loves being in the vines. It really all starts there for her.

Amy and Gus – Black Estate, Waipara, North Canterbury, New Zealand

Steep slopes of Cornas, Northern Rhone, France

After listening to Amy describe the attention to detail, and the purity of her wine, it’s clear to see that it’s her baby. I was quite happy to enjoy the bottle she shared with us, knowing I wasn’t putting anything in my body that didn’t come straight from nature. Amy genuinely works with the earth and nurtures the fruit as it transforms into a wine that is a pure expression of the terroir, vintage and place. There’s a snapshot of history behind every Amoise label, and her wine takes those who enjoy it back to that vineyard, that season and those moments in time, as a wine has the incredible power to do.

As with many new businesses, Amy has had an uphill battle getting Amoise off the ground. Aside from the 2017 missed start, the unpredictability of where from or if her fruit would come in 2018, plus the moon boot harvest, she has had the huge challenge of trying to educate New Zealand wine consumers on what a natural wine actually is. Educating Kiwi consumers has become a large part of not only her company mandate, but her personal one, as she is so passionate about the biodynamic process, and making wine the natural way. She aims to raise awareness in the market that there is an alternative style of wine that’s available for those that want it. Amy does many Pop-up events with food and a selection of her own and other natural wines, that set out to educate the community and spread knowledge within the industry.

Stirring water as part of Biodynamic Preparations

Aside from the educational challenge, 2018 was another delicate year, and although Amy knew she wanted Pinot Gris and the spicy Gewürzt she loves, she didn’t have control over the timing of the harvest. The grapes came in that year with some botrytis, which was a factor of nature that was beyond her control. She made the decision to honour her beliefs, and made a natural wine, with no sulphur or additions, despite the challenges with the fruit. Working full time at Paritua has also limited the time that Amy has had to spend on Amoise. Her and her partner do “Power Hour” at 6:00am where they both work on their own businesses. She sacrifices sleep before her day job so that she can dedicate time to her label.

One of Amy’s biggest lessons is that the wine industry is hard. “Nothing’s ever easy. You have to work with nature. You have to be adaptable. You have to accept Mother Nature.” They say that if your job aligns with your passion, you never work a day in your life. The more Winemakers I meet, who are truly passionate about what they do, the more I see that this is sincerely true. It is arduous work, and can appear unrewarding, but those that possess passion know they’re where they belong. Amy is one of those people. When I asked her if it was worth it, she responded with a big, “yes. There’s something about it that keeps me coming back. This is my art. This is absolutely my passion.”

Poplar Grove Winery crew at harvest – Penticton, Okanagan Valley, Canada

If there’s something Amy would like to see more of in Hawke’s Bay, besides a greater understanding of natural wine, it would be the strengthening of the wine community, and a deeper desire to learn from each other. “There’s never a point where you can go, ‘I’m fully satisfied with that.’ There’s always new info, new things to be shared.” She gives the example of Syrah ripening in Hawke’s Bay. “We’re all struggling with it. Let’s share information. Let’s learn from each other, and share the knowledge that we have.” That is why she was pleased to see the start of the HBVine group last year, that aims to share and exchange data and vineyard techniques.

To try Amoise wine, get in touch with Amy via her Instagram account @amoisewines, or visit her at one of her Pop-up events. She’ll be participating in the Hawke’s Bay FAWC (Food and Wine Classic) with free events featuring natural wine and food by Chimera restaurant on 8 and 9 November. Follow her on Instagram to stay in the know.

I encourage you to visit her events; bring your friends to experience some of the special, unique and delicious, unadulterated Amoise wines for yourself. Arrive with an open mind, an appetite, and a willingness to learn something new, and you might just be swayed towards some exciting and alternative styles of wine.

The Element Wines Story; Boutique Wine Producers in Hawke’s Bay

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The story of how Dom and Rachelle met is so adorable, it could be made into a movie. The setting was their hometown, Auckland, New Zealand, and it was Tuesday, the 14th of January, 2002. Rachelle was out for lunch, celebrating her cousin’s birthday. Her cousin joked with the server that she should get a free drink as it was her birthday; the server told her she couldn’t, dampening the mood, so the girls decided to take their business elsewhere. Little did she know, Rachelle was about to walk into the restaurant where her future life and wine partner worked. The girls entered Wildfire, and took their places at the bar. Dom casually sat down next to them, and was minding his own business; Rachelle goofily wacked the new patron next to her on the leg and told him that they had great drinks at this place, and he should try one. He mentioned that he’d actually tried, and made, all of the drinks there, before turning to show her his work t-shirt with the Wildfire logo on it. He took the rest of the night off, and bought dinner for the girls. At the end of the night, he wanted Rachelle’s number. Feeling a bit serendipitous, Rachelle told him she’d give it to him, but she wouldn’t allow him to write it down; if he could remember it, he could call her. Thank goodness for Dom’s memory, because he did retain the number after hearing it only once, and as they say, the rest is history.

Fast forward to 2019, and Dom and Rachelle now own and run Element Wines, a boutique vineyard and wine label in the Gimblett Gravels micro-climate of Hawke’s Bay, New Zealand, with their two daughters, Zoë and Zaymia, a couple of cats, Turbo and Bubbles, and one big German Pointer, Brewski, all in tow!

