The Organised Chaos Story; Breaking the Boutique Wine Mould

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Hayden Penny is the owner and Winemaker of Organised Chaos, a brand that started quite differently to most others. Contradictory to many boutique producers I’ve met, Hayden took some coaxing in order to start his label. More on that later; first, let’s get to know Hayden a bit.

Hayden is the second eldest in a family of five kids. He was born in Paeroa, which he explained for the non-Kiwis in the room as the famous town known through the soda, L&P. He was 8 years old when his parents moved the family to Hawke’s Bay. Because Hayden has a serious interest in sports and couldn’t stand the thought of working in an office, he chose to pursue physiotherapy. He went to Dunedin for Uni, and was recruited onto the Dunedin Rugby Football Club, which ended up keeping him in Dunedin, even after deciding physiotherapy wasn’t for him. He was eventually offered a contract to play Rugby in Dunfermline, Scotland and played a season over there, at the time unaware that the country would later have a sweet significance in his life.

While in Dunedin, he met Bryce Edmonds of Zaria Wines, who offered him work on his family’s vineyard in Hawke’s Bay over the holidays; that turned into an annual job for three years. That time brought to light Hayden’s passion for the vineyard, so he decided to enter EIT. He had unfortunately missed the entrance date that year, so he worked on a farm doing a table grape harvest in Bourke, Aussie in the meantime. He then came back to NZ in 2003 to go to EIT; he remembered his passion for being in Bryce’s family vineyard, and his experience on the farm had given him more familiarity with it. For these two reasons, he was most interested in the Viticulture side of the program. He comments, “I hadn’t really drank much wine other than cask wine at Uni, but thought, ‘why not? I’ll enroll in both of them,’” and signed up for Wine Science too. It didn’t go so well at the start though.

“First tasting class, we all sat down and all the wines came out. Everyone else is saying ‘bubble gum this and spice in that,’ and I thought, ‘that’s not what it tastes like or smells like at all to me. This is not for me. It’s too hard out.’ I went to talk to the lecturer and said, ‘I’m going to pull out. I don’t get those flavors and aromas. I was getting this and this, so I’m obviously wrong.’ He said that the thing with wine is everyone is different. You can’t be wrong. If you smell that and taste that then that’s what it tastes like, other than faults.’ I was learning that wine is this thing that is so social yet it’s so personal as far as the aroma and the flavor profiles. From then on it gave me the confidence to say what I smell and taste.”

Hayden Penny

With those critical lessons learned, Hayden stuck with it and went on to graduate first in his class for Viticulture, and second for Winemaking. He won an EIT scholarship to go to Italy, the Romeo Bragato Exchange, and while there he was often told by people in the vineyards not to try the grapes because of the sprays on them and the withholding period until they were safe. He says, “after that, I knew I wanted to work organically.” Hayden comments about Italy that, “on that trip I was introduced to skin fermented wines, which has become a real thing for me.” He now sits on the interview panel to determine the student who receives that same scholarship. After graduating, Hayden did some “season hopping,” as he describes it, to gain exposure to different ways of doing things. He tried to work for as many organic producers as he could, but says that in order to fund his travel, he had to work for “the big guys” as well; it was all experience none the less.

Doing a dig out in California, 2007

Meanwhile, Hayden’s wife Tarryn was growing up in her native country of Scotland. In her early 20s, she decided to leave Scotland and see a bit of the world. She ended up in New Zealand, and made some lasting friends, one of whom happened to be Hayden’s cousin, Shelley. Later, when Tarryn was back in the U.K., Shelley came to visit. As fate would have it, Hayden was visiting his brother in London. Shelley asked both Tarryn and Hayden to come out for dinner one night, and due to a long day of beer and cricket, Tarryn almost cancelled! Thankfully, she didn’t, because she and Hayden hit it off right away, and have been a couple ever since. Although their relationship has consisted of lots of long distance, they stayed committed to each other and eventually bought their house, finally moving in together in 2011. They had their son, Otis, in 2016. Hayden is a huge fan of the Bay and says that other than his family being here, “in all of the regions I’ve worked in, I couldn’t see myself getting behind the styles they were making other than Hawke’s Bay.” His 15 year old daughter, Carys, also lives here, so being in the Bay is a win win.

2009, Harvest time in Bulgaria

Hayden had done 20 vintages for other people before he started his own label, and he comments, “I don’t wish I had done it sooner. It came at a good time.” He says, “it always made me laugh when people at EIT would graduate and say, ‘yeah, I’m a Winemaker.’ I never felt like that. It takes 10 or 15 vintages to know what you’re doing. I’ve learned so much through working for other people, and you’re always learning. Even if it’s something you definitely don’t want to do, you’re still learning.” He has held positions like Assistant Winemaker at Te Awa in 2006 and 2007, and has done vintages in Calistoga, the Yarra Valley, Marlborough, Spain and Bulgaria. He returned to NZ to take up the role of Winemaker and Viticulturist at William Murdoch in 2010. In 2013 he was working at William Murdoch, and Supernatural Wine Co. approached him to see if he’d make wines for them; he stayed on at Murdoch while making wines for Supernatural in 2013 and 2014. When Supernatural offered for him to make the change full time in 2015 to make the wine, and run the vineyards, he happily obliged. With them being the biggest skin ferment producer in the country, the first producer of a Pet Nat Sauv Blanc, and a big Pet Nat producer, the job was right up his alley. Ironically, he and Tarryn were married at the same vineyard, before he joined the team.

Supernatural Wine Co. in 2018

Hayden is still at Supernatural, so how did Organised Chaos come about? His achievements were recognized by Kemp Fine Wines, a boutique wine distributor, who approached him to see if he could fill some gaps in their portfolio. They desired to add a small producer, who could make Hawke’s Bay wines with care and attention; they wanted the wines to be fruit forward, pleasing to the palate, and ready to drink now. Over several conversations with Kemp, and Tarryn, Hayden had to decide if this was something he wanted to do. It’s not necessarily his “passion project” like so many other Winemakers have in the Bay, but he realized that “the hardest thing to do is sell wine when you’re starting a label,” and he had the sales people coming to him. All he had to do was make it.

He was unwilling to compromise his personal philosophy and knew that the wine would have to be something he was proud to put his name on, so through multiple chats with Kemp, they came to an agreement, and Organised Chaos became a reality. “For me, it’s an expression of me. I’m not going to squeeze margins. I’m not in wine for a business. I’m in wine because I love growing and making wine.” Hayden describes the wines as a “fresh, vibrant and textural expression of a modern-day Hawke’s Bay.” Tarryn says when they discussed the label they realized, “we can do this with integrity and to Hayden’s beliefs.” Hayden comments, “I always thought when I introduced a label it would be organic and blah blah. At the end of the day, we haven’t got any leg up or land or anything. Maybe I can do a passion project further down the line. We can’t do it now, but we also can’t do it if we sit in our 9 to 5’s either. We have to take a risk and try something.”

2019 was the first vintage of this very new label, and Hayden made 2 tonnes of each. He’s adding a Gamay Noir, and possibly Chenin Blanc this year, so he’ll produce 8-10 tonnes in 2020. The Gamay and Chenin will come from the Two Terraces Vineyard in Maraekakaho. Stylistically, the wines are made to be “fruit forward, with not much winemaker influences. They’re all stainless steel fermented, with not much oak influence. Hawke’s Bay [in general] is pretty heavy on the oak. They’re released on the 14th of October from that vintage, and I want them drinking well then, [in a] super fresh and super vibrant fruity style.”

The labels represent the name beautifully. Every label has an edgy, black and white design of its own pattern. They’re similar, yet different. The whites feature horizontal lines, and the reds have verticals. To show organised chaos on the 2-dimensional label, they used designs inspired by Franco Grigani, an Italian optical artist. The logo is “creating chaos but using straight lines; it’s a play with angles.” The name is from a memory Hayden has of working in the vineyard at William Murdoch one very complicated vintage. He remembers saying, “this is just organised chaos.” He had suggested Murdoch use it as a secondary label at the time, but in hindsight, Hayden’s grateful they turned it down.

