Tag: wine

The Halcyon Wines Story; Living Amy and Olly’s Wine Adventure

Featured

Amy and Olly Hopkinson-Styles are the winemakers, creators, experimenters, and characters behind Halcyon wines (pronounced “Hal-see-yon”). Their wine, Halcyon Days, is an organic label in Hawke’s Bay, producing boutique wines that will challenge your mind and excite your palate – all with no additions.

Amy was born in the Bay of Islands but moved all over New Zealand while growing up. After studying Politics at Otago University showed her that she didn’t like conflict, she went back to her roots of working in kitchens and, with a love of “sensory culture and sharing of food”, decided to be either a chef or Winemaker. She did her postgraduate winemaking studies at Lincoln University in 2002. As a lover of Champagne, Amy wanted to move there to learn from the masters. Her plans were challenged during a vintage at Vidal with Rod McDonald, who told her, “Champagne is boring – red wine is where it’s at.” It happened to hail in Champagne that year, which also saw a heatwave throughout Europe - not exactly Amy’s dream vintage. She was catching up for a drink with a friend who knew of someone in Spain seeking Winemakers immediately and asked if she was keen, so she took a role. That position turned into a full time offer after vintage was done.

Olly grew up in Oxfordshire, and when asked about his childhood, he said, “have you ever seen the Inbetweeners TV series? Growing up was basically that: similar characters, dialogue, setting and situations – well, to a degree.” He studied English Literature and French at the University of London and did a year’s graduate study on modern literature (lettres modernes) at the Sorbonne in Paris, where he also interned in an art-house film production company. Some of his work placement experiences were “cool”, to say the least – like briefly interning at Spectator magazine while Boris Johnson was editor. He also had a week’s stint at wine magazine Decanter, writing news, and realised he was drawn to the discipline. Olly joked that he walked straight out of university and put his degree to work stocking shelves at the local supermarket.

After a year of this, his Dad sat down at the end of his bed and said, “look, it’s the military or teaching…” Olly jokes that he still thinks the military missed out on him, but by chance was offered a job with Decanter part-time only a few days after the parental ultimatum. Part of his job, which exposed him to thousands of wines from around the world, included assisting in setting up the Decanter World Wine Awards.

Meanwhile in Spain, Amy worked for Jorge Ordonez, and had the privilege of setting up Bodegas Cenit and Bodegas Triton, in Tierra del Vino de Zamora. Among her countless and enviable experiences with wine, like working with ancient, bush-vine Tempranillo, Amy also started studying for the Master of Wine qualification. She recalls the many people she got to meet, and the even more wines she was able to taste. Among the top of her memories is learning from wine buyers and sommeliers who had experienced palates, as well as getting to sit on numerous judging panels, which put her in the same room of judges for wines from countries all over the world.

Amy and Olly met in 2008 at the Decanter World Wine Awards in London. Amy was on the Spanish wine judging panel, and Olly was there on staff. Olly moved to Spain in 2009 to be with Amy, and to do his first vintage at her winery, a memory the two of them still laugh about. Olly was apparently a bit revolutionary and attempted to cause a general strike. The next year he worked with Al Gardner (now at Grava in Martinborough) in a winery in the northwest, making Godello, and remembers the “bachelor life” and consuming lots of “greasy pies and Coca Cola,” before going to Chablis the year after for vintage where he got to play with a heap of Grand and Premier Cru vineyards. He describes it as the quintessential “big chateaux, with big dinners, classic France” and in accepting the position, expected he would get to drink a lot of amazing wines; he soon realized his vintage team consisted of two recovering alcoholics. He ended up getting wine from the Cellar Door and drinking it on his own after dinner in the dorms; it wasn’t exactly the experience he was anticipating but was great anyhow. He describes the first wine he made, and I’ll let his words speak for it: “my first homemade wine was from 100 year-old vines. I wanted to start fermenting spontaneously but it never really started – it must’ve been too cold in the small bodega I was using. I had to inoculate it in the end but it never lost that slight nutty oxidation note. It won gold in home winemaking competition for the region. If that won gold, I’d hate to think what it was up against…” Other home winemaking trials included harvesting underripe Malvasia bunches and hanging them to dry on a clothes rack and in an abandoned fridge. The resulting wine was an unmitigated disaster.

Even though Amy was working in Spain, she came home for the Cloudy Bay vintage in 2004, and the Brokenwood vintage in Australia in 2005, where she credits much of what she learned about technical winemaking – and the onset of her arachnophobia. “I don’t like spiders. I won’t work in the Hunter Valley again!” She tells the story of how the winery engineer would “hide fake spiders and snakes where I had to put my hands!” She remembers “water blasting spiders out of picking bins everywhere”, but among those memories is “trying some amazing wine”. She also met some Italian friends from Tenuta de Valgiano, who ended up bringing her into the biodynamic world in Italy, where she got to work in biodynamics and see it in action. That’s where she gained her belief in biodynamics and spent five years returning to that producer. She brought some of the philosophies back to her job in Spain, where she could explore them further.

By the time 2012 came around, Amy and Olly’s life in Spain felt different. After the financial crisis, unemployment rates were rising, and it seemed like time to move back to New Zealand. They also wanted to have kids, so came back to get married and start their family. Amy, got a Winemaking position at Craggy Range. Olly worked vintage in the cellar at Vidal, and eventually became an Assistant Winemaker there.

Amy and Olly considered all the New Zealand wine regions when moving home, and although they have friends in Martinborough and love the region, they chose Hawke’s Bay because they were drawn to the slightly bigger, diverse food and wine culture, along with the mountains, oceans and beaches. The Steiner school and community here also align with their philosophies. 

In 2018, Amy and Olly did their first vintage of Halcyon. Amy recalls being “in a deep fog” with two young boys who were not sleeping well. She was working with Rod McDonald at Te Awanga Estate, who was kind enough to give them access to Organic grapes to get Halcyon started. Amy says, “we would not have been able to do it without him”.

Halcyon only uses organic fruit that’s Biogro certified. They don’t use any additions either. Their goal down the road is to own their own vineyard that they can manage exactly as they like. For now, they use Hawke’s Bay Wine Co. but do the winemaking themselves. Note that they “pick earlier than some people but think it’s the perfect window and optimum ripeness for our style.” They “want a bright natural acidity on the lighter bodied, lower alcohol spectrum”.

The name “Halcyon” is linked to Spain, where they worked in a region that was at 500 meters altitude, but the mountains were far away. They describe a “massive blue sky, sunny and hot, long summer, short autumn, freezing cold, foggy winters” and the “perfect weather for growing grapes”.

Halcyon Days evokes a “a nostalgic remembering of the golden times” and “refers to a time past when everything was beautiful and golden and perfect – what you want vintage to be, what Hawke’s Bay is like. Sunshine and light”.

“Kotare” is Halcyon’s skin-fermented Sauvignon Blanc, with a touch of Gewürztraminer and Pinot Noir Rosé. The name references the New Zealand native Kingfisher. It comes from a vineyard Amy has a familiar love of: the Osawa vineyard in the Mangatahi subregion of the Bay, settled along the Ngaruroro river. This wine is Olly’s secret favourite if he had to pick one. Despite the general blasé feelings many Kiwi Winemakers have towards the all too famous grape, Olly was inspired by a special interview with Dider Dagueneau, a renown Sauvignon Blanc winemaker from Pouilly Fume. Olly describes his wines as “amazing, lean, austere, mineral… almost unpleasant but stunningly beautiful.” Olly explains that he has “always had a thing for Sauvignon Blanc” and that it’s “such a great grape” and he “loves working with the skins.”

When describing their Rosé, Ruth, they used adjectives like “texture,” “structure,” “chalky,” and asked “is it Orange Wine or is it Rosé – who knows?” With the blend of Pinot Gris, Syrah and Pinot Noir, they’re definitely not afraid to experiment and make wines they describe as “not definable” and “whatever you want it to be.” Ruth is a collaboration with chef Conor Mertens, who began setting up Ruth – a pop-up dining experience – when he moved to Hawke’s Bay from Auckland. Halcyon Day’s red Syrah, Luz, is named in Spanish for “light” and is predominantly whole-bunch fermented.

In 2020 they made ten tons of fruit into three wines, one of which they pulled from to make a Pet-Nat in keg for Brave Brewing (long-since sold out). Their keg experimentation has led to some great results. Amy laughed at their initial feelings that “we thought we might be making bombs – but nothing exploded!” Brave liked the idea, so gave them some kegs to give it a go in. They’re proud of the fact that, with kegs, “every glass pour is the same, and they’re environmentally awesome,” and you can’t beat the nostalgia of “going back to how you would have done it 200 years ago…” although they joke that it “doesn’t look nostalgic when you order it in a bar.” They also want to make an oxidative, Sherry-style wine inspired by the wines of the Jura. They love the fun they get to have playing with Pet-Nats, kegs, unique varietals, and getting to work for themselves. What they say they love most though, is “the fact that all of [the wines] are totally ours and exactly what we want to do.”

Amy’s typical day now involves taking the kids to school, working at Workroom Coffee part-time, being a barrel agent, sitting on the Hawke’s Bay Winegrowers board, and even doing a bit of contract winemaking! Her schedule allows her to work on Halcyon when she needs, and to be there for the kids too. The fact that she’s a barrel rep is ironic to her, because for Halcyon they don’t use new barrels themselves. However, the job has provided invaluable networking and tasting opportunities, as well as pre-Covid trip to Burgundy.

They both admit that they love working together but it can be a challenge at times, as many married couples could imagine, not to mention that having two Winemakers in the family “is not good for the budget.” They joke about the comment of a friend, Matt Kirby, who said, “I’m surprised you guys are working together – wouldn’t have suggested it.”

Amy and Olly recalled their “biggest fight” when they painted their spare room in Spain. “Let’s agree to never paint anything together again,” they had decided, but winemaking is different. Despite the odd argument, by working together, it forces them to “justify everything to the other person,” which for them is a good thing because they have to think and talk through each decision until they find the best one. Amy spends more time in the market, and runs the Halcyon Instagram, so sometimes consumers don’t realize Olly is fully involved. Other big challenges have been trying to find organic fruit in Hawke’s Bay, as well as juggling family life, day jobs, and everything they’ve got going on with Halcyon. Production amounts are small, and they sell out. Their challenge is finding a way they can increase production so they can satisfy demand for their wines.

The challenges are outweighed by the rewards however, such as Amy being a member of Hawke’s Bay Winegrowers Board. She takes the responsibility on “to be a voice for small producers”. She “joined the board because [she] wants to do better and be better,” and that drives her. They also relish opportunities to work with chefs, label designers, and enjoy any collaborations. Amy even noted at the expense of some laughter from Olly that “Wine Warehousing is amazing. That’s niche! They’re really accommodating and lovely.” Olly joked, “how about that for a quote? Shout out to my peeps Alice and the team at Wine Warehousing!”

Over the years, Amy and Olly have had opportunity to try some of the most well-known, esteemed wines in the world, so I was curious what some of their most memorable were. For Olly, it was a 1996 Dujac from Burgundy, although he also has a distinct memory of the first Fino Sherry he sampled. “I thought I would be immediately sick. The moment I put it in my mouth, I loathed it. Now I absolutely adore it. Your initial perceptions aren’t always right. It’s a journey.” Amy’s memory is a 1990 Salon Blanc de Blancs, an aged Champagne, along with a trip in Jerez she got to do with some small producers who “got carried away in the cellar and said let’s try this and that.” She still recalls the “smell of it and summer”. They also had the rare opportunity to try something with their flatmate, John, that will make all of us wine fans jealous. He blindly poured them something one night, and had them guess. They remember thinking, “this is really good Burgundy. This can’t be DRC, can it John?” It was.

In all seriousness, industry life has taught Amy and Olly the importance of community. They both share the belief of “my strength is not the strength of one, it’s the strength of many. That’s really important”. Olly’s learned to not over-indulge, which is one reason they like their wines to be table friendly and lower in alcohol. Through his experiences he’s learned that excess is not a way to live. “It’s joking and it’s true. We work with alcohol. It’s not healthy. We forget it’s about being an accompaniment. Not a means on its own. Being social. Enjoying a meal. Your place with other people.” Amy has learned the value in a sense of place, and the joy she finds in being connected to the home of her fruit.

Olly mentions how in his past jobs, they were either all physical with little mental stimulation, or all mental with no physical elements; the wine industry combines the two, and for him, that’s key. He loves how this industry is “fully encompassing.”

He also made an important observation that it “is not well paid, so you find people in the industry because they love it.” Isn’t that the truth?

To try Halcyon wines, and to stay in touch with Amy, Olly and their adventures, check out their website, and follow them on Instagram.