So how did two Auckland-raised Kiwi’s end up in the Gimblett Gravels, running a vineyard and wine label? The simple answer, is that they decided that life was too short not to follow their dreams. The longer, more complicated story includes tonnes of courage, some definite ups and downs, overcoming a lot of hurdles, and binding together to spend their days creating something they love and are proud of, while enjoying their lives as a family.

A day in the life of the Smith family includes high school for the girls, and everything that comes with that, like homework, sport, friends and slumber parties. The girls have spent the last several years helping in the vineyard when they’re finished their schoolwork, and it’s definitely a family affair. They help with everything from pruning to harvest, and have developed an impressive knowledge of wine-making for their ages. In addition to running Element, Dom also works full time at Sacred Hill Winery as the Cellar Supervisor. Rachelle spends her days tending to the vineyard, and running her family. A typical weekend includes playing with the pets, sitting on their beautiful deck that overlooks their vineyard, and enjoying delicious food, once the vineyard work is done, of course. Zoë and Zaymia make the Sunday pancakes or waffles, but Rachelle makes the best French Toast. Dom can craft a mean, made from scratch pizza in his clay oven, or roast incredibly tender and flavourful meats, but whatever the menu, there is always a delicious wine pairing to complete the meal, along with satisfaction after a day’s hard work.

Owning a vineyard seems romantic, and ideal, and in some respects, it can be. Most of the time though, it’s really tiresome, and the work never ends. There’s something to be done in every season of the year. If it’s spring, the vines are beginning to bud, and need to be watched and protected from frost. Summer brings growth and ripening, and lots of vineyard and machinery maintenance. With autumn comes harvest time, unpredictable weather that could potentially destroy a whole season’s fruit, as well as the pressures of making the right decision of when to harvest. Then, the grapes need to be processed, and the wine needs to be made, and maintained, while winter requires pruning in the vineyard to set it up for a healthy spring, when the work cycle repeats. I was curious to find out how all of this became the couple’s dream.

Rachelle didn’t grow up in an industry family, but she was around wine as a child. She has memories of her god-mother letting her try watered down wines to see what they tasted like. She also had family and friends with wine labels or vineyards, and she would spend time at their houses; this lead to her developing a comfort and familiarity with the vineyard environment. Dom didn’t grow up industry either, but was the son of two teachers. Although his parents drank wine, it was Dom’s hospitality work that opened his eyes to amazing wine. He remembers feeling like he had the world at his fingertips when it came to the wines he was able to experience, both from the old and new worlds. When he used to go out with his buddies as a teen, he noticed that he was among the few whose alcohol choice for the night was a fine wine; he realized that he was actually quite fond of it. He found satisfaction in making the perfect recommendation for guests in his restaurant, or showing them something different; he once made a recommendation to a Wine Spectator writer, without realizing it, and was thanked and acknowledged by the writer’s wife for making an exceptional pairing.

Once Dom and Rachelle got together, wine became a big part of their dating life. They talked about their bucket-list wines, and tried many of them together. (Trying those bucket-list wines is still something they do today; they can both recall the specific flavours and intensities of a 2006 Dom-Perignon they shared as a celebration of overcoming vineyard hardships.) Owning a vineyard became their “Lotto-dream.” If they ever struck it rich, they’d buy one! Ironically, due to hard times, they were put in a position with the business they owned in Auckland where they either had to rebuild, or move on. They were at a fork in their road, and they knew it. Dom had a memorable conversation with a good neighbour friend one evening who recommended that Rachelle and Dom see this as an opportunity to follow their dreams. They felt the same way, so they did.

It was the 19th of November, 2012, when Element was born.

Dom had been able to find employment at a winery in the Bay, so they began looking at Hawke’s Bay properties for their own vineyard. They also favoured the wines that come out of the region; they love Cabernet Sauvignon and Syrah. Dom quipped that he would rather make “not-Sauvinon Blanc and have no money, than make Sauv Blanc and have money!” He’d been commuting between his job in the Bay and his family in Auckland since that August. The couple had hummed and hawed over which property to go with, but kept coming back to a special one in the Gimblett Gravels. It was a 4.2 hectare property, with 2.6 hectares under vine. The vineyard had Syrah, Merlot, Cabernet and Viognier, the wines they wanted to make, not to mention gorgeous lavender that caught Rachelle’s eye. They ended up choosing the property for the vineyard, and not really caring about the specific layout or décor of the house! They got possession on that November day, and the girls still hadn’t seen the house. Rachelle took them to meet Dom to see it together, but Dom was held up at work, so they went for a drink down the road to wait. It really is a family affair! Then, all together, the family complete, Dom, Rachelle, Zoë and Zaymia walked into their new home, to begin a new life and a new adventure.