2013, working at William Murdoch

Hayden is stylistically most proud of the Syrah, because it was the biggest challenge. Organised Chaos Syrah is light, fresh, and fruit forward. The pepper comes as a secondary, well-integrated component. Hayden uses the MS clone, which is “superior” in his opinion. The most shocking trait of his Syrah though, is that it’s a 2019, and we’re already drinking it. It was released in October of 2019.

Releasing a Syrah in the same year it was harvested has lead to Hayden receiving more than his fair share of criticism. “’Oh you can’t do that,’ people say. Well why? Who’s making that rule? I’ve got my distributor saying people want this style.” I must admit that I too was skeptical of what a 2019 Syrah would taste like before I tried it, but I was pleasantly surprised and couldn’t wait to share it with my wine loving friends. Hayden has truly had an uphill battle with the naysayers with this wine, but his attitude about it is inspirational. “To me, it was a personal challenge. Everyone says you can’t. I thought I’d try it and see. Hawke’s Bay has the traditional wines already. I want to do something different. Push the boundaries slightly, but why not? Where are the boundaries? Who sets the boundaries? Stylistically it’s so different. It was a roll of the dice to go that way. I was fairly confident I could get it ready on time.”

He really enjoyed seeing people’s reactions to it being a 2019, and then positive responses after trying it. He comments that “on launch day, people were genuinely intrigued.” He loved “seeing the reaction of people enjoying it and loving the brand,” but clarifies that he’s proud of all the wines. Tarryn says that she’s been “blown away by the support of friends and family and word of mouth through colleagues, etc. It makes me proud that people genuinely love the wines.” Hayden says he’s not a huge believer in shows and awards, but the wines have been recognized by Steven Wong and Bob Campbell.

Hayden has faced challenges other than just how his young Syrah is perceived. He explains, “natural wine gets slugged off all the time by conventional producers. We don’t do it the other way. You do what you want to do and I will too. There’s this negativity towards the natural wine sector. There is some hatred for it.” He found that in creating a young Syrah, people saw him to be “breaking tradition with the vintage thing. Breaking the mould,” but mentions, “I haven’t even found that a problem really because it’s been made for that. There’s not one type of person it appeals to. This is targeted at anyone that’s just keen to try something different, or fun wines.”

As for the winemaking philosophy for Organised Chaos, Hayden quotes, “these wines are a celebration of the chaos that is, and a tip of the cap to the chaos that was. They are a reflection of the moments, inspirations and influences, of my journey throughout the world of wine-growing, organised into my personal expression of the wines that Hawke’s Bay does best.” I love and identify so much with Hayden’s life philosophy and how he believes that “things don’t have to be as they’re told they have to be. What’s wrong with embracing imperfection? Who dictates perfection?” He doesn’t label them as organic or natural but makes them as naturally as he can. He uses yeast for the whites for “purity of fruit and to keep them fresh,” and minimal sulphur is the only addition. The wines are “styled to be enjoyable for everyone.” The more I spoke with Hayden, the more I realized how creative and artistic he is; he is confident to take risks and use his ingenuity to go against the grain, regardless of critics, and that is inspiring.

Organised Chaos’ fruit comes from two key producers in Hawke’s Bay. The Pinot Gris is from the Petane vineyards. Hayden met Philip through making wine at Askerne, and Philip had brought him on as a consultant. As they worked together, Hayden respected what he saw in Philip’s growing philosophy. When choosing fruit for Organised Chaos, he knew he loved Petane’s Pinot Gris, and wanted to stay away from the big, popular microclimates of Hawke’s Bay and champion for the minor ones, like Esk Valley. Hayden explains, “the beauty of Hawke’s Bay is the huge variety that we have. Why can’t we champion that? Why do we have to have our ‘Marlborough Sauv?’ That’s a cop out. If we explored the Hawke’s Bay regions more, each has amazing things that should be highlighted in them if they’d have the right things planted.” The Chardonnay and Syrah come from Pieter Koopman’s Hopes Grove vineyard in the Pakipaki area of the Havelock Hills. This region, another minor one in the Bay, is another Hayden wants to champion for because of its limestone soils; he admires the particular aspect of Pieter’s vineyard, as well as the organic growing techniques he follows.

The vineyards that supply the fruit are, not surprisingly, very important to Hayden. “I don’t find speaking about them hard. I know them inside and out. I use environmentally focused growers. I feel good about that. It’s working with those smaller growers. It’s slightly tougher because the grapes are more expensive, but I’m okay with that. I’d much rather have the full story of the grapes being from Petane and Hopes Grove than that I bought them off the bulk market. I have the freedom to hand pick when I want and get the fruit that I want. I can’t cut corners. I need to keep a relationship with the growers to keep the integrity of the wine.”

Hayden makes the wine at Hawke’s Bay Wine Company and goes in to taste it every single day through harvest. That’s right; he’s there seven days a week, every week, back and forth from the vineyard for his full-time job. He says, “the wine industry is not as glamorous as a lot of people think. Admin is also of the not so glamorous side of things. Spreadsheets. If you’re in the wine industry you can spreadsheet!”

Being largely passionate for the vineyard, I wondered why he became a Winemaker and Viticulturist, rather than pursuing the vineyard route alone. He regaled me with a story of a time when he realized he knew so little after graduating, other than the basics. “I was sitting with Jenny [Dobson] and in passing conversation, I asked, ‘how do you choose which blocks go through malo and which don’t?’ Two hours later we were still talking coppers and this and that. It’s amazing that she knows that, but that’s for that vineyard and those yeast. You go next door and it’s different again. There’s the concept of it being this endless spectrum of input from fruit growing conditions, Winemaker, etc. I was intrigued with it ever since.” He also explains how wine-making is art to him. “I’m a bit of a chemistry nerd and what goes on is incredible. Ten Winemakers can be given the same grapes and come out with different wine. That’s artistic; it’s maybe not from a wine lover’s point of view, but it intrigued me. Through that intrigue, it taught me to love it.”

Hayden has learned a lot from his experience in the industry. His biggest lessons are that “wine can be personal as well as sociable.” He gives the advice to “back yourself. You have to back yourself in a tasting environment.” He has learned to “not sweat nature. You can complain all you want but at the end of the day it’s out of your control. Mother Nature is just a beast and you’ve got to hold on for the ride.” He says about his career, “I certainly never knew I’d be doing this but I’m loving it. It’s the perfect balance of science, growing and being outdoors, sales, chat. It’s pretty cool when you can be driving a tractor one day and in Auckland the next holding dinner over a tasting. Variety scares a lot of people, but I’ve had some of my best ideas sitting in a tractor.”

He says without hesitation that starting Organised Chaos has been worth it. “The hardest thing was doing it this way, and leaving the passion project for another day.” Kemp wasn’t offering him a “vanity project,” but a “business opportunity.” He says, “it’s a totally different way of thinking about your own label.” Hayden’s humility shone through during our conversation; even though it came about in a way he didn’t expect, he seized the opportunity, took the challenges head on, and now produces wines and a label he is very proud of. He has proven that he can more than meet the specifications set out to him for the label and make well priced wine that people enjoy, with fruit sourced from high quality vineyards. Most importantly, he’s proven that he can rise above the challenges and doubts of others and do all the above with integrity to release a product that’s true to what he believes is right. I highly encourage you to try one of Hayden Penny’s Organised Chaos wines as soon as you get the chance!

To purchase Organised Chaos, head to their website, www.organisedchaos.co.nz, or find them on Instagram @organisedchaosnz. They also have a wine club, #jointhechaos where you can receive the wines regularly for 15% off and free freight. Great Little Vineyards and Kemp Fine Wines in Auckland distribute the label and there’s some on-premise places you may see it as well.

So cheers to trying something new and enjoying the Organised Chaos.

The Amoise Story; “Unadulterated” Wine Producer in Hawke’s Bay

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I always love a story in which wine finds someone who was truly meant to be in the industry, but just wouldn’t have thought to look there at first.

Amy Farnsworth is the owner and Winemaker of Amoise (pronounced am-was), a boutique and “unadulterated” wine label in Hawke’s Bay, New Zealand. Amy’s story is one of passion, patience, persistence, and the pull of nature. With 17 harvests under her belt, across 6 countries, Amy truly has a vast array of personal experience to bring to her label.