The Two Terraces Story; Premium Vineyard in Hawke’s Bay

Featured

Two Terraces is quickly becoming a familiar name in the Hawke’s Bay. It is owned and run by Ian and Linda Quinn. They’re not boutique wine producers and have little interest in making their own wines, yet they’re a critical part of the wine community here. They provide the most important ingredient any boutique Winemaker needs – grapes. Ian and Linda are growers, the first I’ve interviewed, and they opened my eyes to the world of operating a growing business. They’re not the typical picture most people visualize upon hearing the word “growers;” in fact, they’re quite the opposite. This is their passion project; they are following a dream, and investing their blood, sweat and tears into producing premium fruit for specific Winemakers that they’re selective about working with. Ian and Linda are “boutique growers,” if you will, and their story is inspiring.

Ian has much in common with many of us in this industry, in that it is his second career. His first was in telecommunications, where he spent 25 years, mostly in Wellington. Linda had been working for the Ministry of Fisheries but retired early when they built their house in Paraparaumu, where she developed a passion for gardening and soil health. In 2012, Ian was presented with an opportunity to work in Hong Kong for a couple years, and they jumped at it. They used Hong Kong as a base to see much of India and Asia, but knew they’d eventually come home to New Zealand. Ian’s passion for wine developed in his early 20’s, when he was dating Linda. They both were captivated by the experiences that wine was able to provide when paired with the right foods, and the combination of exploring food and wine together became a shared joy. Ian decided to take some papers via distance learning at EIT while he was in Hong Kong, “just for fun,” to expand his wine knowledge. He started his Winemaking papers, which included some Viticulture ones, that he wasn’t looking forward to. “I thought it was like gardening. I’m not into that.” Once he began though, he found a secret love. He believes it has to do partly with his drive to be constantly challenged and partly because of his intrigue with the science behind growing wine grapes. He saw the ever-changing viticulture world as a host of new opportunities that would keep him learning and growing for the next couple of decades.

That explains Ian’s motivation to start Two Terraces, but I was curious how he convinced Linda. She had her passion for gardening, but also held the same idea many do when they think about living in a vineyard. “How glamorous, how beautiful, how lovely, how gorgeous!” She’s since learned that it’s not what it seems. “No, no, no! It’s just hard work! There’s nothing glamorous about it.” Then she conceded and said, “actually, 7.00 at night. Gin and Tonic on the deck. That’s glamorous. At 3.00am, when you’re driving up and down, up and down. Not glamorous.”

Once the Quinn’s had made the decision to come back to New Zealand, they began looking for land to build their vineyard. They were drawn to the Hawke’s Bay as a destination, with it being the Food and Wine region of the country. With the company mandate, right from inception, to focus on premium grapes, and to work with great Winemakers that are passionate about producing great wine, Ian and Linda set out to find some land. They went into their business knowing they would “let the property develop with good reputation for wine and sustainable soil biodiversity and health.”

When they bought the land in the Mangatahi sub-region in 2015, it was a huge plot, and a rundown sheep farm. They came across it through an off-market sales rep who only sold farmland, but later realized he had a plot that may be perfect for a vineyard. After the soil survey confirmed it was, he set the Quinn’s up with a farmer who went in on the purchase and subdivided with them, giving them the perfect sized 24 hectare plot they were after.

They planted the bottom 10 hectares first, in 2016, followed by 10 more up top in 2018. You won’t find any Sauvignon Blanc planted at Two Terraces. They’ve got Syrah and Chardonnay, not only because they’re varieties that thrive in the Bay, but because they’re personal favourites. Ian’s expanded to 5 different clones of Chardonnay now, after having had the opportunity to sample and compare them at the Villa Maria Winery. The Mendoza clone is one of Ian’s favourites, and although it’s not as high yielding, it tends to produce premium fruit, and that’s in line with their goals. They’ve also got Chenin Blanc and Gamay, chosen through the dreams of some Winemakers they aspired to collaborate with, as well as through their soil survey that revealed what would grow best in each section of the vineyard. They also have 5 hectares of Albariño planted. When I asked why they planted the bottom terrace first, Linda laughed and said, “because we can see it from the deck on the front of the house!” It’s the view that accompanies the well-earned Gin and Tonics at the end of a hard day. They enjoy looking out and appreciating their hard work and accomplishments.

With their fruit in high demand, they can be selective in who they work with, and as they look at the whole process as a partnership, they aim to develop medium to long term relationships. “You work with the Winemaker and your joint knowledge of what to do while growing evolves with each season. It’s getting better with time, and a lasting relationship.” Villa Maria has a contract for quite a bit of the Two Terraces fruit, and Ian and Linda describe the partnership as purely positive. They love working with the Villa team, and have been well supported with advice, machinery, and a great teamworking relationship. They also work with Rod and Emma Easthope, Kate Radburn, Smith and Sheth, Decibel Dan, Amoise, and Organized Chaos. They love the mix and variety of all their Winemaking partners.

Working with all these other small producers, and having access to great fruit, I wondered why Ian and Linda haven’t started their own small label. Ian explained how running the vineyard is what gives them their sense of satisfaction. There’s “so much to know. Pests and diseases. Soil health. Vines. Equipment. There’s more than enough scope for what we’re doing. It’s a good opportunity to work with Winemakers. We wouldn’t be able to achieve what we’re doing if we were trying to make our own wine, market and sell it. It would take the focus off the vineyard. If we really want to grow well, we can stay focused on that.” They have their priorities in line and their passions are clear; they have no missions to create their own label. Linda commented that “it gives us a much richer experience to work with amazing Winemakers. If we were making our own, we wouldn’t have [fruit] to sell to all these amazing people. If we did our own wine, it would just be us. Boring!”

One thing Ian loves about the Hawke’s Bay wine community is that “everyone works together and helps each other. There’s lots of sharing of knowledge and experience.” Linda added, “we work with some wonderful people.” Ian shares the sense of satisfaction he feels when the business of harvest season wraps up, and he looks into the vineyard and sees that all the fruit has gone. One of the most rewarding parts of their job is tasting the wines of each of their producers and experiencing how vastly unique they are. “We’re passionate about wine,” Ian explained. “It’s interesting to see the end product. We buy into what Winemakers want to do. We help in the vineyard to get to that end goal.” Linda added that right from the start of their business, “we had a vision of the type of people we wanted to work with and how we wanted to grow. We wanted to grow top notch fine wine. We haven’t varied from that.” Some have suggested they plant a few hectares of Sauvignon Blanc, because it’s a “cash cow. We said ‘no.’ We’ve stuck to that.” Linda recalled something a Winemaker had said about Two Terraces fruit coming into the winery last year, in that he noticed all the other Winemakers were crowding around to see it, commenting that they were jealous of the quality of the fruit he had to work with. She said, “if we can always produce grapes that make people excited to work with, that’s what we want to do.”

A typical day in the life of Ian and Linda begins well before 7.00am, and involves being out in the vineyard, with dog, Max, tagging along, although that’s about all that’s typical. Ian describes how the vineyard is so different seasonally, and the work they do is constantly changing. From pruning all winter in the cold, to dedicated soil health practices, tucking and leaf plucking in the spring and summer, and overseeing contracting crews most of the year, there’s always something to do. Ian and Linda are often visited by the Winemakers to see how their fruit is coming along, and host and participate in various events in the community to learn more. Ian works 7 days a week. He said, “post vintage we get a little bit of time,” and Linda quipped, “we haven’t had a holiday longer than 2 days in the last 5 years… oh, no, we did go away for 5 days once.”

Key practices for Ian and Linda revolve largely around what’s important to the Winemakers they’re working with, and around soil health. They believe greatly in taking care of the land. They’re conventional growers with the intention of converting to organic practices, a process they’ve already begun for some varietals. Ian uses organically based products like fish fertilizers and Mycorrcin, which helps foster the soil microbiology. They’ve planted Rosemary because it brings in bees and they have flowers every 10 rows to encourage insect populations. It’s important to the Quinn’s to be able to “share ideas and innovation, best practice and generally network” with others who are running vineyards. Because of this, Ian joined the Hawke’s Bay Winegrowers board at the end of 2017. One of the initiatives they have worked on is starting up HBVINE, a viticulture group for the region, where they can collaborate. The group has been working on how to best grow and ripen Syrah, the evolution of under-vine management and increasing biodiversity in vineyards. Ian recognizes that HBVINE “is a great way to get people together off the vineyards for everyone’s benefit, as well as give everyone an opportunity to catch up socially.”

Taking care of the vineyard on the daily falls largely to Ian and Linda, even though the Winemakers are involved. Ian explained that they do the work through to harvest, under the specifications of the Winemakers. They have a consultation at the beginning of the season and create a plan together of how to manage the fruit, and which rows will belong to whom. “Winemakers come in at key times and have a look. We agree on how to proceed.” Ian is responsible to hire contractors to assist with the manual labour. The Quinn’s have worked exclusively with the same contractor for 3 years, and they like to have certain workers back as “they see the process right through.” Ian wants to continue to work with his contractor because he trusts the people, and they’re ethical. Frost protection also falls to Ian and Linda. He explained that it’s a lot like farming, in that they sell their harvest once a year, and that’s when they get paid.

As you can imagine, starting a vineyard from scratch isn’t a problem free aspiration. Ian and Linda have faced their fair share of uphill battles, one huge one being the set-up of water to their site. They knew that having access to water was crucial to growing vines, so made sure to get the water rights in the land purchase arrangement. They had no idea however, that having rights to water didn’t necessarily mean there would be water on the property. It took them over 9 months, and drilling 4 different wells, all at their cost and frustration before they finally had to set up a system that draws from a gallery on the river flats. Ian mentioned how they “drilled fully expecting to get water, and it was naïve in retrospect.” The neighbours had water, so they assumed they would too. Throughout those tough 9 months, I asked if they ever felt defeated, and although Ian and Linda admit it was a discouraging time, they were uplifted by the support around them. Their neighbours pulled together and helped them with temporary access to water and power, and eventually, they found the solution they now use. It may not have been their original plan, but they didn’t give up.

Running a vineyard has given Ian a new respect for Mother Nature, and taught him not to stress about it too much. “Do everything you can possibly do to get ready for weather events. That’s all you can do. What will be will be.” Ian also looked back in hindsight and said, “if you knew everything that’s involved in starting a vineyard it might put you off. Sometimes it’s good not to know everything.”

Linda spoke of some technology they’ve invested in that tells them how much water is in each vine, so they know when to irrigate, and when to hold off. It’s been difficult to learn to trust their system, when it seems hot and dry out, and not to water. “You have to trust it. Take a leap of faith. Don’t water when you feel you should. It’s easier for someone new to trust what they’re learning. You’ve got to find a way to make those decisions because you don’t have the years of experience.”

Ian’s persistence is one of the main skills he’s valued since he joined this industry. “Things can get difficult. Stressful. You can wonder how to get to the end. Be persistent. It’s amazing what you can do if you’re persistent.” Ian recalled a colleague he worked with over the years, and a statement that was made that has stuck with him ever since. His colleague had said, “People often think you have a streak of brilliance [if you’re successful]. It’s not that. It’s persistence. It’s the last man standing. There’s lots of truth to that.” Ian also commented that when his persistence has paid off, it’s been “all the more satisfying.”

Ian and Linda spoke highly of his family, and how supportive they’ve been. “Nobody sat us down and said, ‘no, don’t do this.’” Linda explained how Ian’s parents “are very supportive. They have worked tirelessly. They travel and help. We couldn’t have done it without them.” They also spoke of many friends that have come to help them. They’ve appreciated and they acknowledge everyone who has helped them and continues to partner with them. Ian noted that “Villa lends machinery and sends people to help out. It’s a big company, but it’s a real personal partnership.” Ian added, “we’ve had support from so many people. So many have given time and experience, completely willingly. It’s an amazing industry and region from that perspective.”

After everything they’ve experienced so far, and all the hard work, Ian and Linda hold true to the fact that it’s all been worth it. Ian described how “it’s incredibly satisfying to grow a product. In the past, I’ve always sold products. Now I’m producing something entirely of my own labour. I work outside, and it might have been a hard day’s work but at the end of the day, it’s a good place to relax!”

They have found that the old adage is true: “you only live once.” They’ve taken the risk to make the most of their lives, and they’ve got no regrets about their decision.

To learn more about Two Terraces and to keep up with the adventures of Ian, Linda and Max, follow them on Instagram @twoterracesvineyard.