Vineyard life didn’t exactly welcome them with rainbows and butterflies. They had no furniture, and slept on air beds for a couple of months. The girls remember waking up that Christmas together in their half deflated air bed, that they were sharing to save on linen. The vineyard had been damaged by frost that spring. Dom had to learn to drive a tractor. He had to learn to spray. He had never done any vineyard work before. He describes it as just having to “jump on board and figure it out.” He tells the story of one particular night, where a storm was coming in, and he was trying to hook up some hydraulics on a machine. It was 3.00am by the time he got it going and was able to spray. To top it all off, he stepped on his sunglasses and broke them. It was a long, hard night, to say the least. This wasn’t exactly the romantic dream they had envisioned! It wasn’t all bad though. The family has lots of fun memories of being together, all learning how to run the vineyard. Everything was a novelty at first, even for the girls, and they enjoyed lifting wires, bud rubbing, and doing other jobs together. Although Dom is quite certified now, in the beginning, they were largely self-taught, but they had some helpful neighbours and colleagues that supported them along the way.

After spending time with Dom and Rachelle this year, and seeing how challenging it can be to own a vineyard, I asked them why they chose that route, rather than just purchasing fruit for their label, like so many others do. Why bother with the work? Dom replied that it “seemed logical that you grow it and make it.” They wanted the whole process. Starting from the beginning, and having control over their fruit is part of their wine-making philosophy. “Our story is that we grow everything that we make,” explains Dom. A holistic approach is very important to them.

They strongly believe in nurturing the land, and that less is more. “We have to tread lightly and look after the land,” Dom shares. Although they’re not certified organic, they prefer all organic practices. They don’t use any harmful chemicals or sprays on their vineyard. “My kids and my dog play here,” Dom says about their land. It’s their home, and they take pride in caring for it.

Another important company mandate to mention is that Element strives for a “true, terrior driven wine,” which is why they don’t mind to break away from popular trends and make wines that aren’t influenced by oak. They currently use no new oak in any of their wines (even the reds) and are moving towards eliminating all oak use soon. Many of Dom’s favourite wines from the old world haven’t touched new oak. He remembers some specific wines from France that were made in either neutral oak or concrete, and he describes that “they get this intensity and expression from the vineyard and fruit not manipulated by anything else.”

After hearing their wine-making practices and philosophies, it made perfect sense to me why they chose their name, Element. Their wines, born of the earth, from the vine, through the grapes, and into the bottle, truly reflect a sense of place, and are something completely unique to them.

So where can I find this special, unique wine? Customers can order directly from Element via their Instagram handle, @element_wines, their website, http://www.elementwines.co.nz, or see it on some wine lists throughout New Zealand. Rachelle offers tastings by appointment (021 146 8925) as well.

Options are Viognier, Cabernet Merlot blends, and Syrah from Element, as well as potentially a 2018 vintage 100% Cabernet Sauvignon. Although they don’t enter wine shows, their Syrah has been their most highly accoladed wine with their 2016 Syrah getting 93 points from Cameron Douglas, Master Sommelier, and 93 points with The Wine Front in Australia. Their Cabernet Merlots have certainly been popular among customers as well, and are often quick to sell out. Element is truly boutique, meaning they produce only around 100 cases of wine per year, so if you want to get your hands on some, do it soon!

Their Viognier is aromatic, fresh and floral, with a beautiful oiliness to it that melts in your mouth. The Syrahs have that classic pepper spice, loads of cherry and liquorice, and a flinty minerality that can only come from the soil. The Cabernet Merlots have great structure, red and dark plum and black currants, a lovely hint of cocoa and beautiful soft, round tannins.

In reflecting on their wines and their journey, Dom and Rachelle realized they’ve already overcome several challenges. They definitely had an uphill journey, especially at the start. They had to learn how to manage a vineyard, while running a family. This means they have to sacrifice a lot of their personal time, and days off, to ensure that the girls and the vineyard both get the dedication they require. Trying to find a trustworthy place to make and store their wine was a challenge as well. They don’t have a winery on site, so to find a safe place where they could make their wine that would allow them creative control was a journey, but one that has rewarded them with a currently great home for their wines, and the all important creative freedom. Having a vineyard is a lot like farming; the weather interferes negatively sometimes, and then they’re faced with challenges of how to work around that. “It’s hard work, and hard work has to go in, in order to get the rewards,” Rachelle says. “When you’re small, you have to do more to reap the rewards.” Lots of others also want to have their share, and have tried to get wine for less than nothing.

When I asked them if owning the vineyard has been worth it, they both replied in a heartbeat, with a resounding, “absolutely!” They’ve learned a lot about themselves, and each other, their relationship and their family. It’s taught them that they still love each other at the end of the day. It gives Rachelle the freedom to be a stay at home parent, who can be available when the girls need their Mom. Dom shared that they’ve learned that “wine can bring amazing people together, because it has.” They have made amazing friends within this industry, and the friendships they’ve gained, have been “the coolest thing it’s done.” If there are three passions that consistently come through when spending time with Dom and Rachelle, they’re family first, relationships, and of course, wine.

Pictured left to right: Dom, Zaymia, Rachelle, Zoë

We met Dom and Rachelle in the exact way adults always warn children to never make friends – over the internet! When Greg and I decided to move to Hawke’s Bay, I started Instagram messenging every winery in the Bay that I could find. Instagram used to lock me out after so many, and I would have to wait 24 hours before I could send more messages. A lot of them never replied, but Dom did. He was the first to reply to me, actually, and explained that they were a small winery, and couldn’t offer us jobs, but that he would help in any way he could. After conversing with Dom for a few days, he invited us to come for a wine with him and his partner when we arrived. I wasn’t sure if it would actually happen, but I said that we would love to. I continued to message back and forth with Dom over the last month we were in Canada, with so many random New Zealand questions. I think I actually asked him if they had peanut butter here! He was extremely helpful the whole time. Once we had arrived, it was Dom that I sent a picture to of the first cockroach I had killed asking what it was and if it was poisonous! (We don’t have them in Canada.) We did end up going for a wine with Dom and Rachelle, on only our second day here, and that wine turned into a dinner, 5 hours of conversation, and the start of a great friendship.