Grape Harvest time at Domaine Alain Graillot – Crozes Hermitage, France 2012

Amy was raised by a Canadian father and a Kiwi mother in White Rock, a small city in the Vancouver area. She remembers childhood trips to New Zealand to visit her Mom’s side of the family, on which she grew familiar with the Kiwi country and culture. After high school, Amy decided to enter a career in Criminology, with the goal of becoming a lawyer. To help with tuition fees, like many students do, she got a hospitality job. It was while working at Uli’s Restaurant in White Rock that she had two significant experiences with wine that ultimately ended up changing the course of her life.

Uli’s employed several professional male servers that had extensive wine knowledge, and were selling “huge wines like Opus One” to the customers. A self-driven hard worker, Amy knew that if she wanted to compete with their sales, she needed to educate herself on the world of wine, and she began taking WSET courses.

She also recalls one fateful night that Uli pulled a wine out of his cellar that she will never forget. When I asked Amy about the first significant wine she remembers, she didn’t pause for a second before telling me exactly what it was, a 1971 Joh. Jos. Prüm Riesling Spätlese from the Wehlener Sonnenuhr (Sundial) Vineyard. “It stopped me dead in my tracks,” she says about the Riesling. She had previously loved Wolf Blass Yellow Label Cab, but the Riesling “opened up a whole new ball game” for her. “I was drinking South Australia and Napa but there’s a whole other world out there, and thank God for that. I had no idea. I’d never tried wine like that in my life.”

As Amy continued advancing in her WSET courses, she moved to Vancouver to work in fine dining. She completed her WSET Level 3, and then decided to begin her 2 year WSET Diploma; she soon realized Criminology couldn’t compete with wine, and pursued wine studies full time. She eventually lost interest in the hospitality side of the industry, and began working in fine wine stores, like Liberty Wine Merchants, and for importer Liquid Art Fine Wines in Vancouver, who had the largest biodynamic portfolio in Canada. She willingly traded in a higher income for valuable experience, and her work with Liquid Art fuelled her passion for not only wine, but specifically biodynamic and natural wine. Her WSET Diploma took a back seat when she was promoted into their office and chose to focus her energies on sales and marketing, and learning about biodynamics. She was tracking the lunar calendar, observing key differences between biodynamic and conventional winemaking and knew she was “all in” with biodynamics before she even set foot in a vineyard.

Winery work – Beaune, France 2010

In 2009, the recession hit Canada; Amy knew that her job was at risk. Her company had been importing biodynamic wine for a special New Zealand producer in Central Otago; she had actually been the author of their story and had sent it to trade customers and private clients across Canada, and had previously met the Winemaker. She contacted them on a whim to ask for employment, and thanks to her connections, was able to secure a job at their vineyard. She made the move to New Zealand to do her first Kiwi harvest at Felton Road Winery.

Working at Felton Road was “the experience of a lifetime” for Amy. She stayed on for a full year, which she highly recommends to anyone wanting to seriously enter the industry. “Anyone can do a harvest for a couple months, but the year round experience is the most important.” It was during her year at Felton Road that she explored all sides of the winemaking business, “from vineyard to Cellar Door and winery.” That year, Amy discovered in her heart that “Winemaker” was part of her identity. She remembers thinking, “this is amazing. I need to keep doing this,” and she says about Felton Road, “I feel I started at the top. The bar was set so high after working there.” Her reasons for this are because of “the Ethos, the community, and how they look after the animals and the plants.” She was already passionate about biodynamics, but after integrating into the community of Felton Road, she was captivated.

Harvest – Castiglione Falletto, Piedmont, Italy

Following Felton Road, Amy lived in Burgundy for two years where she obtained her Diploma in Viticulture and Oenology. Upon completion, she began traveling to different countries “to work the harvests and live, eat and drink through different cultures.”

Beaune, France 2010

Hand sorting Pinot Noir Grapes – Burgundy, France

Pump-over – Beaune 2010

In 2017 she returned to New Zealand for a harvest job at Paritua Winery, in Hawke’s Bay. She enjoyed the comradery with her colleagues and the Winemaker, and decided to stay on. As it so happened, a position opened up for Assistant Winemaker, and it was awarded to her. Even though she was making wine for Paritua’s two labels, Amy’s desire was to make her own.

She was ready to start Amoise, but 2017 was a difficult vintage in Hawke’s Bay. Winemakers only get one chance each year to do what they do; Amy made the painful decision to wait another year, because she knew that if she used the grapes from 2017, the wine would need intervention, and that went against everything she envisioned for her label. She was supported with advise from a wise Hawke’s Bay Winemaker and mentor, Jenny Dobson, who “truly wants the best for everyone,” and had suggested that 2017 wasn’t the strongest year to make her label’s debut. It was an extremely tough call to choose to wait, but Amy knew it was serendipity.

Cabernet Sauvignon – Hunter Valley, Australia 2017

In 2018, Amy searched tirelessly for organic fruit, and with it being so difficult to find in Hawke’s Bay, she had begun to accept the postponement of her dream for Amoise, yet again! As fate would have it, she happened to sit next to another Amy at a wine tasting, who became a great friend. Her new friend happened to be cousins with an established local winemaker, and he had some organic fruit she could purchase! It was Pinot Gris, and a small amount of Gewürztraminer. Amy recognized the opportunity in front of her and seized it.

Amoise harvest with help from friends – Hawke’s Bay 2019

Amy driving the tractor during Amoise harvest – Hawke’s Bay 2019

She had unfortunately had an accident that year involving a knife falling into her foot, so she was casted up and in a moon boot during the harvest season; Amy did not let that stop her from producing the wine she knew she needed to make. It was going to be a natural wine; it had to be hand harvested, and she was relentless. She literally dragged her moon boot through the vineyard to harvest the grapes, got the fruit into the winery, then hobbled around the winery until she physically couldn’t walk anymore. Her friend, Amy, was there to help her, and she couldn’t have done it without her. “Right from the get go we’ve been supporting each other and that is what community’s all about.”

Literally, through what must have felt like dream-crushing delays, freak knife disasters resulting in actual blood, sweat, and tears (and a moon boot), and thankfully, a supportive wine dream team . . . the 2018 Amoise Gris was born!

Amy released it in October of 2018, and made 70 cases (of 12). She didn’t want her wine to be similar to so many of the other Pinot Gris available on the market. Hers is a Pinot Gris, and she chose to add “a sprinkling of Gewürztraminer to spice it up,” and to make an orange wine. This means that for the one month fermentation, she chose to leave the skins of the grapes in with the juice; she also allowed both varietals to ferment together. The skins add complexity, tannin and body, and the Amoise Pinot Gris is definitely not boring or typical!

Everything is also hand bottled, and labelled, by her and her partner, Greg. The label showcases some of the essence of Hawke’s Bay in that it’s a friend Harry’s painting of Te Mata Peak and Cape Kidnappers, two significant landmarks of the region, with her signature captured from her chalk labeling on the barrels to spell “Amoise.”

As for the name, “Amoise” is Amy’s Canadian nickname. Her family still calls her by it, and that’s how she was known in her “hospo days,” the times she remembers with fondness when the love of wine found her, and she embraced it; it is fitting that her own label be called after a name with such endearment.

Amy has the 2019 Amoise Pinot Gris in the works, as well as a red wine this year, 2019 Amoise Cabernet Franc. Both are “unadulterated wines,” as Amy refers to them, and follow her strict winemaking philosophy: organic grapes, only certified bio-grow fruit, with no additions, and no sulphur.

Beautiful, hand picked Amoise Pinot Gris – Hawke’s Bay 2019

Working as a team for the Amoise harvest – Hawke’s Bay 2019

She avoids using the phrase “natural wine” to describe her product, because she has significant experience and research invested into the topic, and says that “natural wine has no legal definition and for almost a decade the EU can’t come to a consensus on how it should be labelled legally!” Alternatively, she chooses to label her wine with the phrase, “no additions or adulteration of any kind,” and aims to spread the word of what organic, biodynamic and natural wines actually are, and their key differences.

Amy explains that organic wine is made from organic grapes (no herbicides/pesticides/insecticide sprays). Biodynamic wine is made with organic grapes, but also by observing the lunar calendar and applying Biodynamic techniques. Natural wine is also made from organic grapes, but it uses little to no intervention, and no additions (only natural yeast, no enzymes, no sugars, no acids, no fining agents, little to no sulphur, etc.) Amy however, doesn’t even add sulphur, which is why she prefers the term “unadulterated.” Her wine is literally as pure, genuine, and naked as a wine can get.