The Decibel Story; How A Glass of Wine Lead to A Move Across the World

Featured

Daniel Brennan, or “Decibel Dan” as he’s better known, was born in Syracuse, New York, and raised near Philadelphia. He is one of 5 children in a Catholic family, and with his mother having ties to Europe and Italy, plus the family diner, Sicilian food and wine culture was his normal.

His Great Aunt and Uncle owned a beer and shot bar in what Dan describes as “a rough hood.” He says, “I remember going as a kid at 10.00am, and it was packed from the night shift workers. It was busy all day and all night.” Dan’s Uncle, who had been living in France, returned to the States when Dan was 16. At the time, his Great Aunt and Uncle were looking to sell the bar, so his parents and uncle purchased it together and transformed it into an Irish Pub featuring Mediterranean cuisine. Dan began working there, at McCrossens Tavern, and dabbled in almost every role, from dishwasher, to front of house, working in the kitchen and bar tending. McCrossens exposed him to quality made beers and wines, and Dan sunk into the cosmopolitan environment of the city. Dan’s first memorable experiences with wine follow a common thread: Martinborough Pinot Noir. He tried a Palliser Estate, a Dry River and a Martinborough Vineyards Pinot Noir, and he says he can still feel the experience of the wines stopping him in his tracks, making him think, “what was that?”

When I asked Dan what some of his other favourite wines are, he responded with, “Italian whites.” The reason is because “they’re so good at it.” He mentioned they’ve been making many styles of wines for thousands of years, across so many regions. “There are a billion varietals; it’s almost a cop out,” he said as he laughed. He recalls drinking an Italian wine across 4 days and noticing that it got better every day. “It made me reconsider everything I was doing. They thought about it as a different kind of drink. It was way too good to be an accident.”

After he graduated high school, Dan went on to study Political Science and Philosophy at The Catholic School of America in D.C. Although Dan’s study aligned with his interest in Philosophy, Politics and History, life eventually led him to another industry, and it wasn’t wine just yet. A childhood friend of Dan’s sent him the first CD he’d produced with his band and asked if Dan would help organize a bar gig for them. He agreed, and it proved both enjoyable and successful; he was asked to organize again the following year, and then eventually to manage the band. He managed Seeking Homer for 6 years, touring North America with them until he was 27 years old. Dan came away from that experience with some amazing memories; the band played with big names like Maroon 5, but also some of Dan’s “musical heroes,” Levon Helm, David Johansen, Richie Havens, David Byrne and Ryan Adams.

Eventually, touring life took its toll on everyone, and with the increasing popularity of sites like Napster, the landscape of selling albums changed. Dan transitioned back home, and began working part time at McCrossens while studying in Philly. He got into WSET courses, and doing beer and wine tastings, but wanted to leave hospitality, due to the unsustainable lifestyle. He decided to go to wine school, brush up on his chemistry and read anything wine related he could get his hands on. His research drew him to both cool climate and up-and-coming regions. Dan commented on the impression that having his Uncle live in France had left with him. “The idea that your Uncle lives in France says to you, ‘well I can do that.’ It opens your world.” With that little nudge of inspiration towards an international life, and Dan’s ongoing relationship with New Zealand Pinot Noir, he knew where he had to go to pursue his wine passions. It was 2008 when he arrived in New Zealand, and although he moved to the country because of Martinborough Pinot Noir, he settled in Hawke’s Bay to attend EIT for Wine Science. Ironically, he notes “I moved to Hawke’s Bay without having tasted a wine from there. I’ll never forget the bus ride into Napier thinking it sure was smaller.”

Dan’s purpose in New Zealand was clear, so it’s not surprising that he wasted no time in starting his label. He purchased grapes in 2009, and had the concept of Decibel in his mind, aiming to produce New Zealand’s famous Sauvignon Blanc, and one you may not expect, Malbec. His nickname, that ultimately inspired his label, “Decibel Dan” grew out of his signature when he was managing the band. He used to spend time with the sound crew before every show, and would sign off with his initials, dB. dB was already taken as a label, but fortunately, the simple yet significant word he now uses was available, and Decibel was created.

Even though he didn’t originally plan on being in Hawke’s Bay, he’s come to love it for simple reasons, like the fact that it’s the second largest region in the country, a great place to live near the ocean, and that it suits him more than Martinborough would have. More importantly, he recognizes how special the Hawke’s Bay is as a wine producing region. “It’s a great place to learn how to make wine because we do so many great wines well. Other places don’t give you the exposure.” Although he will always love Martinborough Pinot, Dan comments how “we make everything else here. Aromatic whites, big reds. I think it’s the best place in the world to make wine.”

Wine with a view of Hawke’s Bay

He’s put his time in working in the Bay, with planning weddings and restaurant work at Te Awa in 2008, where he was fortunate to work alongside Jenny Dobson in the winery here and there. He did his first vintage at Te Awa that year. In 2009 he did vintage at Vidal, and says it was not high tech, but “hard work. You had to think on your feet.” From 2010 to 2013, he was the Assistant Winemaker at Unison, and then moved onto Assistant Winemaker at Paritua from 2013 to 2017. He was running Decibel along the way, always doing Malbec, and some vintages of Sauvignon Blanc and Pinot Noir. Dan’s not one to add anything to his wines, like acid or sugars, and that’s another reason why he loves making wine in the Hawke’s Bay. “We have natural acidity; typically, we don’t have to add acid and that’s a great start. We don’t have to add sugar either.”

Dan and parter Mara

Hawke’s Bay is now home to his family. Dan met his partner, Mara, at one of his famous “Kiwi’s Giving Dinners” in May 2012, that he holds in honour of American Thanksgiving. One of his friends sent him a text right before the dinner asking if she could bring her friend along. Dan agreed, and when he met Mara, he describes their connection as being “instant.” They have a five-year-old daughter, Cecila, named after the Patron Saint of Music, and pronounced in the Italian way, who they endearingly call “Chechy.” They have plans to get married in Italy when they’re able.

Dan with daughter Cecilia

Dan’s got a few different labels within his company. Under the Decibel label, you will now find 5 single vineyard wines, including a Martinborough Pinot and a Malbec. His label Giunta, after his grandmother’s maiden name, features 3 young and fresh wines, one of which is a Nouveau style Malbec, and then, there’s Testify.

The birth of Testify came with an exceptional parcel of 2016 Malbec. He put it in a new puncheon, and neutral barriques, and recalls its purity of fruit. Dan said it was so special, he knew it had to be a new label. The name has roots in a song by one of his favourite bands, The Band, founded by Robbie Robertson and Levon Helm. The band also happened to finish in the same year Dan was born. They were largely influential to him for most of his life and have produced one of his favourite albums of all time. One of Robbie Robertson’s solo albums features a song called “Testimony”. He’s named his wine after the song because to him, it represents the testimony of the quality of that wine. “I put my hand on my heart. It’s my best effort. I put my name on it. I promise you, this is my best. I won’t make it if it’s not up to crack. And that’s fine.” For the Testify label, Dan only focuses on the best appellations that have a story to be told. It is a label that is close to his heart. The Testify line features a Gimblett Gravels Malbec/Merlot blend, a Martinborough Pinot Noir, and a Hawke’s Bay Chardonnay.

Malbec isn’t one of the main varietals that comes to mind when most people think of New Zealand wine, so why did Dan go with a Malbec right from the start, and why does he still include it in all 3 of his labels? “I’ve always loved it. It has a similar acid and flavour profile as Syrah, yet it’s easier to grow. With a learning curve and effort, it can grow well. I think I’ve proven a point. Great wine can be made from Malbec. Gordon Russel has proven that. It’s inherently more interesting than Merlot. It’s got plush juiciness, colour, tannin and acid. It’s a fun thing to make every year.”

Dan sources his roughly 80 tonnes of fruit from a few different vineyards in Hawke’s Bay and Martinborough. He works with several growers and has been consistent with some of them since 2011. He uses organic fruit and wants to support organic growers in the Bay. Part of the reason for that is because he’s learned to “take a breath. Let’s do it right. What we’re doing affects our life and everyone’s. Have some perspective.” He dreams of having a biodynamic home and hopes that more growers will move in that direction. “Organics is important. It makes sense. I can’t believe other people don’t go that route. People think it’s an easy path to not go organic. I get it; it can be scary, but it doesn’t make sense to me any other way. I’m not dogmatic about the way you do it. It just seems crazy not to. Why would you think you can do it better than the great designer has done it? It’s tapping into the right way. It goes back to music. I left myself open to writing that song. Conventional is not leaving themselves open to the possibilities. Nature can manage better than us. It’s scary, but we have to let nature take its course.” He refers to conventional vineyard practices, and says, “I wouldn’t want my kid around it.”

Giunta Chenin Blanc sourced from
Two Terraces Vineyard

Although only 60% of Decibel is exported now (due to an amazing local distributor) Dan started his label in an uncommon position, as a 100% export label. If you remember his connections, he just so happened to have one main client lined up in the States, his family restaurant. He’s thrilled that his wine is selling in New Zealand now, but he also loves the unique opportunity he has to share his wine back home. “The best is when I get a message from someone I grew up with or knew from the past. People I have no idea who they are, saying ‘I just tasted this wine and it’s delicious,’ and they’re putting it online. Someone in Brooklyn saying it’s awesome. I’m the guy that gets to bring Hawke’s Bay Malbec to America? That blows my mind. I get to, through the wine, tell people on the other side of the world that there’s this cool place called Hawke’s Bay in New Zealand.”

Dan being Dan in the vineyard!

Dan’s been challenged along the way, in finding fruit that’s up to what he’s looking for. Additionally, he speaks of the all too familiar financial and marketing challenges that many boutique producers face, and says he wishes EIT taught more on business. Although he’s been on the receiving end of great advice from fellow producers through the years, he was unaware going into his label just how financially challenging it could be. It took him 10 years to be able to make the jump into doing solely Decibel, and he wishes there was “bigger dialogue about how much cash is tied up in your wine.” Pinot Noir, his first love, also keeps him up at night. He’s still passionate about the difficult to grow variety, and often finds himself wondering what he’s going to do with it.

Wine life has given Dan a harvest of inspirational lessons. First, he told me, “just do it. Most of the time they’re not going to stop you.” How true of life; sometimes we just need to take that risk that most of us are too afraid to take. Secondly, he has learned to “live life by the season. Have a flow to the year. When it’s time to relax, relax.” Dan described his Catholic upbringing and agreed that he does have traditional roots in a sense. “Friends, social, family, we’re part of something much bigger. I have no idea what it is, but there’s something cosmic about it.” He talked about how he loves the busy season of harvest, but says, “there is receipt for that. There’s a natural flow to it. Flow, seasons, it’s all cyclical and natural. That was not part of my life in New York or Philly; it was go go go. There wasn’t a rhythm. It’s so important to slow down. Some people don’t have a flow, and it’s easy to get lost. It’s good to have boundaries.” He also loves the comradery in the industry and speaks highly of the Hawke’s Bay wine community. “It’s the people. Talking about all of the things we do. We’re in it together; talk through it. There’s not a point of making wine in isolation.”

Music has always been a meaningful part of Dan’s life, and he credits a few important business lessons to his time managing the band. “I released a couple studio albums with them. It primed me for the idea of getting a wine finished and put out.” Through those experiences, he understood that “it makes sense to take your time and get it right. It’s a captured moment in time. People go on about the parallels of music and wine. The real part is the art and craft. Some are great artists. Some great song writers. Some are both. It’s the same in the wine industry. Some are technical winemakers. Some are artistic. Some have both.” Dan explains that sometimes, wines may not be considered technically right by certain critics but believes that more importantly, they should be loved when they’re consumed. “That’s what I prefer; it should be like song writing.”

When I asked Dan if it’s all worth it, he responded with, “I don’t have a choice.  I couldn’t imagine doing anything else.”

To learn more or purchase Decibel wines, visit https://www.decibelwines.com or follow on Instagram @decibelwines.

The Organised Chaos Story; Breaking the Boutique Wine Mould

Featured

Hayden Penny is the owner and Winemaker of Organised Chaos, a brand that started quite differently to most others. Contradictory to many boutique producers I’ve met, Hayden took some coaxing in order to start his label. More on that later; first, let’s get to know Hayden a bit.

Hayden is the second eldest in a family of five kids. He was born in Paeroa, which he explained for the non-Kiwis in the room as the famous town known through the soda, L&P. He was 8 years old when his parents moved the family to Hawke’s Bay. Because Hayden has a serious interest in sports and couldn’t stand the thought of working in an office, he chose to pursue physiotherapy. He went to Dunedin for Uni, and was recruited onto the Dunedin Rugby Football Club, which ended up keeping him in Dunedin, even after deciding physiotherapy wasn’t for him. He was eventually offered a contract to play Rugby in Dunfermline, Scotland and played a season over there, at the time unaware that the country would later have a sweet significance in his life.