In the time we have gotten to know Dom, Rachelle and the girls, I can clearly see their strength, resilience, perseverance and dedication. They were so brave to leave their life, family and everything they knew in Auckland, to move to the Bay and follow their dream. They didn’t know if it would work out or not, and they took a huge risk; I have found though, that the greatest risks in life can lead to some of the greatest rewards. Dom and Rachelle still work incredibly hard, and they invest their hearts, souls, and pocketbooks into Element. They love their daughters more than anything in the world, and they’re doing a great job raising the girls; Zoë and Zaymia are beautiful inside and out. Dom and Rachelle are some of the kindest, most hospitable, generous, and down to earth people we know. We are honoured to call them our friends.

Oh, and by the way…

…they make some pretty exceptional wine!

Guess What Working in the Hospitality Industry is Teaching Me?

Spoiler alert! The answer is … hospitality. I’m learning many other valuable things, but for the purposes of this blog, I’ll focus on hospitality.

“Hospitality: the friendly and generous reception and entertainment of guests, visitors or strangers.”

– Google Dictionary

I used to think I was a decently hospitable person, but I’ve realized that I was really only hospitable to those I wanted to be hospitable to. It’s not that difficult to receive or try to entertain my own, invited guests with friendliness and generosity. I’d say most people do a decent job of that.

The “strangers” part though… that can be a bit harder sometimes. Most customers are very nice, and quite friendly and happy. It’s definitely easier to be hospitable (by definition) to them.

When they’re not that nice to be around, receiving and entertaining them with generosity and friendliness – there’s the challenge; that is true hospitality.

(Https://images.app.foo.gl/ZBuMXh5gfnGhgbE79)

I had the rudest of rude customers a while back. He seemed to make it his mission to hate all the wine, and commented how much so after each taste (which basically never happens at my job – we have excellent wine and are a reputable wine brand); I even caught him making gagging faces with his finger down his throat at other customers while I was getting his next taste of wine … Real mature, sir.

(Hcareers.com)

I’ve had drunk customers cuss me out for not serving them as much alcohol as they’d like, or get cheeky with me when I can’t serve them any more at closing time.

I still feel like I’m just getting my feet wet in dealing with these types of people, but I’m watching some great mentors do it with class. Some of my colleagues know how to stick to their guns, yet still come across to angry, or drunk, or even hostile customers as hospitable; I’ve seen some interesting situations diffused calmly and quietly, when they could have easily gone the other way. It amazes me, how these colleagues can be so truly hospitable to anyone and everyone, and it’s honestly an admirable skill that I hope to pick up bits and pieces of more and more. All will come in time, as I learn.

Now that I’m in this industry, I’ve started paying even closer attention to how hospitable and welcoming others are to me when I’m visiting a place, and it’s often the smallest things that can make a huge difference. It really doesn’t take that much more effort to be helpful to someone in a small way, but it can really change the outcome of their day, or make their experience with me, our establishment, their day, or their entire holiday better.

For example, the other night at work, a lady had just ordered a glass of wine, and ended up knocking her glass and spilling half of it. Our Event’s Manager offered to fill it back up for her, at no cost. She could have just pretended she didn’t see it happen, or charged her for another glass, but she went out of her way to do something nice, to make that lady feel special; I’ll bet it went a long way.

(Quotemaster.org)

Going to other Cellar Doors and restaurants in our travels, as well as recently in New Zealand, and even visiting our own wineries on our days off, have really reminded me of what it’s like to be on the customer’s side. Those have been such beneficial learning experiences (sometimes positive and sometimes not, but beneficial either way).

The Golden Rule really comes to my mind a lot in this business.

It’s service.

It requires humility and grace.

It requires me to put another’s needs and wants above my own.

It requires selflessness, generosity, forethought and planning, or adaptability and flexibility.

It sometimes requires sacrifice.

(Pinterest.com)

It’s about putting myself in the customer’s shoes, and thinking about how I would want to be treated in any particular situation. Some days that’s easy enough, and other days, that’s hard, to say the least!

(cheezburger.com)

Despite it all, I believe hospitality can be learned through mindset and practice, if someone is motivated to learn it.

Even more importantly, I’ve become more aware of how the skill of being hospitable isn’t just useful in a hospitality job; it’s a life skill of incredible value to offer to those around me. Anyone can benefit from being more hospitable in their workplaces, communities, friendships and families. I’m thankful that I’m getting all this time to practice it.

So cheers to all of you incredible hospo people out there, who work hard and make your customers feel truly welcome and special in your care; you are amazing.

(cheeseburger.com)

Two Canadians, A Campervan and New Zealand’s South Island

It’s been over 6 months of us working in this country, and we have now earned holiday time! Vintage is done, and Air NZ started offering really affordable flights within the country. All of this meant that we could finally get to the South Island, and we were so excited to explore it!