Horse ploughing – France

Her company mandate, and number one goal, is “responsible natural winemaking.” Her mandate came from her experiences making wine in France, where she adopted the belief to never release a wine that is faulty, or that she wouldn’t drink herself. “It’s not about putting grapes in a vat and praying for good results.” She watches her wine so closely. “My intention is always to make it without intervening. Altering the temperature is the only intervention I’ll do, if needed.” She also believes that taking care of the vineyard is of utmost importance. She explains how the quality of yeast and fruit in the winery is determined in the vineyard. She embraces the French model that marries winemaking and viticulture, in which “people do everything . . . making the wine is only a snapshot of what you do.” She loves being in the vines. It really all starts there for her.

Amy and Gus – Black Estate, Waipara, North Canterbury, New Zealand

Steep slopes of Cornas, Northern Rhone, France

After listening to Amy describe the attention to detail, and the purity of her wine, it’s clear to see that it’s her baby. I was quite happy to enjoy the bottle she shared with us, knowing I wasn’t putting anything in my body that didn’t come straight from nature. Amy genuinely works with the earth and nurtures the fruit as it transforms into a wine that is a pure expression of the terroir, vintage and place. There’s a snapshot of history behind every Amoise label, and her wine takes those who enjoy it back to that vineyard, that season and those moments in time, as a wine has the incredible power to do.

As with many new businesses, Amy has had an uphill battle getting Amoise off the ground. Aside from the 2017 missed start, the unpredictability of where from or if her fruit would come in 2018, plus the moon boot harvest, she has had the huge challenge of trying to educate New Zealand wine consumers on what a natural wine actually is. Educating Kiwi consumers has become a large part of not only her company mandate, but her personal one, as she is so passionate about the biodynamic process, and making wine the natural way. She aims to raise awareness in the market that there is an alternative style of wine that’s available for those that want it. Amy does many Pop-up events with food and a selection of her own and other natural wines, that set out to educate the community and spread knowledge within the industry.

Stirring water as part of Biodynamic Preparations

Aside from the educational challenge, 2018 was another delicate year, and although Amy knew she wanted Pinot Gris and the spicy Gewürzt she loves, she didn’t have control over the timing of the harvest. The grapes came in that year with some botrytis, which was a factor of nature that was beyond her control. She made the decision to honour her beliefs, and made a natural wine, with no sulphur or additions, despite the challenges with the fruit. Working full time at Paritua has also limited the time that Amy has had to spend on Amoise. Her and her partner do “Power Hour” at 6:00am where they both work on their own businesses. She sacrifices sleep before her day job so that she can dedicate time to her label.

One of Amy’s biggest lessons is that the wine industry is hard. “Nothing’s ever easy. You have to work with nature. You have to be adaptable. You have to accept Mother Nature.” They say that if your job aligns with your passion, you never work a day in your life. The more Winemakers I meet, who are truly passionate about what they do, the more I see that this is sincerely true. It is arduous work, and can appear unrewarding, but those that possess passion know they’re where they belong. Amy is one of those people. When I asked her if it was worth it, she responded with a big, “yes. There’s something about it that keeps me coming back. This is my art. This is absolutely my passion.”

Horse ploughing

Poplar Grove Winery crew at harvest – Penticton, Okanagan Valley, Canada

If there’s something Amy would like to see more of in Hawke’s Bay, besides a greater understanding of natural wine, it would be the strengthening of the wine community, and a deeper desire to learn from each other. “There’s never a point where you can go, ‘I’m fully satisfied with that.’ There’s always new info, new things to be shared.” She gives the example of Syrah ripening in Hawke’s Bay. “We’re all struggling with it. Let’s share information. Let’s learn from each other, and share the knowledge that we have.” That is why she was pleased to see the start of the HBVine group last year, that aims to share and exchange data and vineyard techniques.

To try Amoise wine, get in touch with Amy via her Instagram account @amoisewines, or visit her at one of her Pop-up events. She’ll be participating in the Hawke’s Bay FAWC (Food and Wine Classic) with free events featuring natural wine and food by Chimera restaurant on 8 and 9 November. Follow her on Instagram to stay in the know.

I encourage you to visit her events; bring your friends to experience some of the special, unique and delicious, unadulterated Amoise wines for yourself. Arrive with an open mind, an appetite, and a willingness to learn something new, and you might just be swayed towards some exciting and alternative styles of wine.

Two Natural Wines We Tried, and Why Natural Wines Could Be Better for Our Health

Natural Wine is gaining popularity as wine drinkers are wanting healthier, less chemically enhanced options. The trend in organic, clean foods is crossing over into a desire for wines with lower sulphites, farmed by real people and with minimal interventions. I’ve been doing more research on them myself, and after listening to a podcast about them this summer, I decided I wanted to try some truly natural wines, and contacted my local sommelier to have her add them to my wine locker. We don’t have many available yet in our small city, but she was able to help me find the ones we have access to. I had tried one of them at a wine tasting previously, (an orange wine – a white made like a red) and I wanted some reds this time, so she gave me two: a Bonterra Cabernet Sauvignon, and Our Daily Wines Red Blend.

I am excited to share our opinions of these wines with you, but before I review the wines, it will be helpful to explain what natural wine is, and how it is different than most commercial wines. Natural wine is essentially made how they would have done it in the old days. As you are reading about natural wine’s characteristics below, remember that the opposite is true in many other commercial wines that are on our shelves.

Natural wine is hand harvested, and basically, it’s made with nothing fake or processed. (Organic wineries can still use machines to harvest). The vineyards must be sustainable, organic and biodynamic. See my blog post Organic and Biodynamic Wineries in Kelowna for more information on these practices. No chemicals are used in the vineyard, but natural plant based fertilizers and pest control methods are employed. Natural yeast, or native yeast, is found in every vineyard, growing on grapes and living in the air, and this is the yeast used to make a natural wine. It’s harder to control, as it’s natural, so it can produce unpredictable flavours, even undesirable sometimes, but it’s not formulated in a lab, and this is important to natural wine lovers. To a certain degree sulphites are present in grapes and bottle sanitization methods, but in a natural wine it’s common to find little to none present. (Organic wineries can still use sulphites to clean the equipment and bottles, although many try to keep it to a minimum). Natural wine makers will allow fermentation to stop when the yeast dies either from high alcohol content, or temperatures that kill it off. They also don’t add anything to alter sugar levels, so there’s no simple syrup going into them, nor do they use chemical additives to alter acidity, so you get what you get. There are no dyes or artificial flavours added to enhance appearance or cover up mistakes or unpopular flavours. No fining or filtering agents are used to rid the wine of sediment either, so they’re vegan, and you just need to remember not to pour the last ounce to spare yourself the chunks! (I explain this in my blog linked above as well).

Bonterra – Cabernet Sauvignon from California (labeled as Organic). We dripped on the label, so pay no mind to the purple streak, other than as a color indication!

I did some research on the producer’s website to find out more about their natural practices: http://www.bonterra.com.

They practice organic and biodynamic farming, and they are actually certified Biodynamic, meaning they’re holding tight to all of the practices they should be.

Their tasting notes boast bright cherry, currant and raspberry, with hints of oak and vanilla. I would completely agree with this tasting note. It wasn’t too complex, but there were a few layers, and it still had that California Cab taste, just with a bit less intensity. The tannins were still high, and the finish was medium. The body was a bit less than other California Cabs, but not by much.

I emailed them twice to ask for more specific information about sulphites and if they use them to clean the bottles, but nobody got back to me either time. That’s a bit unimpressive to me; if you offer a place for comments and questions on your website, employ someone to monitor them and respond.

Overall, this was a very good wine, and I would drink it again, gladly.


Our Daily Red – Red Blend from California (labeled as “No preservatives added,” and organic).

I researched this one as well, and this one is truly a natural wine: ourdailywines.com.

Our non-GMO wine grapes are grown without the use of conventional pesticides, synthetic fertilizers or any chemicals deemed harmful to the environment. Furthermore, our certified organic winemaking facility allows for only minimal processing and prohibits the use of color, flavor or non-organic  additives and preservatives.