While in Dunedin, he met Bryce Edmonds of Zaria Wines, who offered him work on his family’s vineyard in Hawke’s Bay over the holidays; that turned into an annual job for three years. That time brought to light Hayden’s passion for the vineyard, so he decided to enter EIT. He had unfortunately missed the entrance date that year, so he worked on a farm doing a table grape harvest in Bourke, Aussie in the meantime. He then came back to NZ in 2003 to go to EIT; he remembered his passion for being in Bryce’s family vineyard, and his experience on the farm had given him more familiarity with it. For these two reasons, he was most interested in the Viticulture side of the program. He comments, “I hadn’t really drank much wine other than cask wine at Uni, but thought, ‘why not? I’ll enroll in both of them,’” and signed up for Wine Science too. It didn’t go so well at the start though.

“First tasting class, we all sat down and all the wines came out. Everyone else is saying ‘bubble gum this and spice in that,’ and I thought, ‘that’s not what it tastes like or smells like at all to me. This is not for me. It’s too hard out.’ I went to talk to the lecturer and said, ‘I’m going to pull out. I don’t get those flavors and aromas. I was getting this and this, so I’m obviously wrong.’ He said that the thing with wine is everyone is different. You can’t be wrong. If you smell that and taste that then that’s what it tastes like, other than faults.’ I was learning that wine is this thing that is so social yet it’s so personal as far as the aroma and the flavor profiles. From then on it gave me the confidence to say what I smell and taste.”

Hayden Penny

With those critical lessons learned, Hayden stuck with it and went on to graduate first in his class for Viticulture, and second for Winemaking. He won an EIT scholarship to go to Italy, the Romeo Bragato Exchange, and while there he was often told by people in the vineyards not to try the grapes because of the sprays on them and the withholding period until they were safe. He says, “after that, I knew I wanted to work organically.” Hayden comments about Italy that, “on that trip I was introduced to skin fermented wines, which has become a real thing for me.” He now sits on the interview panel to determine the student who receives that same scholarship. After graduating, Hayden did some “season hopping,” as he describes it, to gain exposure to different ways of doing things. He tried to work for as many organic producers as he could, but says that in order to fund his travel, he had to work for “the big guys” as well; it was all experience none the less.

Doing a dig out in California, 2007

Meanwhile, Hayden’s wife Tarryn was growing up in her native country of Scotland. In her early 20s, she decided to leave Scotland and see a bit of the world. She ended up in New Zealand, and made some lasting friends, one of whom happened to be Hayden’s cousin, Shelley. Later, when Tarryn was back in the U.K., Shelley came to visit. As fate would have it, Hayden was visiting his brother in London. Shelley asked both Tarryn and Hayden to come out for dinner one night, and due to a long day of beer and cricket, Tarryn almost cancelled! Thankfully, she didn’t, because she and Hayden hit it off right away, and have been a couple ever since. Although their relationship has consisted of lots of long distance, they stayed committed to each other and eventually bought their house, finally moving in together in 2011. They had their son, Otis, in 2016. Hayden is a huge fan of the Bay and says that other than his family being here, “in all of the regions I’ve worked in, I couldn’t see myself getting behind the styles they were making other than Hawke’s Bay.” His 15 year old daughter, Carys, also lives here, so being in the Bay is a win win.

2009, Harvest time in Bulgaria

Hayden had done 20 vintages for other people before he started his own label, and he comments, “I don’t wish I had done it sooner. It came at a good time.” He says, “it always made me laugh when people at EIT would graduate and say, ‘yeah, I’m a Winemaker.’ I never felt like that. It takes 10 or 15 vintages to know what you’re doing. I’ve learned so much through working for other people, and you’re always learning. Even if it’s something you definitely don’t want to do, you’re still learning.” He has held positions like Assistant Winemaker at Te Awa in 2006 and 2007, and has done vintages in Calistoga, the Yarra Valley, Marlborough, Spain and Bulgaria. He returned to NZ to take up the role of Winemaker and Viticulturist at William Murdoch in 2010. In 2013 he was working at William Murdoch, and Supernatural Wine Co. approached him to see if he’d make wines for them; he stayed on at Murdoch while making wines for Supernatural in 2013 and 2014. When Supernatural offered for him to make the change full time in 2015 to make the wine, and run the vineyards, he happily obliged. With them being the biggest skin ferment producer in the country, the first producer of a Pet Nat Sauv Blanc, and a big Pet Nat producer, the job was right up his alley. Ironically, he and Tarryn were married at the same vineyard, before he joined the team.

Supernatural Wine Co. in 2018

Hayden is still at Supernatural, so how did Organised Chaos come about? His achievements were recognized by Kemp Fine Wines, a boutique wine distributor, who approached him to see if he could fill some gaps in their portfolio. They desired to add a small producer, who could make Hawke’s Bay wines with care and attention; they wanted the wines to be fruit forward, pleasing to the palate, and ready to drink now. Over several conversations with Kemp, and Tarryn, Hayden had to decide if this was something he wanted to do. It’s not necessarily his “passion project” like so many other Winemakers have in the Bay, but he realized that “the hardest thing to do is sell wine when you’re starting a label,” and he had the sales people coming to him. All he had to do was make it.

He was unwilling to compromise his personal philosophy and knew that the wine would have to be something he was proud to put his name on, so through multiple chats with Kemp, they came to an agreement, and Organised Chaos became a reality. “For me, it’s an expression of me. I’m not going to squeeze margins. I’m not in wine for a business. I’m in wine because I love growing and making wine.” Hayden describes the wines as a “fresh, vibrant and textural expression of a modern-day Hawke’s Bay.” Tarryn says when they discussed the label they realized, “we can do this with integrity and to Hayden’s beliefs.” Hayden comments, “I always thought when I introduced a label it would be organic and blah blah. At the end of the day, we haven’t got any leg up or land or anything. Maybe I can do a passion project further down the line. We can’t do it now, but we also can’t do it if we sit in our 9 to 5’s either. We have to take a risk and try something.”

2019 was the first vintage of this very new label, and Hayden made 2 tonnes of each. He’s adding a Gamay Noir, and possibly Chenin Blanc this year, so he’ll produce 8-10 tonnes in 2020. The Gamay and Chenin will come from the Two Terraces Vineyard in Maraekakaho. Stylistically, the wines are made to be “fruit forward, with not much winemaker influences. They’re all stainless steel fermented, with not much oak influence. Hawke’s Bay [in general] is pretty heavy on the oak. They’re released on the 14th of October from that vintage, and I want them drinking well then, [in a] super fresh and super vibrant fruity style.”

The labels represent the name beautifully. Every label has an edgy, black and white design of its own pattern. They’re similar, yet different. The whites feature horizontal lines, and the reds have verticals. To show organised chaos on the 2-dimensional label, they used designs inspired by Franco Grigani, an Italian optical artist. The logo is “creating chaos but using straight lines; it’s a play with angles.” The name is from a memory Hayden has of working in the vineyard at William Murdoch one very complicated vintage. He remembers saying, “this is just organised chaos.” He had suggested Murdoch use it as a secondary label at the time, but in hindsight, Hayden’s grateful they turned it down.

2013, working at William Murdoch

Hayden is stylistically most proud of the Syrah, because it was the biggest challenge. Organised Chaos Syrah is light, fresh, and fruit forward. The pepper comes as a secondary, well-integrated component. Hayden uses the MS clone, which is “superior” in his opinion. The most shocking trait of his Syrah though, is that it’s a 2019, and we’re already drinking it. It was released in October of 2019.

Releasing a Syrah in the same year it was harvested has lead to Hayden receiving more than his fair share of criticism. “’Oh you can’t do that,’ people say. Well why? Who’s making that rule? I’ve got my distributor saying people want this style.” I must admit that I too was skeptical of what a 2019 Syrah would taste like before I tried it, but I was pleasantly surprised and couldn’t wait to share it with my wine loving friends. Hayden has truly had an uphill battle with the naysayers with this wine, but his attitude about it is inspirational. “To me, it was a personal challenge. Everyone says you can’t. I thought I’d try it and see. Hawke’s Bay has the traditional wines already. I want to do something different. Push the boundaries slightly, but why not? Where are the boundaries? Who sets the boundaries? Stylistically it’s so different. It was a roll of the dice to go that way. I was fairly confident I could get it ready on time.”

He really enjoyed seeing people’s reactions to it being a 2019, and then positive responses after trying it. He comments that “on launch day, people were genuinely intrigued.” He loved “seeing the reaction of people enjoying it and loving the brand,” but clarifies that he’s proud of all the wines. Tarryn says that she’s been “blown away by the support of friends and family and word of mouth through colleagues, etc. It makes me proud that people genuinely love the wines.” Hayden says he’s not a huge believer in shows and awards, but the wines have been recognized by Steven Wong and Bob Campbell.

Hayden has faced challenges other than just how his young Syrah is perceived. He explains, “natural wine gets slugged off all the time by conventional producers. We don’t do it the other way. You do what you want to do and I will too. There’s this negativity towards the natural wine sector. There is some hatred for it.” He found that in creating a young Syrah, people saw him to be “breaking tradition with the vintage thing. Breaking the mould,” but mentions, “I haven’t even found that a problem really because it’s been made for that. There’s not one type of person it appeals to. This is targeted at anyone that’s just keen to try something different, or fun wines.”

As for the winemaking philosophy for Organised Chaos, Hayden quotes, “these wines are a celebration of the chaos that is, and a tip of the cap to the chaos that was. They are a reflection of the moments, inspirations and influences, of my journey throughout the world of wine-growing, organised into my personal expression of the wines that Hawke’s Bay does best.” I love and identify so much with Hayden’s life philosophy and how he believes that “things don’t have to be as they’re told they have to be. What’s wrong with embracing imperfection? Who dictates perfection?” He doesn’t label them as organic or natural but makes them as naturally as he can. He uses yeast for the whites for “purity of fruit and to keep them fresh,” and minimal sulphur is the only addition. The wines are “styled to be enjoyable for everyone.” The more I spoke with Hayden, the more I realized how creative and artistic he is; he is confident to take risks and use his ingenuity to go against the grain, regardless of critics, and that is inspiring.

Organised Chaos’ fruit comes from two key producers in Hawke’s Bay. The Pinot Gris is from the Petane vineyards. Hayden met Philip through making wine at Askerne, and Philip had brought him on as a consultant. As they worked together, Hayden respected what he saw in Philip’s growing philosophy. When choosing fruit for Organised Chaos, he knew he loved Petane’s Pinot Gris, and wanted to stay away from the big, popular microclimates of Hawke’s Bay and champion for the minor ones, like Esk Valley. Hayden explains, “the beauty of Hawke’s Bay is the huge variety that we have. Why can’t we champion that? Why do we have to have our ‘Marlborough Sauv?’ That’s a cop out. If we explored the Hawke’s Bay regions more, each has amazing things that should be highlighted in them if they’d have the right things planted.” The Chardonnay and Syrah come from Pieter Koopman’s Hopes Grove vineyard in the Pakipaki area of the Havelock Hills. This region, another minor one in the Bay, is another Hayden wants to champion for because of its limestone soils; he admires the particular aspect of Pieter’s vineyard, as well as the organic growing techniques he follows.

The vineyards that supply the fruit are, not surprisingly, very important to Hayden. “I don’t find speaking about them hard. I know them inside and out. I use environmentally focused growers. I feel good about that. It’s working with those smaller growers. It’s slightly tougher because the grapes are more expensive, but I’m okay with that. I’d much rather have the full story of the grapes being from Petane and Hopes Grove than that I bought them off the bulk market. I have the freedom to hand pick when I want and get the fruit that I want. I can’t cut corners. I need to keep a relationship with the growers to keep the integrity of the wine.”

Hayden makes the wine at Hawke’s Bay Wine Company and goes in to taste it every single day through harvest. That’s right; he’s there seven days a week, every week, back and forth from the vineyard for his full-time job. He says, “the wine industry is not as glamorous as a lot of people think. Admin is also of the not so glamorous side of things. Spreadsheets. If you’re in the wine industry you can spreadsheet!”