As people heard we were going south, they all gave us their lists of the must-do’s! We appreciated all the cool, local tips, but unfortunately we didn’t have a year to actually cross them all off… New Zealand offers almost never ending exploring! So we picked the things that sounded the most intriguing to us, accounted for our budget and time allowances, and carefully planned (on my end) a jam-packed, 6 day adventure, in a campervan, of course!

We got an amazing flight deal to Christchurch, so we headed there early Wednesday morning, thankfully just missed the fog, and landed on time at 8:05am. We picked up our Campervan from Jucy, and hit the road, as we had an appointment to get to in the Waipara area of the Canturbury Wine Region.

I won’t go into too much detail about the wineries we visited on this trip, but we uprooted our entire lives, and moved to this country specifically to work in wine; clearly it was high on the priority list for this holiday, as it usually is.

Bell Hill

The wine in the South Island is very different than it is where we work in the North. We work in the warmest wine growing region in the country, with very vast and diverse soil types; the wine regions in the South Island have completely different soil from each other, and from the North; they also have their own unique climates, and therefore, produce unique versions of some of the grape varietals we have in the North, and also some completely different varietals altogether. We tried lots of Pinot Noir on this trip, some Chardonnay and bubbly wine, as well as many aromatic whites, like Riesling, Pinot Gris, Gewurtztraminer, Pinot Blanc, Pinot Noir based Roses, and even a Muscat, that was dry and surprisingly enjoyable.

In Canterbury, we visited Bell Hill, and had a private tour around their biodynamic and organic boutique vineyards, on incredible slopes, with the vines showing off the beautiful autumn colours. We tried some Pinot Noirs out of barrel. We visited Pegasus Bay, which had beautiful grounds, some very nice wines, and a friendly and knowledgeable Cellar Door host.

We also visited the winery with two labels that belongs to this year’s New Zealand Winemaker of the Year, Greystone and Muddy Water. The Winemaker at my workplace has won that award 2 times in the last 5 years, and we have amazing wine, so I had very high expectations for this place, which I feel is fair. If you are considered the best Winemaker in the country, your Cellar Door should support that, and the visitors that you will undoubtedly bring, and give an exceptional experience. This one, sadly, did not. The host was unfriendly, made no effort at conversation, and was actually outrightly rude to us with a couple comments. Thankfully, the Marketing Manager overheard some of our questions and came out to speak with us for a while, and he was great. If it weren’t for him, we would have had a terrible experience there.

We made our way back into Christchurch for the remainder of the afternoon, did a bit of shopping for some winter gear and groceries, and drove around to see the sights.

A highlight for me was the 185 Empty White Chairs memorial for the people who died in the 2011 earthquake. It was chilling to see, and served as a reminder that life is short and fragile, and should be valued and lived to the full. We had a quick dinner at what I describe as a funky, more upscale food court, Little High.

We visited one of Christchurch’s older and highly awarded bars, the OGB Bar, and had a great experience. One of their employees did a wine tour with me a couple months back on his holiday, and invited me to visit him there on our trip, and him and his colleagues made sure we were taken great care of!

Then, it was time for a very late dinner and wine, once we found somewhere to camp! We used the Ranker’s Campervan App to help us find everything we needed to on our trip. It showed all of the places we could park, empty our tanks, etc., with reviews, photos and prices. We searched for the free options, and found a place just outside of the city to park. I’ll elaborate on the campervan later.

We woke up early on Thursday to get a good head start on our drive to Lake Tekapo.

The scenery was beautiful on the way, as we made our way into the mountains. We spent the afternoon in Tekapo; we got some photos with the famous church on the lake, and then took a moment to pause inside and admire the view of the lake through the windows on the back wall. What a great place to go to church! We opted to walk to the top of Mount John, which was a short, fairly easy but steady climb.

We enjoyed views of the lake and surrounding mountains, and some coffee and dessert in the sun at the Astro Cafe, before heading back down for lunch. We parked the van alongside the lake for a gorgeous view, had a picnic and some Riesling, and then headed to the Tekapo Hot Springs.

We had a booking for 2:00, but because we picked the date and time ahead, we were able to get a great deal on a site called bookme.co.nz. We enjoyed a couple of hours there, soaking in the warm water, and soaking up that view, before heading on.

Next, we drove to Lake Pukake, and stopped for some views of Mount Cook, and then made our way through the Lindess Pass, which was beautiful at sunset, and then onto Cromwell, where we wanted to start our next day.

We found another free camp spot on the Ranker’s App, right next to the lake, and it was such a gorgeous spot. I can’t believe some of the amazing, free camp grounds New Zealand has! I kept saying to Greg, “why is this free…?” In Canada or the USA, those would have been costly spots.

“Pancake Saturday” was moved to Friday, as we had the time in the morning, and the lakeside spot to enjoy! As we awoke in Cromwell, we were already amongst many more great wineries we were excited to visit! This is when it really started feeling like a holiday to me; finally, we had made it to Central Otago, another world renown wine region on our bucket list!

We definitely started off with the bar high, as we visited the appointment only Cellar Door of Felton Road for a tour and tasting with the owner’s daughter. Bookings are required well in advance to get a spot. She was fantastic, as was their philosophy, place, and wine, and we loved our experience there.