They also have no detectable sulphites, which is extremely rare in the new world.

Sulfites occur naturally in small amounts in a number of foods and also in wine. Winemakers add additional sulfites at various steps during the winemaking process to prevent oxidation and the growth of undesirable yeast or bacteria. At Our Daily Wines, however, we never add sulfites to our wines, and as a result of our care and processes, our wines are among the few commercially available which contain no detectable sulfites. We use natural, technologically advanced techniques to ensure freshness, resulting in wines that are the purest expression of the grapes and vintage.

They checked out in all of the areas I was concerned with in wanting a natural wine.

Now, for the taste!

It was acceptable. It had a bit of a yeasty aroma to it, which is to be expected from a natural wine. My mother-in-law was in the room when I swirled my glass, and without knowing anything about the wine, asked me from across the kitchen if I smelt yeast! It was noticeable, but I wouldn’t say unpleasant.

It was a red blend, and it had typical red fruit aromas of cherry and plum, and maybe some darker fruits like blackberry, but nothing intense. Their tasting note claims bourbon vanilla, but it was very faintly there. They claim a ripe and silky finish; it was balanced, in my opinion, and had a medium finish. It had light to medium tannins and light body, and reminded me of the same intensity as a Pinot Noir style red, although it was much lighter in body than a Burgundy.

Overall, it was a basic, simple wine, but it was perfectly enjoyable, and I liked knowing that it was very cleanly made, and had nothing in it that was bad for me. For people that drink wine a few times a week, it’s nice to know that there are options out there that don’t contain chemicals. Just like organic foods are healthier due to less chemical intervention in their growth, organic wines are healthier too, for the same reasons. They’re naturally grown, how they were meant to be.

I would purchase from either company again, and am curious to try some of their other varietals, if I ever see them in my travels. I encourage you to pick up a bottle of natural wine the next time you’re in the mood for something different, or a bit healthier!

Happy Wine-ing!

Aging Wine; The Need To Knows

“You get better with age like a fine wine…” ❤️

We’ve all heard sayings like this before that leave us to believe that all fine wine gets better with age.  This is partly true – many fine wines do get better with some age – but which wines are meant for aging and how long they should be aged, is actually quite a complex topic.  Then there are multiple factors that come into play regarding storage/cellar conditions that will either age wine well, or ruin it quickly.

A huge misconception I’ve come across in speaking with friends and family about wine is that it ALL gets better with age.  This is definitely not true!  There is a saying in the wine world that only 1% of wine is actually meant to be aged in the bottle, which means that 99% of the wine on the shelves right now is meant to be consumed within a few short years from now, or today!  More on specific aging times in a moment. I’ll tell you right now, that 1% more than likely didn’t cost less than $20 either, so if you’re hanging on to those $7.99 bottles, it’s time to grab some glasses, or possibly make dinner with some type of a wine sauce!

Wine needs to have certain qualities to give it the ability to age well.  Madeline Puckette, the creator of Wine Folly, gives 4 qualities that you can look for in a wine to determine if it is age worthy:  Acidity, Tannins, Alcohol Level, and Residual Sugar.  [1]

Acidity

The higher the acid in the wine, the better it will age.  When tasting wine, acidity is the factor that makes your mouth water.  It is often described as “crispness.”  Chablis, for example, has a high amount of acidity, and can age well, even though it’s made from white grapes. (Tip your chin down with the wine in your mouth and see how much spit forms. If there’s a lot, it’s higher in acid!)

Tannins

Lots of red grapes have high tannins and can be aged for several years.  Sometimes whites have tannins, but rarely.  Tannins are chemical compounds that come from the seeds, skins and stems of grapes.  When you taste them in wine, they’re not so much a flavour as a feeling.  (That dry feeling you get along your gums, like when you drink a way over-steeped tea, is the feeling of tannins!) In the process of making red wine, the grape juice sits with these parts of the grape, allowing the tannins to enter the wine.  Some can come from oak contact as well.  Certain grapes are more tannic than others, depending on their composition, and certain wines will be more tannic if they’re left to sit with the skins, etc. for longer periods of time.  These tannins can be bitter and harsh in young wines, but they help them age well because with time, the tannins “soften,” and become more “well-rounded.”  This basically means that instead of the wine tasting sharp and pungent in your mouth, it will taste more smooth and balanced; higher tannin wines need age to taste better.

Alcohol Level and Residual Sugar

Red wines with higher alcohol content, closer to the 14% mark, will typically age better than lower alcohol reds.  Whites have lower alcohol in them, but some grapes have particular compounds and sugar levels that will allow for a decent amount of residual, that is, left-over sugar, once the fermentation process is done.  These whites, like Rieslings, for example, have a balance of sugar and acid that enables them to age well.

So now that you’ve determined you’ve got a wine you’re going to hold on to, here are some things to think about before you put it away and forget about it.

Screwcap vs. Synthetic Cork vs. Real Cork  

The method of capping wines is still a largely debated topic in the wine industry.  Real cork, vs. synthetic cork, vs. screwcap – there are a lot of opinions out there on which is best and why.  For more information on this topic, check out my article Real Cork vs. Synthetic Cork and Screwcaps. For the purposes of this article, I’ll only comment related to wine’s age-ability and storage.

Australia and New Zealand initiated the use of screw caps, and still use them on many of their wines.  Other countries have started following suit.  A screw cap does not indicate poor quality wine, it’s simply a method that some producers believe is the best way to seal their wines.  Wines with screw caps don’t need to be laying down for storage, but they can be. Screw caps haven’t been tested for super long term aging, but some can last a decade or more.

Wine professionals have recommended to me, on more than one occasion, that synthetic cork should not be left in contact with the wine for long periods of time; they say it can leave a plastic type taste in the wine, and can also leave other synthesized compounds in the wine, that they don’t want to be consuming several years down the line.  Stand those synthetic cork wines up for any length of storage.  Fair enough. These are also only guaranteed for a few years at best.

Wine with a real cork must be stored lying down.  Cork is a natural compound, and it dries out over time.  By lying the wine on its side, the wine stays touching the bottom of the cork, and the moisture helps to keep the cork damp enough that it shouldn’t dry out.  This is important, because if the cork dries out, it shrivels up and shrinks, letting too much unwanted air into the bottle.  Over the years, the overdose of oxygen will ruin the wine, leaving it “oxidized” and undesirable. Natural cork has proven the test of time and has lasted sometimes for hundreds of years.

Cellar Conditions

Have you ever been to a winery, or seen photos of their cellars?  What do you notice about them?  They’re usually cool, dark, and damp, and the wine is off to the side and out of the way so it doesn’t have to be moved.

Cellar conditions for ideal wine storage should be between 10 and 15 degrees Celsius, and shouldn’t change much.  Light shining onto the bottles for some time can alter the wine inside, whether it’s natural or artificial light.  Humidity will help keep the corks damp, so they stay plump and tightly sealed to the inside of the bottle’s neck.  The more you can leave the wine alone, without bumping it and moving it, the better its chances are of aging well.

When wine is resting well, it’s aging well, similar to you!  Just think of how well you would rest if someone kept changing the temperature on you, shining light on you, and bumping you around – exactly.  This is why I can’t sleep on an airplane. If you want your wine to be pleasant, give it a good rest!

Did you know that storing wine in a kitchen is actually one of the worst places in a home environment to keep it?  The temperature fluctuates the most in kitchens/bathrooms out of any of the rooms in your home.

How Long is Too Long?

There is a window of time that most wine professionals believe wine is at its best.  The window will vary slightly for each wine, but at a certain point, it will hit its peak, and begin to decline in quality again.  There is no exact way to know when this is, so it can feel like a risk when you’ve been aging a wine for a while, and want to make sure it’s at its best before popping that old cork ever so gently!

So many great wines become collector’s items, and people spend so much money on them, that they never want to drink them.  I once heard someone on a wine documentary say something to the effect of how many of the world’s greatest wines have essentially gone to waste, sitting in someone’s cellar for way too long, because people don’t understand how wine ages.  There’s a time and place for cellaring wine, but in the end, wine is meant to be drunk.