Being largely passionate for the vineyard, I wondered why he became a Winemaker and Viticulturist, rather than pursuing the vineyard route alone. He regaled me with a story of a time when he realized he knew so little after graduating, other than the basics. “I was sitting with Jenny [Dobson] and in passing conversation, I asked, ‘how do you choose which blocks go through malo and which don’t?’ Two hours later we were still talking coppers and this and that. It’s amazing that she knows that, but that’s for that vineyard and those yeast. You go next door and it’s different again. There’s the concept of it being this endless spectrum of input from fruit growing conditions, Winemaker, etc. I was intrigued with it ever since.” He also explains how wine-making is art to him. “I’m a bit of a chemistry nerd and what goes on is incredible. Ten Winemakers can be given the same grapes and come out with different wine. That’s artistic; it’s maybe not from a wine lover’s point of view, but it intrigued me. Through that intrigue, it taught me to love it.”

Hayden has learned a lot from his experience in the industry. His biggest lessons are that “wine can be personal as well as sociable.” He gives the advice to “back yourself. You have to back yourself in a tasting environment.” He has learned to “not sweat nature. You can complain all you want but at the end of the day it’s out of your control. Mother Nature is just a beast and you’ve got to hold on for the ride.” He says about his career, “I certainly never knew I’d be doing this but I’m loving it. It’s the perfect balance of science, growing and being outdoors, sales, chat. It’s pretty cool when you can be driving a tractor one day and in Auckland the next holding dinner over a tasting. Variety scares a lot of people, but I’ve had some of my best ideas sitting in a tractor.”

He says without hesitation that starting Organised Chaos has been worth it. “The hardest thing was doing it this way, and leaving the passion project for another day.” Kemp wasn’t offering him a “vanity project,” but a “business opportunity.” He says, “it’s a totally different way of thinking about your own label.” Hayden’s humility shone through during our conversation; even though it came about in a way he didn’t expect, he seized the opportunity, took the challenges head on, and now produces wines and a label he is very proud of. He has proven that he can more than meet the specifications set out to him for the label and make well priced wine that people enjoy, with fruit sourced from high quality vineyards. Most importantly, he’s proven that he can rise above the challenges and doubts of others and do all the above with integrity to release a product that’s true to what he believes is right. I highly encourage you to try one of Hayden Penny’s Organised Chaos wines as soon as you get the chance!

To purchase Organised Chaos, head to their website, www.organisedchaos.co.nz, or find them on Instagram @organisedchaosnz. They also have a wine club, #jointhechaos where you can receive the wines regularly for 15% off and free freight. Great Little Vineyards and Kemp Fine Wines in Auckland distribute the label and there’s some on-premise places you may see it as well.

So cheers to trying something new and enjoying the Organised Chaos.

The Hancock & Sons Story: Creating Family Legacy Through Wine

Featured

John Hancock grew up on a farm in Australia, that although in the Coonawara wine region, had nothing to do with wine. His parents gained interest in wine only once John entered the industry. One day, John was on his daily commute into the town school, when he began browsing some books on the bus, and as fate would have it, he came across a book about how to make wine at home. Intrigued, he decided to give making fruit wine a go. John finished his high school years at a boarding school, where he happened upon a chemistry teacher who shared about his hobby of making mead. Still fascinated by the process of fermenting, John began making cider from apples he took from the school dinner tables. He joked that he had a “semi commercial operation of slightly sparkling cider!” His business of slightly sparkling cider lead to a fully sparkling passion to make wine; after graduating, he enrolled at Roseworthy College, Australia’s first agricultural college, founded in the late 1880s. Although agriculturally based, Roseworthy offered a winemaking component, and their website still boasts that many of the best-known names in winemaking have passed through their doors. John went straight to work upon graduation, and as of 2020, he has done an amazing fifty vintages, with seven in Australia, two in France, and forty-one in New Zealand.

In 1972, John did his first harvest in the Barossa. He described how different it was to today’s industry. “There were lots of people there forever, forking grapes off a truck for ten hours a day. There was no way of tipping. You would smoke and drink as much as you wanted to. It wouldn’t happen these days! We would spend three or four hours plunging Barossa Cab and Shiraz. You could bloody walk across the top of it.” John went on to describe the astronomical gap in quality he’s witnessed in his fifty years. “You don’t want to know how wine was made back then. They would add almost anything: sugar or water to skins and ferment and add more, etc. to make different wines or fortified wine. They would turn over a ton of grapes four times. The fruit was terrible. We were processing more than the whole of New Zealand at that time, seven thousand ton a day of grapes. Brandy and spirits and fortified wines were big. The guy who was head winemaker had a philosophy that above ten degrees, it all went to distillation.” John just laughed as he told this story and said, “now we know different.”

In 1979, Jim Delegat had posted a winemaker job for advertisement in Australia, and John applied. Jim drove to Berri to interview him and ended up offering him an eighteen-month contract that brought John over to New Zealand. John has fond memories of Jim, who “paid for a ten-week trip around Europe with my partner to learn the wine industries. Just fantastic. Delegat was making less than one thousand ton a year at that time.” He commented that he “loved working there because I had free creative reign to try new things,” and as we know, it’s experiences that foster some of the best learning. John did four harvests for Delegat, before helping to start Morton Estate. There, he implemented the practice of commercial barrel fermentation of Chardonnay, as one of the first places to do it in Australasia. He had been to Burgundy during the harvest of 1981 and witnessed it there. He remembers thinking it was “really bizarre” but saw it work; he came back to New Zealand and slowly edged his way into it, becoming slightly known for it. For example, Delegat won their first gold medal for Chardonnay in 1981, with their 1982 Chard winning Wine of the Show at the precursor to the Air NZ Wine Awards in 1983. It was at Morton where John made his first barrel fermented Chardonnay, their Black Label Chardonnay. He had wanted to be a winemaker since that childhood bus ride and was finally living that dream. “I have never done any other job and don’t want to. It’s too late now,” he joked.

He is also the founder of the well-known winery and wine brand in New Zealand, Trinity Hill. He was in London in 1987 at Bleeding Heart Restaurant, and ran into some friends, who believed in him as a winemaker and said to him, “look, if you’d like to start something on your own, we’d like to invest.” He spent years searching for the ideal vineyard sites and had some great experiences with the Gimblett Gravels. In 1993, he said, “let’s do it,” and bought the land. In 1994, he planted Trinity Hill’s first vineyards, leaning largely on Bordeaux varietals for blends, and the ever popular Hawke’s Bay Syrah. John is no longer involved with the brand today, but it was a large part of his career to which he owes much experience.

Hancock & Sons was founded in November of 2017. John’s got two sons; he points out that only Willy is involved with the business right now, but it’s called Hancock & Sons because he’s got them both, and the door is always open to either of them to be involved. The fruit for this label specifically comes from the Bridge Pa Triangle, and not the Gravels, as in John’s opinion, that’s where you need to be in Hawke’s Bay to produce great Chardonnay. He’s formed a lot of relationships in fifty years, so going into this label, he already knew who he wanted to source fruit from. He keeps a small number of growers, and commented, “I’ve known them for a long time and I know good growers.” He wanted to produce Hancock & Sons in Hawke’s Bay, because he’s had “quite interesting experience with fruit from Hawke’s Bay and I think it’s quite good!”

You’ll find three wines in the Handcock & Sons portfolio, a Rosé, Chardonnay and a Cabernet Franc. The Rosé is made from Cab Franc, not Merlot, and they have done nothing to change its natural colour. The label and name of the Rosé, the inaugural Hancock & Sons wine, represent the legacy from which the family came. John’s great great grandparents migrated to South Australia from Cornwall on a ship called “Lillies.” Willy explained that “coincidentally at the time of harvest, there were lilies in the vineyard where we got our fruit.” The Hancock’s wanted their first wine to be one that many could appreciate and enjoy, not something for a niche market, hence their debut with Lillies Rosé. You’ll find their family crest on all their wines, representing John’s history in the industry and the family legacy. After all, John started Hancock & Sons to be about family and legacy, with the intention of leaving it to the boys. Trinity Hill wasn’t suitable for that, as he was in partnership with other investors; Hancock & Sons is a small label that’s just for them.


As for the winemaking philosophies they hold, they’ve blended new world with a bit of old-world knowledge. John speaks of working with a viticulturist from Burgundy, who used to “taste the fruit from top to bottom… and taste through all the barrels. He would open bottles from all over the world. Fantastic guy.” John learned from him to try everything, and to be open minded. John also notes that “we’ve both done harvests in France. That’s had an influence on the way I’ve approached wines. Rhone. Paul Jaboulet. I admired La Chapelle’s top Syrah. Trinity Hill Homage was made with that in mind. He gave us cuttings of Syrah and Viognier to bring back to New Zealand.”

Willy was born in 1993, the year Trinity Hill was being built up, giving him mainly childhood memories of family life at the vineyard and winery. He says fondly, “I grew up at Trinity Hill.” His first memories are when the winery was being built in 1996 for the 1997 harvest. He remembers Tip, the dog, and getting to help with “little jobs here and there.” It wasn’t until the end of high school though, that Willy decided to make his own way in the industry. “You’ll never make any money in the wine industry. Be a lawyer,” John says he had advised Willy. Willy just responded with, “You always seem to have a lot of fun though!” Willy continued, “Dad always said ‘don’t get into wine. You won’t have money.’ I guess what I saw is that you can have a lot of fun. The places you end up travelling to are invariably beautiful and you meet amazing people.”

Willy worked in the Trinity Hill Cellar Door, and at a restaurant, The Don, that his godparents owned in London as an Assistant Sommelier. He recalls them having four to five hundred bottles from all around the world on their wine list. “You get to taste everything. Huge amount of wines you can’t try in New Zealand.” He’d been on a two-year Working Holiday Visa for the U.K. and when it ran out, he wasn’t ready to leave. “There was a college for winemaking in the U.K., and I thought, ‘should I give it a go? Should I not?’ I studied for three years over there.” He then went through California and worked for Bob Linquist at a place in the Central Coast Valley growing Rhone varieties. He was provided with a car and house, as well as wine in exchange for getting no pay. After, he got in touch with Craig Thomas at Church Road in Hawke’s Bay, and landed a harvest job there, working on the front end as a Harvest Supervisor in 2019. Willy said about Church Road, “I loved working there. They have a great crew.” He’s chosen to continue his career in the industry, and notes “there was never any pressure [from his Dad]. If anything, there was the opposite! Do what you want to do. But this is what I want to do.” One of the rewards Willy has already experienced is the many relationships built in this industry, as well as “building bridges. Getting invited back to a place is pretty cool.”

One of the challenges they’ve have had to overcome relates to sales. “To have the time with a full-time day job to do the bits and pieces that need to be done,” has been hard work. John currently works at Moana Park, where he also produces Hancock & Sons, and Willy is a Cellarhand at Hawke’s Bay Wine Company. Their full time jobs require them to be creative to meet their goal to sell directly to the consumer as much as possible. There are some retailers outside of the Bay that sell their wines, but it’s important to John to keep this label small. “I don’t want to get too big,” he said, as he knows where that leads. “I’ve done the big business thing. If you own vineyards and a winery you never make any money.” Size is less important than the success of the business that’s to be the legacy he leaves to his sons.

An additional challenge is the way consumers buy, as John explained. “It’s so trend driven, the wine industry. People want to drink something else. So you dig it out and plant new, but it’s three years before you can make the wines and try to sell them. If you want to plant something that doesn’t exist in New Zealand at the moment, you have to bring it in from Europe, do the quarantine, etc. From the time you have the brainwave to do it, it’s ten years.” By then, the trend has shifted, and people want something else; or do they? Willy’s learned that “people are fickle. We don’t know what we want and if we do, we can’t articulate it. We’re not prepared to pay what we need to pay for what we want. You go to Cellar Doors and talk to people. They don’t know what they want. They think they like something but don’t actually know.” John added that he “underestimated how little wines at $35 actually sell. At least 80% of wines that are sold have been under $20.”

He’s learned that there is a sizable gap between making wine that is an art form to the winemaker, and making wine that consumers actually want to drink. “Wines with minerality; the average person who drinks a wine doesn’t care. “There’s a generation that hasn’t gotten into wine yet. They’ll get into it. We have to incorporate the millennials and make wine that people are going to drink.” Over the course of John’s career he’s learned an invaluable lesson. “I used to think if we’ve made wines that I like, then people are going to like them too. But now I’ve changed that. We’ve learned that we have to think about what other people like too.”

In watching the evolution of the industry in the last fifty years, John was able to comment on some new challenges for up and coming winemakers. In his day, “you had to complete two harvests and get a good report at Roseworthy before you could graduate.” With the increase of wine’s popularity and prestige, many people are entering the industry with naivety. He says, “everyone wants to be a winemaker,” but cautions, “do a harvest before you go to school. It’s not glamorous. I’ve been involved with designing three wineries now.” He’s also noticed that “very few people leave their jobs, so the succession is low.” This leads to a lack of winemaking jobs for new grads. John graduated from Roseworthy in 1973, and describes that at that time, “you had to have a degree or do another Ag degree before Winemaking. There was an average of ten people graduating each year. They were in huge demand. It was not paying well. $7000 a year was my opening salary, but we were in demand. How many now in the Southern Hemisphere are graduating?” When he graduated, he got a job right away. “Now you’ve got to spend ten years dragging hoses. I missed all that.”