We followed that up with another amazing experience at Mt Difficulty. It was a gorgeous, sunny, autumn day, and we took in the expansive views of Central Otago on their patio in the warm sun for a delicious and generous platter, that was a special treat for me from a reward card I received at work. After we ordered, we did a complimentary tasting to help us decide what to have with lunch. By the time we finished our tasting, our food was ready for us. We enjoyed our time there so much!

Views with the platter and wine at Mt Difficulty

Other wineries we visited in the Cromwell area were Carrick, and Akarua; we had positive experiences at both of them as well. We then jumped back in the Jucy van to head for Dunedin! The drive was absolutely beautiful the entire way; we arrived around dinner time, and spent the evening with friends.

Baldwin Street

They took us for dinner at a quaint and delicious Italian place, and then drove us to the top of Signal Hill to view the city, as well as took us for a spin up and down the steepest street in the world! We parked the van outside their house that evening, and funnily enough, we weren’t the only Jucy van on the street.

In the morning, we grabbed coffees and had a visit with our friends before making our way around Dunedin to see St Clare Beach, and the famous Railway Station; as it was Saturday, we visited the Farmer’s Market where we purchased some fresh fish and produce for dinner, before making our way back to Central Otago, where we’d spend the next 3 days.

We arrived in Wanaka mid-afternoon, so we went to Rippon, another famous winery with, yet again, amazing wines and an exceptional view!

We also visited Maude Wines, where we had the perfect spot on their comfy couch with blankets in their sun room, overlooking lake Wanaka.

We each had a seated tasting flight of different wines, and then enjoyed a glass in the sun. Our host at Maude was extremely welcoming and knowledgeable, and made us feel very comfortable during our visit.

After we were done relaxing at Maude, we headed down to That Wanaka Tree, to get some sunset photos. We were amongst a group, but got some beautiful shots. I love when I get to see something in real life that I’ve been seeing on Instagram for a while!

We checked out another cute wine bar in Wanaka called The Cork Bar. It was warm, dim, and comfortable. So many of these places remind me of small mountain towns in British Columbia, and the whole Wanaka/Queenstown area made me feel quite at home.

At The Cork Bar, I tried some Black Peak Pinot Noir, who’s Winemaker and owner had been in to work last week. We also tried some Burn Cottage Pinot Noir, that came highly recommended, and loved it.

As Wanaka is such a famous tourist spot all year long, there are no free campsites there. We were fortunate to have a friend who’s father lives in Wanaka, and allowed us to park in his driveway for the evening. We carb loaded for our upcoming hike with some pasta, and enjoyed a bottle of wine before bed. We had purchased some candles by this point, so we had our usual ambience and didn’t have to run the bright LED lights in the van!

The next morning, we were up at 6:00am to eat breakfast, grab some sunrise photos of That Wanaka Tree, and make it to the base of the Roy’s Peak Hike for daylight at shortly after 8:00am.

We were up to the ridge by 10:00am, took our photos, and decided to go for the summit. It was pretty cold up there, but we were glad we made the extra treck to complete the hike. The views were stunning and we had the place to ourselves.

We had lunch back down at the ridge, and started our descent just as the rain began. By the time we got to the bottom it was full on pouring, and we were drenched! Thankfully we started when we did that morning, because had we even been 1 hour later, our view would have been largely lost in the rain clouds and fog.

Many reviews strongly suggest a high fitness level is required for this hike, and I completely agree. It’s steep, and it’s all up, sometimes at a 45° angle, with basically no plateaus, for hours. And then you have to come down…potentially in the rain or snow, depending on the season. You must wear proper clothing, shoes, and layers. It is almost 1600 meters in elevation; the conditions are considered Alpine at the ridge and upwards, and with all that uphill climbing, if you’re not wet from the rain, you’re wet from the sweat. I was so thankful to have key parts of my work uniform on; I wore my amazing Icebreaker Merino wool jersey and Merino wind proof vest, all thanks to my awesome company outfitting me for the winter. The hike was absolutely worth all the effort and sore knees; in exchange we got some of the best views we’ve ever seen in our lives, and some pretty amazing photos.

Rainbow and mountain views from Roy’s Peak Summit

We had a makeshift shower with baby wipes when we got back into the Jucy van, and were happy to get out of our completely drenched clothing. We hung it all around the van, but the van unfortunately never got warm enough to dry any of it. I got creative to dry my hair.

We headed for Arrowtown, and walked around a bit there.

We found a candy store and got some fudge, but were stiff and cold, and just wanted to sit down. We found a cool restaurant that was just about to close, The Chop Shop, but they gave us a table. Greg had a thirst quenching beer, and I had a warm coffee with Baileys and it hit the spot perfectly. We ordered a dessert, and ended up getting 3 more free because they were using them up before closing!

Do you want another dessert on the house? Yes, please.

We headed to, guess where… more wineries! Are you surprised? We fit in short visits to Peregrine, Gibbston Valley, and then had a nice long tasting at Mt Rosa.

The owners of Mount Rosa had come to do a tasting with me at my workplace in the Bay at Christmas time, and one of my good friends is heading down to help them out for several weeks this winter while they go on vacation! As the owner knew me, he had us in way past close, and gave us a very personalized tasting. We enjoyed his wine, and the cozy, warm, rustic atmosphere!