Jancis Robinson’s The Oxford Companion to Wine is one of my favourite wine books.  She says, “contrary to popular opinion, only a small subgroup of wines benefit from extended bottle aging.  The great bulk of wine sold today, red as well as white and pink, is designed to be drunk within a year, or at most two, of bottling.”[2]

In her expert opinion, she goes on to list specific numbers of years that several particular types of wine should be aged for, of which I’ve only included a few popular choices.  Almost all whites retailing under the $20 range should only be bottle aged to a maximum of 2 years.  Heavier whites, like Chardonnay can sometimes last up to 6 years.  More expensive whites can age longer, like Chablis (up to 15 years), or some Rieslings (up to 20).[3]  This has to do with the structure of the particular grapes, and how they’re produced.

Surprisingly, the number doesn’t differ much for reds.  If they’re around that same $20 mark or under, the longest Jancis recommends you keep them is 3 years.  You can hang onto higher priced French wines in your cellar from 15 to 25 years, Italian Chianti or Spanish Rioja can present nicely up to 10 and 20 respectively as well.  Above the $20 price point, most Cabernet Sauvignons can be bottle aged for 7 – 17 years, Pinot Noirs, 4 – 10, Shiraz, 4 – 12, and Grenache, 3 – 8. [4]  Jancis has not lead me astray yet, and I trust these numbers; keep in mind there are always exceptions, and your cellar conditions need to be appropriate, especially if you’re considering aging your own wines in the bottles.

*Note that keeping value wines up to that 2-3 year mark is NOT going to enhance their flavour; think of that time frame like a best before date.

To determine how long the wine has been in the bottle, you’re going to have to do some math!  The year on the label is the year the grapes were harvested, not the year it was bottled necessarily, so if the label explains that it was aged in the winery for a certain number of years, you can add that time to the year on the label to get the bottling year.

If you’re looking to age a wine, remember to look for wines that are balanced in acidity, alcohol, residual sugar, or have some tannin to them.  You’ll want to spend a bit more on these ones, and watch out for synthetic cork. If you’ve got a lot of $20 to $30 wines sitting in your house, it may be time to have a party!  Let’s not let that wine go to waste.  Happy aging of the appropriate ones, and cheers to all the rest of them!

[1] Puckette, Madeline.  (2017, Feb.)  “How to Tell If A Wine Is Age-Worthy.”  Retrieved from https://winefolly.com/tutorial/how-to-tell-if-a-wine-is-age-worthy/

[2] Robinson, Jancis.  The Oxford Companion to Wine.  2015.  Oxford, UK; Oxford University Press.

[3] Robinson, Jancis.  The Oxford Companion to Wine.  2015.  Oxford, UK; Oxford University Press.

[4] Robinson, Jancis.  The Oxford Companion to Wine.  2015.  Oxford, UK; Oxford University Press.

Red Wine Really Does Taste Better on Fruit Days 🍓 How I Put the Biodynamic Wine Calendar to the Test

I’ve heard it said that red wine tastes better on fruit days. First off, I can make my wine taste better? Second, what’s a fruit day? What does that even mean? Stay tuned and I’ll tell you all about it!

The biodynamic wine movement bases it’s entire operation on the lunar calendar. For vineyard practices, certain days are believed to be ideal days to water, prune, harvest, fertilize, etc. The lunar calendar doesn’t just determine when to do each vineyard practice; it’s believed that the lunar cycle affects us and our experiences of wine too. Biodynamic enthusiasts will tell you that wine will actually taste better on certain days than it does on others. This theory applies not only to biodynamic wine, but all wine. Crazy? Maybe. Maybe not!

Before you go discounting this whole idea, keep in mind that growing vines is essentially farming. The Farmer’s Almanac has used the lunar calendar for farming practices for decades, and if the moon can affect weather and climate patterns for other crops, it can certainly affect a wine crop, and potentially us!

There are 4 types of days the calendar presents: fruit days, flower days, leaf days and root days. These days are determined by the lunar cycle, so sometimes an entire day will be one type, and sometimes the type will change part way through the day! For example, it could be a fruit day in the morning and change to a leaf day at 2:00pm if that’s how the moon cycle was at that time.

Okay, so you might ask how on earth (or should I say on the moon) are we supposed to know which day is which?

Thankfully there are lots of handy calendars online. Here’s a link to one I like: https://ca.rhythmofnature.net/biodynamic-calendar.

Alternatively, you can download a biodynamic calendar app (the only one in the App Store), but you have to pay in order to see ahead in the calendar, which with my planner personality, I don’t like.

Enough moon talk. Let’s get to the wine!

According to the wine tasting theory, red wine is supposed to taste best on fruit days, and white is pretty freaking great on flower days; awesome!

🍓 🌺

Apparently both red and white are supposed to be less enjoyable on leaf days and root days. Boo.

🍃 🥕

I’ve read articles written by people that have tested the theory and found it to be true, and others who think it’s a complete joke. I love a good experiment, and drinking wine, so naturally, I had to see for myself! My husband did the experiment with me, and we found that red wine actually did taste the best on a fruit day!

We took this experiment pretty seriously, so before you judge me as completely off my rocker, have an open mind and read on.

Here’s our experiment:

Hypothesis:

I figured we’d each agree on our enjoyment of the wine for no more than 2 of the days, and that we would not be able to peg the fruit day specifically. (I clearly had little faith in this theory!)

Materials:

  • A good friend to determine 4 blind tasting dates for us (as I couldn’t check for myself in order to keep them anonymous)
  • 4 bottles of red wine of the exact same producer, grape, and vintage (the control) 🍷 🍷 🍷 🍷
  • Wine glasses (cause drinking from the bottle’s just not classy)
  • Pen and paper (and an ability to keep secrets!) ✏️ 📝
  • Open minds (reader, you need this too!)

Procedures:

I wanted this to be as legit as possible. I had my friend, Ivy, check the biodynamic calendar and select 4 days during my upcoming holiday. She checked 2 calendars just to be sure, and gave me 4 dates that covered each kind of day, without telling me which was which. (Very secretive!)

I wanted to do the whole experiment on holiday so that I would be in roughly the same type of happy mood each day (which ended up slightly failing, as I’ll explain below).

We selected a type of wine that we don’t normally drink a tonne of, (yes, it was difficult, but we found one) and a producer that we had never tried before, so that we wouldn’t have many past experiences to compare the wine to.

We purchased 4 bottles of the same wine, so that each day we could open a fresh one. Have you ever tried week-old opened cheap red? Yikes! Don’t! This way there could be little risk of the taste having changed from oxidation over the course of the week.

We made sure to chill them each to the appropriate temperature range, and to drink the experiment wine first, before any other wine or food that evening (to ensure we were of perfect clarity of mind and palate).

We each kept notes of our level of enjoyment of the wine and gave it ratings based not on quality, but on how we felt it tasted (as that was the goal of the experiment).

We did not peek at the biodynamic calendar at any time. (No cheating!)

Lastly, we did not discuss the wine with each other at all until the whole experiment was done. No tasting notes were given, not even if we liked it or not, nor any guesses or comparisons – we said nothing, to keep it completely subjective. (As wine education lovers this took incredible self-control!)

(Image from winefolly.com)

Results:

Upon comparing our notes, we both felt the wine wasn’t that great on Day 1, which turned out to be the root day. My husband gave it the lowest score, and I gave it the second lowest score on this day. Interesting! 🥕

We were in between on our opinions on Days 2 and 3, which ended up being the flower and leaf days, however I must add that I gave it a high-ish score on Day 3, the leaf day, as I drank it in the first good sun tanning weather I’d had on the trip. I believe the perfect weather probably affected my emotional experience of it – I was really happy when I drank it! It wasn’t very complex that day, but it seemed enjoyable. This goes to show that environment and mood also affect enjoyment of wine. 🌺🍃

Finally, we both pegged the fruit day right on! 🍓

On Day 4, we had just had an afternoon nap, woke up before a dinner date, and it was raining, but we knew we had to taste the wine before we could go out! It shouldn’t have tasted good in that setting, but it was immediately, upon first sip, the best and most complex it had tasted to both of us during the entire experiment. This was mind blowing to me, because I was not expecting to actually notice that much of a difference! Once we looked up the days and realized it was the fruit day, we were both shocked that it was noticeably better for both of us on that day, without us knowing any better or speaking to each other about it.