To sit down with someone who has spent his entire career in this industry and has contributed so much to its development, was an honour, to say the least. John’s gained wisdom about winemaking, and about life. “Work ethic is probably the most important thing of the whole lot,” John said, and added, “even if you don’t know what you’re doing, work hard. Past a point, you can’t learn that.” Willy mentioned that he’s taken that lesson to heart and he’s really had to prove himself, coming into the industry as John Hancock’s son. “Even if you don’t know what you’re doing if you can work hard, people really respect that. You have to work harder to prove them wrong as a winemaker’s son.” John reflected on his relationships as well. “I’ve been divorced twice. It really gets under your skin and becomes the driving factor in your life. If you want to be successful in the wine industry you can have one mistress. Your family suffers. I spent so much time away from home.”

In asking John and Willy why they continue to work in this industry, their answers clearly show they both have passion that drives them. “It’s the greatest job in the world but not the highest paid,” John said. “It’s a really interesting industry. If people were in this situation in the used car industry they would be gone tomorrow. People rarely leave the industry.” Willy responded with, “that’s a good point. From the outside, you’re being wet and cold and hungry and tired. But you still want to do it.” John agreed with, “gets under your skin, doesn’t it?” Willy regaled me with the story of his longest shift yet. “Everything in Sancerre, it’s all Sauvignon. We had to get it all in in ten days. It was nuts. I did a thirty-six-hour shift. You get into this twilight zone where the fruit comes in and you press it. What other job could you do that in? You wouldn’t do it if you didn’t love it because you couldn’t. You’re going to see two sunrises on this shift and get no money for it,” Willy joked. “You couldn’t tell a car salesman that.” John agreed and added that his longest shift was fifty-four hours. “It’s a buzz. Adrenaline rush. You’re creating. That’s the thing.”

In sitting down with them both, the respect that Willy has for John was apparent, and his desire to learn from his Dad, and soak in his stories and wisdom is refreshing. John has those years of lessons to pass on, and he has lived through the largest growth of the New Zealand wine industry yet. He’s seen it all, from turning over fruit and adding sugar to make fortified wines, to now, when New Zealand is producing wines that compete with the best in the world.

John isn’t in wine for the fluff. He isn’t full of dramatic, romantic comments and goals. John has been through that already, and he has learned what works and what doesn’t. He has seen the change, and he accepts the new generation and the ideas and insights that come with that, which is why he wants to involve his sons. This label really is designed to be a legacy. John and Willy work well together and enjoy their working relationship. Willy commented, “my number one goal is to learn everything I can from my Dad. I’d be an idiot not to!”

I found their wines to be unique, flavoursome, soft, aromatic and interesting. The nose of each struck me because their intriguing aromas invited me to think about them in further depth. As we neared the end of the evening, John commented to Willy, “they open up so well these wines; that’s what I really like about them.” When you purchase Hancock & Sons wines, you’re buying a label that is made with care, attention, purpose and a sense of family pride. “You’re always proud of the next one coming along,” John said about their wines.

You can purchase Hancock & Sons wines through their website, hancockandsons.co.nz, or find them on Instagram @hancock_and_sons. They are working on getting a fortnightly blog up to share more of their story with followers, and are currently on Instagram, Facebook and Twitter. Some Glengarry’s and Liquor Kings stock their wines, but John and Willy are happy to courier them to you or drop them off personally on their way around the Bay, in order to sell directly to you as much as possible. Follow them on Instagram to stay in the know, and to get some of the 50th Anniversary vintages of John’s wines. Vintage 2020 is wrapping up, and previous vintages of all three wines are ready to buy and are drinking beautifully. So choose a wine, or all three from Hancock & Sons, and sip on fifty years of winemaking experience, perfectly blended with a young winemaker’s aspiration, finished off with the touch of a New Zealand legend, and the legacy of a family.

Grief for the Losses

Featured

I’ve been reflecting most recently on the things that have been lost to this pandemic, and about so many people experiencing losses. This article is my attempt at a small gesture of honour to all of you who have lost.

I think of my friends and sister who have graduated from university programmes they’ve been working at for years, who don’t get to celebrate in walking across that stage. Graduation is a rite of passage; it’s an important ceremony that marks a huge accomplishment. I think of those beginning their careers in the health fields, law enforcement, and other essential services, with this as their training ground.

I think of couples that have had to either cancel or postpone their weddings, or chose to marry with no venue of witnesses, no gathering of family and friends, no reception to follow. I think of those with other milestones to celebrate, that have all been cancelled.

I think of people who live alone, or those who had limited social connections prior to this that are now non-existent, or those who aren’t familiar with technology, who are struggling to connect with those in their lives. I think of those who are lonely.

I think of new mothers and fathers; one of my nieces was born just before this pandemic hit, and she is the first child in her family. Our siblings are working through being new parents without the support they expected and would have received under normal circumstances. We have a new niece or nephew who will be born in the midst of this, and more than one set of friends in New Zealand who are due with Baby Number 1 in the coming months. They’re facing all the same uncertainties that the rest of us are right now, with the added uncertainty of what the hospitals will be like for their births, and the reality of the world they’ll be bringing new life into.

I think of the grandparents, who want nothing more than to hold those perfect, beautiful new grand-babies, but can’t travel to where they are, or that can’t be within 2 metres of them and have to settle for a look across the room. I think of families of all kinds who are separated right now.

I think of people that are dealing with bigger health problems than Covid-19; it’s all we can think about, but there are just as many people who have recently been diagnosed with serious illnesses than there were before, who are grappling with their diagnosis and their new treatment plans, in and amongst the risks of the virus. There are those who have been battling illnesses for some time, and have the added worries of how this virus will complicate their already significant challenges of navigating the world with reduced immune function.

I think of those who are in hospital, and can’t have visitors anymore; I think of those who have died alone.

I think of those who were struggling to make ends meet, and are now out of work, like the hundreds of thousands of hospitality workers across the globe, just to name one example. I think of those who didn’t realize it was their last day at work, or those that have had to abruptly leave jobs. I think of small business owners who will never again open their doors.

I think of those who were on vacations they’d saved tirelessly for and dreamt of for years, who had to go back to a home country. I think of those who had “once-in-a-lifetime” experiences cut short or missed entirely. I think of those that never got the chance to take it all in, or to say goodbye.

These people have lost. They’ve lost ceremony and celebration. They’ve lost any sense of normalcy and tradition for some of the most important days of their lives. They’ve lost first experiences, and last experiences. They’ve lost the physical and practical touch and support of family. They’ve lost what little sense of predictability and assurance they could have been given in already challenging times. They’ve lost any feelings of stability, closure, safety or peace.

These things that have been lost can’t be given back. They’re just gone. These things can’t be changed. These are their stories now. These are their memories.

I’ve been contemplating the stages of grief.

Denial. Anger. Bargaining. Depression. Acceptance.

In past counselling sessions, I’ve learned that although these stages are commonly felt, they don’t necessarily come in the order we think they should, and once we’ve passed through one stage, it doesn’t mean we won’t go back there. The stages are more fluid. We may experience one stage multiple times, or several within a short period. The key is to allow ourselves to experience them as they come.

I read an article recently that addressed that many of us are grieving during this time. Maybe because grief is usually associated with a significant loss, like a death, maybe we think “grief” is too intense of a word for what we’re going through. Maybe we’ve not lost a life, or maybe we have. One thing is certain; we have lost. We’re grieving a lot of different things, big or small, because of Covid-19, and that’s okay. Grieving is not only normal, it’s healthy. If we want to come out of this with mental and emotional health on the other side, we need to face it and go through it. We need to feel what we’re feeling and not let guilt or shame push our emotions under the surface.

It’s not pretty. None of this is. Let’s admit it.

This sucks. Straight up.

This really f*cking sucks.

Most days I’m doing well. Other days I feel like swearing and complaining about how unfair this all is for so many people. I wonder why this is happening, and how long this will last. I wonder about the future. I’m so aware that I’m not in control of what happens, and that can be a really scary place to be, until I remember that I was never in control of what happens in the world any more than I am today; any sense of control I felt was an illusion brought on by my daily routines and plans gone right. Now, again, I must cling to the hope that there is someone who is in control of what’s going to come out of this, and that He can bring good out of it.

Can we please stop comparing our situations and be kind? It’s not helpful to respond to a person’s loss by saying that someone else’s loss is greater, or that everyone’s going through it. The fact that several others in the world are experiencing similar losses can bring comfort in knowing we’re not alone, but it doesn’t in any way negate the losses we have each suffered.

Loss can’t be quantified in the same measurements for everyone; it’s not equal. The same loss may seem manageable to me, yet insurmountable to deal with to someone else, and vice versa. Can we support each other instead of comparing or minimizing each other’s experiences? Can we lend a listening ear and communicate that we’ve heard and understood? Can we validate those who are brave enough to be vulnerable with us and thank them for sharing what they’re going through?

I’ll leave you with some quotes that have inspired me this week. The author speaks about how one thing we can control in uncertain times is our mind-set, how we choose to look at the world around us, and how we see the future.

Your internal mind-set designs your external world. If you believe the world is full of possibilities, it is… if you believe in love, you will find love. If you believe in hope, you will find hope. And the reason you will find them is because you will bring them with you.

When your mind is shaped by hope, you do not see simply two paths; you see an endless number of paths filled with opportunity, possibility and beauty. However, if your mind is shaped by cynicism, or fear or doubt, then the only paths you see in front of you are the ones that are filled with pain and disappointment, with failure and hardship.

Faith changes our perceptions of the future. Faith always sees a way… when we have confidence in things hoped for we are instantly connected to the future… when we have assurance in things seen, we are limited by what we have, by what we know, and by what we can prove. When we have assurance in things not seen, we now add to our resources everything that exists in the realm of mystery, uncertainty and endless possibilities.

- Erwin McManus; The Way of the Warrior

I don’t know anything about your faith, nor do I wish to push mine on you; however, I chose today to have faith on behalf of all of you reading this, that things are going to get better for all of us, and that good will come out of this for you.

I have hope that opportunity and strength are going to come to all those beginning their careers as nurses, doctors, and law enforcement officers in the middle of a pandemic, and to those looking to restart somewhere new.

I have hope that beauty is going to come to all those who missed moments of ceremony, firsts, lasts, the chance to say goodbye, and to those facing health difficulties aside from Covid-19.

I have hope that endless possibilities are going to come again, once this is behind us.

Tomorrow I may need another mind-set adjustment or a reminder to stay positive and hopeful, but today, I choose to put my hope in a future with opportunity, beauty and endless possibilities. I like that a lot better than the other option.

I wish you a future of beautiful, endless possibilities, reader!

Level 3 and 4 Have Brought Me Here

Featured

It’s too much to take in. It’s a lot to process. How are you all doing? My brain is running in a million directions right now. I’ve got so many thoughts I’m fighting to make sense of. Bear with me here. Reach out, please, and tell me how you are coping.

New Zealand has gone to Alert Level 3 today, with the advancement to Level 4 happening on Wednesday. The country will effectively shut down, with the exception of essential services, for 4 weeks. Or longer? No one knows. That’s the part that’s hard. The whole world is being challenged with this huge unknown. We are so human and so limited. Usually I sit on my blogs for a while before posting, but today, I’m processing with you as I write this.

My job. Do I even have one to go back to? How many people are going to be unemployed? Statistics are saying 10,000 people in retail jobs are going to be without work (rnz.co.nz). Already, over 30,000 businesses have applied for subsidies for their staff (nzherald.co.nz). Our country relies on tourism and it’s gone. It’s gone. Just like that. 8 days ago we had a Church Road Live concert with 400 people in our park. A cruise ship came in and a team member took a group on tour. 8 days ago. It feels like months ago.

Vintage 2020. Thankfully, the wine industry has been considered an essential service! There were a few hours today once we heard the announcement that we were going to Level 4 that we weren’t sure they would be permitted to continue working. Trying to imagine New Zealand without wine for 2020 is something I don’t even want to think about. Praise the Lord that they can continue bringing that fruit in and tending to those ferments. It’s a crucial industry for our country. We’re still awaiting specifics. Vintage 2020 will forever be a special, rare and valuable vintage to this world.