We made our way into Queenstown that evening to check it out, and then found a campsite in the area. Queenstown doesn’t have any free sites either, but we found a decent one for only $13/each. Greg cooked up a nice meal, and we relaxed in the van, as it was still pouring outside!

The next morning, after a stop at Starbucks (yes, whenever I get the chance) we traded in the Jucy van for a car, as the van specifically had to be back during certain hours, and our flight home the following day wouldn’t allow for that to work. We took the car around the area, and did our last set of wineries: Chard Farm, which has an amazing, 2km cliff side drive in, Wet Jacket and Whitestone Cheesery, which is in an old wool shed and has a super cosy atmosphere, and then Amisfield, which was closed for repairs, so I was quite disappointed to miss them.

The rain had stopped by then, so we ate up the rest of our groceries outside the boot of the car! We went to Bald Hill instead of Amisfield, and then it was time to check into our hotel.

We stayed right close to downtown Queenstown, which was amazing. We got straight to laundry, as our hiking gear was all still soaking wet, and we weren’t sure how we’d get it home that way! We visited with some friends from home, who also happened to be on holiday in Queenstown!

Then we walked downtown from our hotel and checked out the shops, as well as this very cool bar, The Winery.

It has many enomatic machines, that work like a Coravin, allowing small tastes of a bottle of wine to be poured from it without oxygen getting in. We were able to try several new wines, and I got that Amisfield wine after all. It was a lovely evening, and we enjoyed some cheese and crackers on the balcony of our hotel before bed, and also really enjoyed a hot shower, a real toilet, and a King size bed! As much as we loved the hotel for the last night, we really did like the Jucy van.

Our Jucy van was just what we needed for this trip.

It was small enough to get good fuel mileage (which matters a lot here – fuel on the South Island was around a whopping $2.40/litre, and that’s not a typo); it was still big enough to have a functioning bathroom. We had a small living area with benches, and a table that we could set up for dinner. That same area converted to a bed for the night.

There was also a bed option up above, but with just us, we didn’t need to use that one for anything but storage. It came with a kitchenette, and all of the dishes we needed. It also had towels, and bedding. The weather was quite cold (for NZ) at this time of year, and got down to just above 0° at night, but we had 2 duvets, and were toasty warm under them – borderline hot some of the nights. I was glad we only flew with carry-on luggage though, because compared to our camper in Canada, it felt a bit tight, and I wouldn’t have wanted to have any more stuff!

On another note, this was the lightest I’ve ever packed for a trip, and it was a big stretch for me! I wore the same boots the entire time, other than my runners for hiking. I didn’t bring heels. (Who am I?) I didn’t bring my blow dryer or straightener, either, and just made due with the hair situation. I knew we wouldn’t have power for them anyways. (Thankfully, I was able to shower at my friend’s in Dunedin, half way through the trip, and use her hair appliances to freshen up. Alice, you’re a life-saver!) Over all, I really embraced the campervan lifestyle. It was fine for 5 days, but by day 6, I was quite happy in our hotel room! I am still a bit “precious” as they say here, after all.

I have also realized that we’ve only been here just over half a year, and our trip was greatly enriched by the many connections we already had, because of our jobs in the industry, and friends we have made. We visited friends in Dunedin and Queenstown, and I knew people in Christchurch, and Gibbston Valley through simply meeting them at my job and spending some time getting to know them; they then returned the hospitality to us. We tried wines of people I’ve met at my job. We had a free place to stay in Wanaka, through another friend we’ve made. Most of the places we visited gave us extra special treatment when they found out we were industry people. I’m so thankful for all of these connections, and they make us feel so much more welcome in NZ.

Our trip was amazing.

I’m so happy to have finally seen the South Island, and it is every bit as beautiful as people say. (Although, I do have to give bigger points to the Canadian Rocky Mountains.) 6 days went by so quickly, and we did a lot, but we still had moments of relaxation, and thoroughly enjoyed our first actual holiday in NZ.

Relaxing with my babe, stunning views and some Pinot at Maude

Hmm… where to next?

A Weekend in Wellington

We’ve had a very busy January at work (and by “we” I mean “me,” as Greg’s been enjoying all of the public holidays). I’m used to having two weeks off over Christmas and New Years, and then spending the next few weeks of work struggling to get out of bed and motivate myself to get back into the routine, after having to dig my car of out of the snow in the dark, minus 40 weather. This year, of course, with an industry and country change, brought a big life change, and a significant change to my January! I’ve not had more than two days off in a row in a long while, (maybe at all since I started my job), but with that, comes no dread of returning to work, and no broken routine. It’s a good thing I love what I’m doing! January is one of the busiest months in the Cellar Door, and we’ve been working hard, for long hours, in the heat! We’ve had many days in a row of higher than 30 degree weather, and heaps of sunshine. I’ve been spending my mornings going for jogs along the ocean instead of digging my car out of the snow, and getting sun burnt instead of frost bitten!

With all of that work, I’ve been very tired, but when Greg and I realized I had a weekend off, we decided we needed to take advantage of it and go see some more of this beautiful country we’re calling “home.” As we did a “rustic” trip last time (slept in the car, next to a stream on a mountain and hiked 20kms), we decided to do a city trip this time. We chose Wellington, New Zealand’s capital, a four hour drive for us; on route, there is the Wairarapa wine region, with Martinborough in it, famous for its Pinot Noir, something Hawke’s Bay is too warm to do much of.