🍓🍷✔️

This could be one factor to explain how sometimes a wine is so good, but when you open the same one the next time, it’s not as good as you remember, or vice versa.

Based on my results I’d absolutely recommend saving higher priced red wines to drink on fruit days, or at least when you’re in a fabulous mood!

Further Experimentations:

I want to try this with whites, and see if we can peg the flower day. 🌺

I also will choose dates for my friend, Ivy, and her husband to do their own version of the experiment to see what kind of results they get. 📝

If you think this is all complete BS, that’s fair. I honestly did too. Now, I’m open minded to it and will be paying closer attention! ✔️

I challenge you to try it for yourself. You might just be surprised! At the very least, you’ll have some bottles of wine with someone you like, and that’s pretty great in itself.

Happy fruit and flower days!

🍓🌺

Organic and Biodynamic Wineries in Kelowna

Organic wine is becoming more and more of a trend in the new world. It’s quite commonly found in Europe, but it’s still a rarity in Canada. Kelowna has several wineries that use some organic practices and that claim to be organic, but there are only two that are actually certified Organic, and one that has a Demeter biodynamic certification. We visited both of them, and loved our experiences at each! I’m pleased to share with you what we learned about their practices and what we thought of the wines at Summerhill Pyramid Winery and Rollingdale Winery. First, it will help to understand what makes a winery organic and biodynamic.

There are several reasons why people are growing fond of organic wines, such as their low sulphite content, and environmentally sustainable practices. Many wineries may use organically grown grapes, but as nice as this theory is, if the winery isn’t organic in the rest of its production, it’s not putting out an organic product. In order to be certified organic, there’s actually quite a process that a winery has to successfully complete. Each country has its own specific regulations for certification, but they all focus on producing the purest wine possible. Grapes need to be grown organically, with no chemical sprays used. The organic vintner doesn’t add commercial yeast, but rather, lets the natural yeast in the air and on the grapes do the work. Sulphur naturally occurs on grapes in small amounts, and it is often used to sanitize bottles, but an organic winery is not permitted to add sulphur to their wines to stop the fermentation process, and they have specified maximum sulphur amounts on reds and whites. This means that sulphites (the buggers blamed for those nasty headaches and hangovers) are going to be minimal compared to commercial wines. Many organic wineries often don’t do fining or filtering, which means they’re not putting animal protein by-products (like fish bladders or egg or milk proteins) into the wine to clear out the sediment; you’ll notice some chunks at the bottom of your bottle of organic wine. This is the leftover tartaric and other acids, dead yeast and bacteria. It sounds kind of gross, but this is part of the wine making process, and they’re in all wines during fermentation. Most commercial wines take them out using chemicals or all those animal parts I mentioned (the sediment coagulates onto them), so I’m fine with seeing the sediment in my glass to know it’s a cleaner product.

The biodynamic movement is gaining more traction as people are studying it and starting to notice positive effects in the vineyards and the wine. The movement basically involves using the lunar calendar to determine the best days for vineyard practices, as well as some other beliefs that certain plants and natural practices increase the overall health of the vineyard, and therefore the final product that it produces. Biodynamic wineries are always organic wineries first; biodynamics is a way of being even more environmentally friendly, and additionally, these types of wineries are usually paying attention to sustainable practices to reduce their footprint on the earth as much as possible.


Now, to the wineries!

Summerhill Pyramid Winery is located just outside of Kelowna on a hillside overlooking the mountains and Okanagan Lake. Summerhill is certified organic and biodynamic. All of their wines are organic, and two are biodynamic. They are a large winery with lots of room for tasting, special events, and enjoying the beautiful view from inside and out. They have a large patio area that is part of their restaurant. We started with a tasting of several wines before we made our way to the patio to relax with a glass.

We started with their sparkling wine, which is made from Chardonnay and tastes as similar to Champagne as we had in the Okanagan valley, anywhere. It is made in the traditional method, with a traditional Champagne grape varietal, and we were quite impressed with it. It has notes of crisp green apples and citrus, and a slight yeasty bready nose and flavour.

Their Viognier was also notable as it was quite floral and aromatic, and was a great expression of what the grape should taste like, as was their Alive Rose.

This is a benefit to organic wine, with little intervention; it can taste like what the grape actually offers, rather than what the winemaker did to it to alter the taste to what he or she believes consumers may want. We tried several more wines, and weren’t in love with all of them, but overall, we were pleasantly surprised. Our sommelier was an Italian man who recently spent some time in South America, and he had lots of experience and knowledge to offer about wine.

On the patio, we enjoyed Syrah and Merlot, two more that we felt were great representations of the grapes and well done. Our service here was also excellent!


Rollingdale Winery is special to us because we’ve gotten to know their wine maker over the course of our visits in which we’ve connected on lots of common ground. We therefore know even more about Rollingdale’s practices than we do about Summerhill’s. Rollingdale is certified organic, and is currently in process of becoming biodynamic. All of their wines are organic.

Rollingdale is set up in a very casual, minimalistic style. It’s rustic-industrial-chic, if you will! They’re using a shop as their winery and tasting room, and they don’t have a restaurant or a fancy patio, but visitors get the sense of being on a family farm, and that’s how they treat you there – like family. Everyone is so welcoming and friendly. They have a little cheese and cracker set up when you come in, and juice boxes for kids, and when they go through the wines, you can tell they’re passionate about what they do, not just punching a clock.

Our sommelier took us through several wines with an explanation of each, what they were made of and how, and a bit of the stories behind the names. He was knowledgable about the wines and the winery.

After our tasting, we ran into the winemaker who took us on a long walk through the vineyard and showed us where they were at in the season. He also explained how they’re in the process of getting their Demeter biodynamic certification. We went and took a look at the biodynamic block to compare the crop with the others, and it was immediately clear how much bigger, more ripe and abundant the fruit was. After going through the process, he really believes in the practices, now that he’s seen them for himself.

He has to keep a daily log of everything he does to those grapes and vines to get the certification. There are only certain days on which he can water and harvest, and he has to track exactly how much water the vines get. There are other days they’re permitted to prune and trim the vines. There are certain plants that need to be growing on the property to increase the health of the whole vineyard’s ecosystem. They have been taking measures to draw certain birds to the area to control pests naturally. They spray the crop with steeped teas of particular herbs and plants. There’s so much going into it, but it’s going to be worth it based on how those grapes looked yesterday! I’ll be excited to try their 2018 biodynamic Chardonnay!

(Pictured above: smelling hops, and taking a look at some of their fruit plants)

If you’re in the Kelowna area, and looking for a fabulous tasting experience, try either Summerhill or Rollingdale, or both! I highly recommend them, as you’ll be supporting more environmentally friendly wineries, and getting a more pure product in addition. If you have never tried organic or biodynamic wines, I encourage you to do so. See what you think of them, and how they make you feel.

Happy organic wine-ing!

A Penny Saved is a Penny Earned; Value Wines to Please Your Palate

Many of us enjoy wine for a variety of occasions.  Sometimes, we want that special, expensive bottle, to celebrate a milestone or achievement, but sometimes, we just want a glass of red on the sofa while we read a great book, or a cool crisp white on the patio on a summer weeknight.  Although these occasions are special in their own right, not all of us can afford to be cracking $50 bottles three times a week!  Lots of us have also tried that $8 wine that looked oh-so-good in the packaging, with the fancy bottle shape and funky label, only to be let down by its lack-lustre or overbearing, unbalanced taste.  Can we say “cooking wine”?

I used to wonder if it was even possible to spend less, and get more in a wine.  The great news is, yes it is!  You just have to know a few things.  I realize that the $10 – $25 price range is the largest market for wine consumers, and I want to help you find wines you love for that price!

I gathered some friends together to help me give you the best information I can, and added our tips too. Specific wines are bolded throughout to make them easier to spot!

If you’re looking for even more specifics, a sommelier friend put together a list organized by price, specifically for you, my readers!  Check out the list at the bottom.


The WSET Grad List

Ivy and Aaron are certified in WSET Level 2, just like us.  They’re frequent hosts of wine tastings in their home, because they love sharing their passion for wine with their friends.  They’re on a quest to try 100 grape varietals, and have reached the final stretches in that goal.  They have an entire book shelf full of wine books (of which I’ve only yet borrowed one) and are pursuing further education in the wine industry.