The future of our economy. How is this going to affect all of us? Will any of us be able to pay for our mortgages? Our rent? I went to the supermarket today and cued to get in. The shelves were bare. I did my best to adhere to the regulations they have put on food items, but still had items confiscated from me at the till. We are on rations. Rations. We are on rations. This is what you read about in WWII novels.

The 4 week isolation. I realize this is essential to stop the spread of the virus. And I realize that the physical benefits to stopping human contact outweigh the mental and emotional benefits to continuing it; however, there will still be mental effects that we will deal with in order to prioritize our physical needs of eliminating the spread of this virus, like those that come from lack of human contact.

Human contact is a basic human need. Seeing someone face to face. Hugging someone. Seeing their smile in person. Working side by side as a team. Celebrating together. These are all things that all of us crave and need in varying proportions. This virus is cutting off one of our most basic needs from us. Introverts all over the world might be soaking this in, meanwhile all of us extroverts are going into a state of panic. My biggest fear for this next month is being lonely. Bored and lonely. Missing human contact. I will have to do some soul searching and face something I’ve never faced before: this much time to myself. Isolation was the punishment my parents gave me as a child. It’s a punishment to me. How will I deal with this? I am now faced with the challenge of turning this huge bag of lemons into some amazing lemon wine.

We’re all being challenged to do something none of us have ever had to do before. But, what I’ve learned so far in my life is that we can always do more than we think we can. And we can do this, extroverts! We can face this challenge. We can overcome this, and we’re about to prove to ourselves what’s possible… while eating wholemeal pasta, no name beans, and the only 2 salad dressings I was allowed to buy today. Like. A. Boss.

If there’s other things I’ve learned, first of all, we as humans don’t like being told what to do. Many of us are struggling with this isolation and this virus, because we don’t like being told we can’t go out and can’t see our friends. We’re not good at listening. We think we know best. We’re not good at submitting to authority. We’re not accustomed to this. That’s why it has to get to this extreme. Secondly, we take so many creature comforts for granted. Going out for a meal. Stopping at a drive through. Going for a coffee. Going to our friend’s house for a visit. Having people over. Going to work. Going to the gym. Entering a building without thinking of how many people are in it. Going anywhere in public without hand sanitizer, gloves and masks. We take all these things for granted. We’ve just lost all of them.

I said to my boss today, “remember when just a few weeks ago I was complaining that I never get any time off work? Now all I want to do is go to work.” This puts everything we do and everything we know into perspective, doesn’t it? It’s amazing how quickly the world around us can just fall apart. 8 days ago it felt normal. Now, I have questioned everything. Was the last day we were open my last day ever serving customers at Church Road? It may have been. I don’t know. It is completely mind blowing to me that this is happening. And how fast it’s happened.

Faith moment: God knew this was coming. 2020, the year for which my word is “vision” couldn’t have left me more blindsided; this is a time in my life where I’ve had the least vision I’ve ever had, and when I have the least is when I can lean into God the most. This is a year where all of us as a global community have had no way to envision what is to come. It’s a day by day life right now. Rather than live by my vision, or what I think I want, I have to trust God’s vision entirely. He saw this coming. This was no surprise to Him. And I have no other choice but to believe He has a vision that includes me being taken care of in it. We’re living in another country, and although our visas aren’t up for a while, we’ve been thinking of what’s next. Now we’re just taking it one day at a time and one hour at a time.

Where are my extroverts out there? I am such an extrovert! Extroverts gain energy from social interaction, and we thrive on it. We need external stimulation through relationship. When we can’t get it, our energy is sucked from us. We become drained. Verbal processing is a common extroverted quality. We like to talk things through. I find I personally can’t completely deal with a stressful situation without talking it through with someone, which has now become writing it out. Psychology Today says, “People who identify as extroverts tend to search for novel experiences and social connections that allow them to interact with other individuals as much as possible. Someone who is highly extroverted will likely feel bored, or even anxious, when they’re made to spend too much time alone.” Bored, check. Anxious, check. Anxious about being bored, check!

Human touch is a basic need. There are all of those studies I’m sure you’ve heard of where the babies that get held grow into mature, healthy people, and the babies that don’t get held die. Okay, so don’t quote me on that, but look them up. Human touch has been linked to many positive benefits in society, like building greater trust in relationships, decreased violence, increased immune systems and lower disease and stress levels, strong team building, improved learning, and an overall well-being (kcha.org). “Physical touch is the foundational element of human development and culture…we should intentionally hold on to physical touch” (kcha.org).

Face to face communication is critical to our relationships; there’s nothing that can compare to being in the same space as someone else, and sharing in community. Yes, FaceTime and social media are keeping us more connected than ever before, but it’s second best to the real thing. There’s actually a condition known as “skin hunger,” or “touch deprivation“ with symptoms such as being less happy, more stressed, and generally more unwell, along with a reduced ability to experience and read emotions or form meaningful attachments in life (psychologytoday.com). All of this, just from a lack of contact. There are people who, pre-Covid-19, were experiencing this, and who are now going into isolations for various lengths of time, perhaps with nobody to give them any face to face contact. Perhaps they are elderly and can’t see their children or grandchildren anymore, or maybe they’re single and living alone, and going to work, or the gym, or their church, was their only form of social contact, and that’s all been stripped from them for an indefinite time.

Isn’t it ironic that through that same touch, that normally brings us so many positive benefits, we can spread something that will kill us all if we let it? It’s gotten to us in a personal way. It’s affecting many people physically, and everyone else mentally, emotionally, relationally, and financially, to name a few. We’re all being affected by this virus in one way or another.

So what are we going to do about it?

We can’t give up. We have to keep going. We have to stay positive. We have to find hope. We have to find things to laugh about. We have to do our best to simulate human contact. Let’s stay in touch. Let’s unite as the communities we are and let’s band together to overcome this. We can overcome this. We will. Slow and steady. One day at a time. We, as the globe, will get through this. We, as humans, will fight. We will cry if we need to. We will rest. We are being forced into a period of rest. Let’s take advantage of it. We don’t normally rest this much because we live in a constant state of busyness. We will meditate. We will spend time getting to know ourselves more. We will cut this thing off eventually. We will look back on that year that Covid-19 happened and it will be part of the struggle that shaped us. We are living part of history. This will be in the books.

So here’s to the fight. Cheers to you, doing what you need to do. Cheers to governments that are giving their best to make the best decisions they know how to in unprecedented situations. Here’s to uniting as a community.

I wish you the best, wherever you are in the world, and with whatever part of this you’re dealing with.

I was a Vintage Widow

I used to hate this term, and thought it was a bit of an overreaction, but having lived through this season for the real first time (Greg hardly worked outside of normal hours last vintage), I understand why they call us partners by this cruel, yet accurate name.

Vintage Widow: someone who’s partner is working the wine harvest season, and essentially mourns the loss of said partner to everything grapes and winemaking for anywhere from end of February through May; the vintage widow’s needs come second to the winery’s needs at all times.

Now before you think I’m about to launch into a huge list of complaints about this, let me reassure you that I’m not. I get it. I’m in this industry too, and I understand how the weather controls so much of when the grapes can come in, and that once they’re in, they need immediate processing. I understand that it’s all hands on deck, and how it has to be a 24 hour, 7 day per week operation. Vintage is exciting and there’s a thrill to seeing a winery in full swing.

No, I’m not here to complain, yet assuming my first official “vintage widow” title came with challenges, especially during this unprecedented Vintage 2020.

First, this was one of the longest vintages New Zealand’s had in years; it started very early due to warm, sunny weather all spring and summer, and then ended with cooler nights throughout autumn that stretched the reds on for weeks. Secondly, Covid happened; world pandemic vintages are interesting, to say the least. We weren’t sure if wine production was going to be able to continue, but thankfully the government deemed it as essential, strict pandemic procedures were put in place and patrolled at all wineries, and vintage 20 rolled on.

Greg not only worked 12+ hour shifts, 6 days a week, he was Night Shift Supervisor. If he’d been on days, I would have seen him each evening. With nights, we were 2 ships passing. Thanks to Covid, and social distancing, the night shift had to remain on nights for several weeks longer than usual, to keep the 2 shifts from coming into contact with each other on site. All up, Vintage 2020 was 13 weeks of night shift for Greg.

This challenged me in several ways, the biggest at first being sleeping alone every night. I hadn’t slept for a full night alone in a decade. I was assaulted in my 20’s, and sleeping overnight was the one hurtle that I’d never jumped. Whenever Greg went out of town, I’d have friends sleep over, or go to his parents’ or mine. I was offered beds this time too, but decided it was time I finally faced that fear. My colleagues can tell you how tired I was at work for those first few weeks. I was so uncomfortable that I felt like I slept with one eye open most nights. I tossed and turned and had to fight my anxiety all night long, every night. I don’t know if I eventually just hit a point where I got so exhausted that I began passing into unconsciousness, or if I gained some peace; it was likely a mixture of both. Eventually, I started to sleep better. I learned to pray before I went to bed and trust that God would keep me safe. I listened to calming worship music that assured me I wasn’t alone. It was a huge fight. But I finally chose to fight it. It was never easy, but it did become less difficult.

Another challenge was finding something to do with all my alone time. I am an extrovert, and although I enjoy being by myself for short times, I love being with people. In New Zealand, we’ve had to re-balance our relationship and the time we spend with each other. I usually work more hours than Greg does, and he normally gets home before I do, so he has had to get used to missing me for once, while I’ve had to get used to never having any time to myself in the house. We had some arguments at first, but eventually found our groove. Then vintage hit. All of a sudden I was coming home to an empty house. I wondered what I was going to do to keep myself entertained; then I remembered that in Canada, I used to beat Greg home each day, and I had 2 months a year off work and was on my own. I had done this before and I could find things to do, like read and write, go to the gym more often, not rush out of work as fast, or catch up with girlfriends. Great! Plan sorted.

Enter Covid.

Looking back on what vintage would have been like without being mandated to isolate at home for 5 weeks in the middle seems like a dream, and before, I was dreading that! Now, how I felt about it seems laughable! Covid took me to a new level of isolation I never imagined, but I survived, and actually ended up finding some rest and enjoyment in it.

Now, about the cooking. Greg loves cooking; I don’t. He usually gets home first, hence he cooks and it works great… until he isn’t around, and I have to cook for myself! I literally hadn’t turned on the oven in our place before vintage and had to send Greg a photo to ask him if it was on the right setting. I ate cereal for dinner a few times. What have I become? Once Covid hit and I didn’t have to leave the house for work, things changed. In isolation, I could eat whatever, when I was hungry. It also turned out that meals of chocolate and wine were pretty easy to prepare!

We knew going into vintage that Greg would get one day off per week, which thankfully ended up aligning with one of mine. I thought, “oh this will be great! We are used to only having one day a week together so this will be the same!” Wrong. Try coordinating eating and sleeping when you’re on complete opposite schedules. It doesn’t work. One of us was either hungry, or not hungry, or sleeping or tired or wide awake and wired. Covid actually helped us in this area, because once I started working from home, I made my own hours. I switched to night shift. I slept in with Greg, did my work in the evenings, and stayed up until he got home to have a drink or catch up with him. We would go to bed together around 3.00am or 4.00am and it worked really well (apart from the odd 10.00am meetings I had - those were rough).

I have a whole new respect for anyone that works nights as part of their regular schedule. Health care professionals, police, trades workers and so many others do this regularly and don’t see their partners on certain days, and have messed up sleep. Some people’s partners travel often for work and they run their relationships via impersonal contact. Kudos to all of you.

The week that Covid-19 became a huge reality in New Zealand and we went through hourly changes that eventually lead to the closure of my Cellar Door, Greg and I didn’t have a face to face conversation for 6 days. I informed him of only the major things via text. I had a lot of mental processing to do, but I couldn’t process with him. Having someone to talk to about your life who knows you, and who you are, is quite valuable. You can vent to them and they accept you. They can challenge your perspectives, and present new view points. I noticed Greg’s absence the most that week, as I was going through a lot without the support I was used to. I had to lean on other people.

On a much deeper level, one night, I found myself contemplating the point of life. For me, I’ve realized that a lot of my joy in life comes from living it with someone, and Greg is the partner I chose to do that with. Even just sharing small, every day things makes life better for me than when I am doing those same things by myself.

Little things like his cooking, or being there to listen when I need an ear reminded me of how much he does around here. How clean I was able to keep the house reminded me of how much mess he makes too! He does a lot for me, and vintage life reminded me some of why I appreciate him.

Vintage is over, and Greg’s back on days. We’re back to working very similar hours, and eating dinner together and trying to find a new normal in this ever changing life of ours. It’s interesting how something I was so afraid of at the beginning could become something I got used to and even appreciated at times. We, as people, adjust. We deal with what we have to and we make things work. It still surprises me how flexible we can be when we have to be. If life was all the same though, it would just be boring, right?