We left early Saturday morning and headed through many cute little towns on the way to Martinborough. We wanted to fit in a few wineries before our 1:00pm appointment at Ata Rangi.

We visited Poppies, Vynfields, and Schubert during the lunch hour. They were all very small production, beautiful places, and featured the Pinot Noir we were after.

We ran into a family at Poppies that lives in Wellington, that I had done a tasting with at Church Road recently; we all recognized each other, and stopped to chat! They told Greg how great of a time they had with me, and that they could tell how passionate I am about wine and the process of making it. That’s definitely true, and I’m glad it comes through to people who visit me in the Cellar Door!

We had a beautiful, seated tasting, with only 10 people at Ata Rangi, and got to hear a bit of their history, as well as the history of Martinborough.

After Martinborough, we headed into Welly! The first stop was the mall, where I bought some necessities that are harder to find in Hawke’s Bay, and looked for some clothes. Greg and I are noticing that the styles here are very different than in Europe or North America. I didn’t find much, but got a few things. We checked into our Airbnb in Island Bay, and then headed into downtown.

We had a walk around the waterfront, checked out Cuba Street and the candy store, Nicnacs, before having a pint at Hashigo Zake, a craft beer bar.

We had dinner at Chow, an Asian inspired place, that surprisingly was able to accommodate me very well. We loved their food, and atmosphere.

We finished the evening at Noble Rot, a famous wine bar in Wellington, where we got a Napa Chardonnay, just to remember what they taste like, and did a blind flight of three reds from around the world. We did decently well on our guesses, and enjoyed having some red wine from the old world again.

Sunday morning, we slept in a tiny bit, but had too much on the agenda to laze around! We started with a trip to the top of Mount Victoria for 360 degree views of the city. It was beautiful up there, and definitely worth a see!

We checked out the Te Papa Museum, where we learned about some of New Zealand’s history in the First World War, and saw their amazing, more than double life size models of soldiers; they have been crafted in incredible detail!

Next, we headed to the waterfront to walk more of it, and grabbed a coffee. This was a relaxing part of the day, and was a peaceful stroll.

The wind was intense! I had been warned of the Wellington wind, but didn’t quite comprehend how fast it actually is! I literally had to hold my sunglasses on my head because they were blowing off. The wind actually pushed us along if it was behind, and we had to lean into it if it was in front. I had to tuck my shirt into the front of my pants to prevent it from whipping up!

We eventually found the cute huts at Oriental Bay, and then headed to do some breweries for Greg!

Wellington has a really big craft beer scene. We went to Husk first, that features Choice Bros brewing, and great food, and then to Whistling Sisters. Greg found most of the beer very good; his favourites still lie in other parts of the world, but he really liked lots of the Welly ones.

We did some wine shopping at Moore Wilson’s and Glengarry, and were excited to find some wine from other parts of the world. We’ve got a craving for a good Napa or Sonoma red, but we haven’t found that yet. (Do we want it just because we can’t find it?)

The last stop was at Starbucks, for the New Zealand souvenir mug, and an Americano. To be honest, I’m starting to get used to New Zealand’s amazing coffee, and how rich and velvety it is, with a nice foam to it, that I found the Americano a bit lacking; however, it was a weird sized cup and had too much water for the amount of espresso, and it also didn’t have the same flavour as in Canada. I don’t blame anyone, but they’re competing with so many other amazing coffee shops; if Starbucks wants to become more popular here, they need to up their game. (Disclaimer: I will always love Starbucks.) We can’t use our app or gold cards here, and they don’t have the oatmeal, but I did get my Americano free with my mug. The mug was $30 here (yikes) but Switzerland still takes the prize for “most expensive we’ve seen” at somewhere around $32 – $34 Canadian. The Starbucks people probably think I died, seeing as how my gold card, that used to get several purchases a week, went from full on, to absolutely nothing the day I left Canada. If anyone from Starbucks is reading this, I am alive, and I still love you.

We enjoyed the ride home, as it is a really beautiful drive through mountains, with lush greenery, and several cute towns, one of which won New Zealand’s most scenic town recently.

I said to Greg before the trip that I wanted to have a relaxing weekend in Wellington, as I have been so tired from work and not sleeping well due to our almost 30 degree nights (poor me, right?). If you know me though, I always try and fit as much in as possible on a trip, because I like to take advantage of being in the place. I have to go back more than once to be able to fully relax in any place! This weekend, no matter how much I thought we’d relax, was not relaxing, but it was full of sight seeing, and we felt like we were on holiday! I said to Greg at one point, “doesn’t it feel like we just flew here and we have to fly back to Canada soon? But we don’t. We will just drive back home and go to work tomorrow.”

I’ve also noticed there’s nothing that makes me feel more at home in Napier than leaving it, and then getting that comfortable feeling of coming home when we return to Hawke’s Bay. We’ve definitely ended up living in the right place for us, and it’s feeling more like home every day.

Our weekend in Wellington was short and sweet, and we’re happy to have seen the city; we’re also happy to be home… until the next time!