“There are a few strategies that I use when purchasing value wines. Depending on what type or style I am looking for will determine which countries I will look for wines in. I love Riesling and in the Germany section you can get Rieslings under $20 that are a great value. If I am looking for a fruity and accessible red my go to is Beaujolais which is found in the French section. Beaujolais wines are the Gamay grape and one of my go to wine varieties under $25.” – Ivy

“When looking for value be sure to look at South America. Chilean Pinot Noir and Argentinan Cab Sav’s and Malbec’s. You can find inexpensive quality wines.” – Aaron

Great tips! They also include a category that I often don’t shop in because I don’t digest it well; however it’s widely liked, extremely popular and important to mention here – Sparkling Wine.

“One of my favourite tips for value is bubbly wines! I love my Champagne but don’t always love the price. Cava, which is from Spain, is made in the same style as Champagne but without the price tag. You can find lovely Cava under $25.” – Ivy


We met Sandra and Ian while they worked in the higher-ups of a restaurant we frequented.  Over wine, we discovered we had more in common than we realized, and became friends.  They’ve got ISG and WSET certificates between them, and Sandra has years of experience in high end service. Ian is the bar manager, and wine/spirits buyer, at one of our city’s most trendy, award winning restaurants, recognized as a top restaurant in Canada.  (He also designs hundreds of spectacular, award winning cocktails!)

Ian walked us through how he designs wine lists for his restaurants. His goal is to find wines that will pair with the menu, cover main regions and the grape varietals they do well, and be of value to sell to patrons, for example, Pinot Noir from Oregon, or Argentinian Malbec.

He also frequents industry wine tasting events and tries new bottles that reps bring to him on the regular, so he shows the value in trying new wines and producers.

He spoke highly of South African wines for value, while still being interesting to the palate, (look for KWV on the label for higher labour standards in South Africa), as well as one other particularly interesting grape, and left me with this hilarious, but true quote.

“Look for a good Petit Syrah; you’re going to enjoy the shiz out of that!” – Ian

Sandra’s value go to is the Santos de Casa Reserva Alentejano, retailing for $27.  They’ve shared this with us before – delicious.

“I love a well paired bottle of wine, but sometimes you get home from work and you just need to unwind and have a glass of something and you don’t want to plan your meal or think too hard.  This is the perfect go to for those occasions.  It is smooth and neither too dry or too sweet and will appeal to the seasoned wine drinker and the person just getting into wine alike.”  – Sandra


Ken

We were privileged to take our WSET Level 2 from this knowledgeable and intelligent man, who is well certified himself, and always continuing his wine education.  He is currently researching and presenting on Biodynamic Wines in his free time, and is a University Professor by day.  When I asked him for some tips for you, my readers, he shared some extremely valid points.

“It’s hard to say what a ‘good wine’ is for someone, so the answer for me is to drink more, and try everything!” – Ken

 That is very well said.  The wines my friends and I are presenting to you in this article are great to us, but may not be great for you.  These are meant to be a starting point in your exploring.  I must also note, that a ‘good wine’ to me 10 years ago, is not a ‘good wine’ to me now, because I’ve done more learning and exploring; tastes change, so try to hold an open mind and be discovery oriented.  Don’t they say we should enjoy the journey, as well as the destination?

“One approach is to look for lesser known regions that are close to the ‘famous’ regions, for example, rather than Chateauneuf-du-Pape, try something from Gigondas, which is close, similar, lesser known, and provides a good value.

Another approach is to look for ‘lesser’ sub-appellations within regions, so for example, if a person likes Chablis, Petit Chablis, rather than Premier Cru Chablis.  This doesn’t necessarily mean poorer quality, just different aging.  The longer it’s aged, the more money the producer has tied up in it, the more they need to charge for the wine.” – Ken

He does realize that some of his suggestions require some background knowledge, but encourages readers to have fun exploring and experimenting.  Plus, if you’re reading this, and have a more specific question about either of Ken’s approaches, you can leave a comment and I can help direct you.


Dawn

Dawn is certified in ISG and WSET Level 3, and runs the Tasting Room at our Coop Liquor. She is hilarious, kind, hospitable, a great chef, and extremely experienced and knowledgeable. That’s why the owners of Coop have put her in charge of choosing and buying every single bottle of wine that comes into that store! She works with wine producers all over the world, and here are her go to’s.

1.   “Bodegas Laya from Spain . It’s a big, full bodied red that over delivers for the price.

2.   La Vieille Ferme Rosé from France.  It is not as dry as some of the rosés from Provence, but it is very well made and always quaffable.  It is perfect on a summer patio day.” – Dawn


Our Tips to Affordable, Yet Still Great Wine

 1. Find an affordable producer that you like.  Chances are, if you really enjoyed one particular wine of theirs, you might also enjoy their other wines.

2. Shop lesser known varietals. You can find amazing value wine if you’re willing to step outside the Cab Sauv and Chardonnay boxes.

3. Avoid the mass production wines!  These are the ultra-cheap, big name companies, that I won’t name, but you’ve heard of them.  If they’re mass produced, they’re going to be a value, yes, but also boring and predictably not great. Look on the label for hints that they’re mass produced, like the non-specific region of “California,” for example, rather than “Monterey County.”

4. Shop in the European sections.  Many of the most overpriced wines come from the USA.  Canadian producers have high operating costs and small production, so they have to charge more.  You can get really great wine, for under $20 from Europe.  Our faves are almost anything from Italy or France, Riesling from Germany, Duoro from Portugal, Rioja from Spain.  In the Italy section, if they have a ribbon around the neck that’s a blue/gray and says DOCG or DOC on it, you know you’re getting a quality controlled wine, and yes, they have these for under $20.

5. Shop in the South American sections!  Carmenere from Chile and Malbec from Argentina, are great.  It’s also worth trying the whites from these regions. Last week we had an Eco Chilean Chardonnay that was superb, and $13.

6. Be willing to take a risk!  We had a Boutari from Greece last month that was $18.  We were in Greece in 2015, and no wine grabbed us as “the best wine ever,” but we decided to give the Boutari a go (open-mind!).  It was wonderfully crisp, with lemon and fresh herb notes to it that reminded me of being in Greece.  You don’t know if you don’t try.

7. Keep a list of what you’ve tried, and write down what you like or don’t like.  Have your “go to’s” for value white, red, sparkling or rose. I use the Vivino app to keep a running tally, and when I have time, I add my tasting notes.


A Sommeliers List – Available at the Coop Wine Spirits Beer store in Blairemore

Angela is the sommelier at the Coop Liquor Store and Tasting Room, she is certified in WSET Level 3, and is currently taking her two year Level 4 Diploma.  She sent me a list of her favourite value wines, all available at our Coop Liquor Store!  Upon getting to know her, I’ve discovered she’s passionate about interesting wines and discovering new, quality wines for herself and her customers.  She’s not going to set you up with something run of the mill or boring, which I really appreciate about her, especially because she fills my wine locker every month!  I’ve personally had all of the Under $15 wines, and they’re fabulous.  I would also mention that any wine by La Vieille Ferme I’ve had has been affordable and tasty.  Check out her list below.  What do you notice about it?

Under $15

• Plantaze Vranac $13.99

• Claude Val Rouge and Rosé $12.99

• La Vieille Ferme Red $13.99

Under $20

• Gerard Bertrand Corbieres $17.99

• Henry of Pelham Baco Noir $15.49

• Glenelly Glass Collection Chardonnay $18.99

• Mediterra Poggio Al Tesoro $19.99

Under $25ish

• Ricossa Barbaresco $22.99

• Gray Monk White Brut Odyssey $25.99

• Chateau Pesquie Les Terraces $22.99

There may be a lot of grape varietals that you haven’t heard of before.  Just because they’re not mainstream doesn’t mean they’re not flavourful, or a good value.  A lot of them are also international.  Hmm… I think I read that somewhere.

Remember, take a risk.  You might not like all of these wines, but you might also love them.  Now get to the store, find a value wine, and start popping corks, (or unscrewing screwcaps)!

A special thanks to all of my guests: Ivy, Aaron, Sandra, Ian, Ken, Dawn and Angela.  You’re all wonderful for taking the time to contribute and I appreciate you!

Cheers!