I’m proud to hang up my “vintage widow” hat for now though. And hey, I work in the Cellar now. Who knows what’ll happen next vintage, or where we’ll be. We’ll find out in due time.

And to all you vintage windows out there, especially the Moms, you rock.

In a Time of Turbulence

Featured

I added Covid-19 to my Microsoft Word dictionary today.

When 2020 began, I could not have foreseen this year becoming what it has so quickly become. And we’re just at the beginning of these next unpredictable and shaky weeks. Or months?

I’ve asked people in their 70’s if they’ve ever seen anything like this in their lifetime and they say they haven’t. No one has. Someone commented to me that the last time things were this dire was in World War II, and although that comment may be a bit extreme at this point, it’s truth may not be for long.

Isn’t it crazy how a microscopic virus can become the hugest villain this world has seen in decades?

I’m reflecting on so many things, and processing uncountable thoughts as this thing affects my life more and more daily, and the lives of those who I love; I know I’m not alone in that.

Life at work has been a lot to take in, and we’ve been dealing with the punches as they come. We had no idea on Sunday morning when we woke up that it would be our last day with cruise ships in town, and that our last tour of the season would go out. We had no idea on Monday when we woke up that we would be isolated from the winery, and many of our colleagues. I spent the majority of my day going through our calendar and regretfully cancelling booking after booking with tour groups and customers. We had no idea on Tuesday when we woke up that all of our Administration office staff would now be working from home indefinitely. Our diary has gone from very full, to completely empty in 2 days. Church Road has never seen this. Local tour operators have lost thousands of dollars of business each day at the drop of a hat. It is amazing how much our culture in NZ survives on tourism. What will happen to those businesses? Those employees? How will people pay their bills?

Living across the world has often felt like we are far from our friends and family in Canada, but this pandemic has reminded me of how small this world can be, and how connected we are to each other. We are in this together, and fighting this together, as a world community. It takes something like this sometimes, that’s attacking all of us, to unite us in our fight against it. We are one large community in many ways right now, as we realize how human and vulnerable we are, and how this life can never be taken for granted.

We like to walk through life feeling like we’re in control. We think we have a job, and we make this much, so we plan ahead for money to come in, and we buy now. We think we can book vacations and just go on them. We plan so many events, celebrations and gatherings, and we assume they’ll happen, because why wouldn’t they? But we’re never really in control, are we? We’ve never been, even when we thought we were, but going through life with that mentality is scary as all hell. We can’t have peace with that knowledge unless we believe in something that gives us a sense of grounding or faith or we have something to put our trust and hope into that it’s all going to be okay or work out as it’s meant to be.

We feel so out of control and turbulent when things like this happen, because we are faced with the reality that we can’t control the outcome. This leads to panic. The panic, I’ve found, can spread just as quick as the virus itself, or maybe quicker. Panic and fear breed more panic and more fear. Panic buying, panic conspiracies being spread verbally and over social media. Panic reactions of all kinds.

The virus may steal the health of some, but the fear is already stealing the peace of many.

It has been interesting to watch how government authorities across various countries are handling the same situation so differently. I am thankful for the precautions New Zealand is taking to “flatten the curve.” Many of us are informing ourselves as best we can, and are trying to weed through the overwhelming amount of information we’re being presented with as the situation changes hourly. We try to cope with it all as we are able, through sharing conversations (hopefully via safe social distancing), or sharing the many humorous memes and videos already going around on social media, or exercise (if our gym is still open), or maybe even with some straight up liquor and pure denial. Or by writing (how I process).

Regardless of how we’re all dealing with it, I’m impressed at so many positive elements of the human race I’m seeing come out already. We, as people, have a fight in us that is awakened when we’re challenged. We push to try and fix and solve and we don’t give up. We work together. When we unite, we support each other. It has been humbling to already witness so many groups forming to support others in the community. It is heart warming to see people who are strangers come together to help other strangers because we are all human beings. This is the basis of humanity. It’s touching to see the goodness in people’s souls, and to be reminded that it is there. We are seeing people love other people in very tangible ways. Why do we not operate like this under “normal” circumstances? This is what the communities in this world should be like!

We are at the beginning of what could be a long road ahead, that will inevitably have multiple tiers of effects that last years. Someone told me today this is the Depression of the 2020’s. The thing is, nobody knows. And we have to take this one day, and one hour and one battle at a time. We have to find ways to cope that work for us. We need to support each other; we need to have friends and family we can lean on, and that can lean on us. We need to be open to how this is affecting us and seek help if we need. When the panic and the fear and the “what if’s” set in, we have to find something that can ground us. For me, it’s my faith. For you it may be something else, but I’ll leave you with this. Maybe it can help you too.

“Give all your worries and cares to God, for He cares for you.” 1 Peter 5:7.

Marlborough; Thoughts after Visiting this Widely Known Region

Marlborough, New Zealand. I want to paint it in lights and wave my hands through the air like a banner as I say it with grandiosity. It’s the pinnacle of wine regions in this country… isn’t it?

If we hadn’t worked in the industry here, and were living in Canada as our regular old, wine loving, WSET certified wine fan selves, and we were given the choice to pick one wine region in New Zealand to visit, we would have chosen Marlborough, all day, hands down. I’d bet that’d be the common vote across most wine fans. There’s a simple reason for this, and it’s the same reason why we want to visit Tuscany in Italy, or the Barossa in Aussie, or Mendoza in Argentina. Marlborough Sauvignon Blanc to New Zealand is like Rioja to Spain, or Zinfandel to California, or Chennin Blanc to South Africa. I have to pay respect to Marlborough for producing something that has grabbed the attention of internationals, because it’s given all other regions the chance to start showcasing that New Zealand is producing some exceptional wines. And if you like Sauvignon Blanc, New Zealand really is the country you should be looking to, and Marlborough is the region that it mostly comes from, although I do challenge you to try Hawke’s Bay Sauv, or Central Otago, or any of the other regions as well.

Upon flying into Marlborough in our wee, 9 seater plane, we got to see it from a bird’s eye view.

It is stunningly beautiful, as is most of New Zealand; I noticed though, that it is almost fully planted in vines. There are hardly any orchards, and hardly any trees. There is hardly anything else, actually, because they’re running out of space entirely to plant vines. Sauvignon Blanc production has basically consumed Marlborough.

As we made our way around the region, we learned that there are over 40 Cellar Doors, and a lot of them are for large brands. We went to a few big producers, like Brancott Estate, who planted the first Sauvignon Blanc vines in Marlborough in 1979, and Giesen.

We visited some smaller ones, like No.1 Family Estate, a solely Methode Traditionnelle producer that is 12/13th generation from France and does exceptional champagne-style wines. We loved everything at No.1 Family Estate.

We were also guests of Hans Herzog (Swiss family making very natural style wines), Framingham (producing delicious, aromatic wines), and Fromm (using organic growing and dry farming). We were impressed with the Rieslings at Framingham, Fromm’s Pinot Noir, and the Cellar Door Exclusive Zweigelt at Brancott.

We saw the industrial side of Blenheim when we went for a tour of our sister winery, Brancott.

It’s surrounded by several other wineries that all have tanks and presses of sizes so large I could hardly wrap my mind around them. In knowing how large our presses are, I was whispering to my friend along the tour, “did she just say it has that much capacity? Did I hear that number right?”

I took a journalist for a tour/interview at work the other day, and she asked me, “if travellers only had time/money to visit one wine region in New Zealand, why should they pick yours? Why Hawke’s Bay?” I had to stop and think for a moment before I responded, because where do I even start? My answer of “obviously because it’s the best,” wouldn’t have been appropriate for a journal article, so I went into a bit more depth. I could write an entire article on just this, but I’ll try to sum up my passion for Hawke’s Bay into a single paragraph.

Hawke’s Bay, although it is the second largest wine region in New Zealand, only exports around 10% of the wine leaving the country; this means we are largely boutique and small production, ensuring more interesting wines, made by real people who strive for wines of quality. We have an extremely diverse array of over 25 different microclimates created by our soils, mountain ranges, Mediterranean climate and sea breezes. This allows us to grow a wide selection of varietals and make wines of all kinds, so like I told the journalist, if you like Bubbles, we have it, Rosé, we have it, all kinds of white wine, we have it, light to heavy red wine, we have it. We’re the only region that does it all. With over 38 Cellar Doors, there’s plenty to try, and we have so much here in addition to the exceptional wine, like orchards, capes, walks, beaches, harbours, museums, history, culture, over 2000 sunshine hours per season, and a great restaurant scene, to name a few.

As I’ve travelled to wine regions and gotten to sample local wines, I’ve noticed there are amazing wines in almost every region that are not mainstream; however, as a traveller I was mostly there to try as many producers and styles of the specific varietals I knew the places for. Since working in the industry in this country, I’ve had the opportunity to change my focus. I’ve seen first hand that there is infinitely more to a country’s wine production than what’s exported. Yes, infinitely more.

When we went back to Canada last year, we were excited to take a browse of the New Zealand isle and see what was available to our friends and families. We were disheartened to find so many mass production labels, that our wine region of New Zealand is so poorly represented, and that most regions here aren’t represented at all. Many of the labels we found aren’t real wineries. They’re brand labels made specifically for export, and although are sometimes decent examples of characters a wine from that area may exhibit, it would be hard to say they’re high quality wines. When people send me photos of Hawke’s Bay wines they’ve found and ask if we’ve been to their Cellar Door, I’m thinking, “no, that’s not a real place, but I drive past the factory where it’s made sometimes…” There is a market for that, yes, but it’s sad to see that those labels seemed to be all that was available. That being said, we really don’t have many wine factories here in the Bay to produce large enough quantities for export at cheap enough prices, unlike Marlborough.

It got me thinking about how many of the other countries of the world are this poorly represented.

What are we missing out on that’s exceptional?

Likely all countries are sending mostly or maybe exclusively mass production wines from only their widely known regions, of only their popular varietals overseas, because that’s what sells. Wine is a business, just like any other, and sales is the biggest thing that matters.

Make wine people will buy. That’s the goal.

The average consumer isn’t buying wine to appreciate the terroir, and to try something different and experience sense of place and be part of the story the weather told that year. They’re looking for an alcoholic beverage with good value, and taste consistency across vintages. To do this, you need multiple recieval bins, huge presses, huge tanks, and huge everything else too, along with some winemaking tricks. Your vintage is just as long as everyone else’s and you’ve got to make the volume happen in the same short 6 weeks, hence the larger, “factory” looking places we saw in the South.

I’ve got to say that in visiting Marlborough, I found there were lots of really nice, interesting wines, that are of quality. Some of what were my favourite wines really surprised me, because they were at a big producer’s tasting room, not the place I expected to have anything interesting. I really enjoyed doing single vineyard comparisons of two of Geisen’s Sauvignon Blancs, and three of their Pinot Noirs; I loved smelling and tasting the expression of the terroir of each vineyard. It was refreshing to see that side of the industry does exist, even in Marlborough, and even with Sauvignon Blanc, although it is a small part down there. This goes to show that even the big producers can do small production stuff that is interesting; however, most of it’s sold locally, so you’ll only find it if you actually go visit the region.

Visiting Marlborough as a wine enthusiast, and as an industry person, was worth it. Despite mixed opinions in the industry on the region and its famous wine, I believe every New Zealand industry person should experience it for themselves. I want to go back again with my husband so he can understand it personally, and I’d love to visit more of the places I unfortunately missed on this last trip. Marlborough is beautiful, iconic for the country, and wines of quality can be found at several wineries. And if you only drink Sauvignon Blanc and Pinot Noir, you’ll definitely love Marlborough.

I do challenge you though, if you’re visiting this gorgeous country to experience some interesting and quality made wines, please keep in mind that there’s so much more to New Zealand outside the borders of our famous wine region. Take the time to explore the other regions and varietals if you really want to know what this country can do. Even within Marlborough, there’s so much more than just Sauv. There are some beautiful aromatic varietals and Chardonnays, and Pinot Noirs coming out of the region, and there are great small producers making sustainable and unique Marlborough wines. Although our identity to the world is largely represented by Marlborough Sauv, and that is a part of who we are, we have a much deeper wine identity, and I suspect many other countries are the same.

On a fun, side note, Marlborough Pinot Noir is just as good for breakfast as Central Otago Pinot. Pinot Noir as a breakfast wine is surprisingly great!

Now that I’ve seen our most iconic region, I’ve been asked if I wish I had chosen to live and work in Marlborough instead of Hawke’s Bay.

Well, you read the article.

Not for one millisecond.